Paul Cézanne - Bathers at Rest (Bathers at rest) - fine art print
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General information from the museum (© Copyright - Barnes Foundation - Barnes Foundation)
Paul Cezanne exhibited Bathers at Rest at the third impressionist exhibition in 1877. In the 1870s he had been working closely with Camille Pissarro, who encouraged him to paint directly from nature-a central tenet of the impressionist approach. Cezanne wrestles here with the naturalist lessons of Pissarro and his colleagues but ultimately throws off the yoke to produce one of the great masterworks of his career, a painting unlike anything that had come before it. The canvas shows a group of male bathers in a landscape around Aix-en-Provence, with Mont Sainte-Victoire towering in the distance. Two bathers wade in the water, another reclines on the grass, and a fourth seems to be either stretching or undressing. Despite their physical proximity, there is no interaction among the figures; each occupies a separate zone and looks in a distinctly different direction. If critics in 1877 were perplexed by the bathers' strange behavior, they also disapproved of their aggressively strange anatomies. The gender of the reclining figure, for example, is difficult to read, and the bather in the foreground--to whom Cezanne would return years later, in his Bather of 1885 (The Museum of Modem Art, New York)--stands with hunched shoulders and pawlike hands of a jarring reddish color. In this figure especially, the paint is so thick as to be almost sculptural. Across his torso, the colors shift suddenly in patches of green and yellow, while a disruptive blue shadow cuts into his shoulder, its sharp edge mimicking the shape of the mountain. In Bathers at Rest, the impressionist concern with the fleeting effects of light and atmosphere is exchanged for something much more structural. Paint is deployed to build solid forms that are insistent in their physicality--the nude bodies, for example, which are reiterated in the structure of the landscape. Clouds are not misty and vaporous, as one might expect, but thick, material entities that seem carved into the sky. Perhaps the most radical moment in this picture is the bright green patch of light falling in a perfect triangle. Cezanne is working from nature, observing it intently and yet developing his own idiosyncratic vocabulary for representing it. This was the central contradiction of the artist's project, and he would struggle with it, to brilliant result, for the rest of his life. Martha Lucy, The Barnes Foundation: Masterworks (New York: Skira Rizzoli, 2012), 161.
Structured table of the work of art
Title of the piece of art: | "Bathers at Rest (Bathers at rest)" |
Categorization of the artpiece: | painting |
Original medium of artwork: | oil on canvas |
Original artwork dimensions: | Overall: 32 3/8 × 39 13/16 in (82,2 × 101,2 cm) |
Museum: | Barnes Foundation |
Museum location: | Philadelphia, Pennsylvania, United States of America |
Website: | www.barnesfoundation.org |
License: | public domain |
Courtesy of: | Courtesy of the Barnes Foundation, Merion and Philadelphia, Pennsylvania |
About the artist
Name of the artist: | Paul Cézanne |
Artist gender: | male |
Nationality of artist: | French |
Jobs of the artist: | painter |
Country of the artist: | France |
Art styles: | Impressionism |
Died aged: | 67 years |
Year of birth: | 1839 |
Year died: | 1906 |
Town of death: | Aix-en-Provence |
About the item
Article categorization: | art reproduction |
Method of reproduction: | digital reproduction |
Manufacturing method: | UV direct printing |
Manufacturing: | German production |
Type of stock: | on demand production |
Product use: | wall picture, art reproduction gallery |
Artwork orientation: | landscape alignment |
Image ratio: | length : width - 1.2 : 1 |
Image ratio implication: | the length is 20% longer than the width |
Material options: | acrylic glass print (with real glass coating), canvas print, metal print (aluminium dibond), poster print (canvas paper) |
Canvas on stretcher frame (canvas print) size options: | 60x50cm - 24x20", 120x100cm - 47x39", 180x150cm - 71x59" |
Acrylic glass print (with real glass coating) size variants: | 60x50cm - 24x20", 120x100cm - 47x39" |
Poster print (canvas paper) variants: | 60x50cm - 24x20", 120x100cm - 47x39" |
Aluminium print (aluminium dibond material): | 60x50cm - 24x20", 120x100cm - 47x39" |
Picture frame: | not available |
Select the material you would like to have
The product dropdown menu ofers you the possibility to choose the material and size of your choice. In order match your personal requirements perfectly, you can choose among the following product customization options:
- Canvas: A canvas print, which should not be confused with an artwork painted on a canvas, is a digital image printed on an industrial printing machine. A canvas produces the exclusive impression of three-dimensionality. A printed canvas generates a nice, appealing appearance. How can I hang a canvas print on the wall? Canvas Prints have the advantage of being relatively low in weight, which means that it is quite simple to hang your Canvas print without additional wall-mounts. Therefore, canvas prints are suitable for all kinds of walls.
- The poster print on canvas material: The Artprinta poster print is a printed canvas paper with a granular structure on the surface. Please bear in mind, that depending on the size of the poster we add a white margin of approximately 2-6cm around the painting, which facilitates the framing with your custom frame.
- Metal print (aluminium dibond): An Aluminium Dibond print is a print material with an outstanding depth effect. The Direct Print on Aluminum Dibond is the excellent start to the sophisticated world of fine art replicas made with aluminum. This UV print on Aluminum Dibond is one of the most demanded entry-level products and is a sophisticated way to display fine art prints, since it puts the viewer’s attention on the replica of the artwork.
- Printed acrylic glass (with real glass coating): An acrylic glass print, which is sometimes labelled as a an art print on plexiglass, will transform your favorite original into marvellous décor. Additionally, it offers a great alternative to canvas or dibond art prints. The work of art will be custom-made with the help of modern UV direct print technology. It creates vibrant, stunning color tones.
The work of art was painted by the male French artist Paul Cézanne. The painting measures the size: Overall: 32 3/8 × 39 13/16 in (82,2 × 101,2 cm). Oil on canvas was used by the European artist as the medium of the piece of art. This artwork is included in the Barnes Foundation's digital art collection, which is located in Philadelphia, Pennsylvania, United States of America. With courtesy of: Courtesy of the Barnes Foundation, Merion and Philadelphia, Pennsylvania (license - public domain).Additionally, the artpiece has the following creditline: . Moreover, alignment is in landscape format and has an image ratio of 1.2 : 1, meaning that the length is 20% longer than the width. The painter Paul Cézanne was an artist, whose artistic style can primarily be classified as Impressionism. The European artist was born in 1839 and passed away at the age of 67 in the year 1906.
Important information: We try the best we can in order to depict the art products in as much detail as possible and to exhibit them visually. Nonetheless, the colors of the print products, as well as the print result might vary marginally from the representation on the monitor. Depending on the screen settings and the condition of the surface, colors can unfortunately not be printed one hundret percent realistically. Because our fine art prints are printed and processed manually, there may as well be minor deviations in the motif's size and exact position.
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