Natale Schiavone, 1841 - Sadness - fine art print

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Original information about the work of art from Belvedere (© Copyright - Belvedere -

Natale Schiavoni, who once "il pittore delle grazie" was called, that reputation was primarily for his depictions of women. In addition, his oeuvre includes numerous portraits, religious subjects and historical genre scenes. After first attempts as an engraver he turned the miniature painting, worked since 1807 at the court of the viceroy of Italy in Milan and was established in 1816 by Emperor Franz to Vienna. He portrayed the members of the imperial family and the aristocracy and enjoyed high reputation (sustainable appreciation Emperor Franz I commented later in the purchase of the 1,832 issued in the Brera in Milan picture "The Penitent Mary Magdalene" for the imperial art collection. The work was discussed in the contemporary press in long treatises and took place in autumn 1836 at the reopening of the Art Gallery in the Upper Belvedere lineup. Today it is owned by the Austrian Gallery Belvedere). 1821 Schiavoni left with his family (his sons Felice and Giovanni were also a painter) settled in Venice. The image formats were from now larger, the range of topics wider. Late thirties, beginning with the presentation Malinconia (Melancholy, 1837, Milan, Galleria d'Arte Moderna), the painter employed reinforced with the pictorial implementation of allegorical terms such as "seduction", "temptation", "evil", " List "," first love ", etc. As a medium for the clarification he preferred the female half-length piece. The audience these representations were well received, less, however, in the press, which accused him penchant for decorative and Spruce, drawing incorrectness and repeating already found ideas. This image is titled The sadness. is typical of Schiavoni that he needs no explanatory Beiwerkes expressed the state of mind. The woman alone is sufficient, their posture, inclination of the head and the pose of the hands. The black, tüllartige scarf bare shoulders partially covered, and the weeping willow in the background have only underlining function. Museo Civico P. Revoltella in Trieste there is an almost equal representation, which was made in the previous year; Differences are only in detail, in the hairstyle, the position of the veil, the clothes (the Vienna picture shows in cutting a lapel pin), but above all in the background, the picture is just a generously draped curtain in Trieste. In comparison, the Vienna image appears delicate painted and intimate expression, the pain of the woman is formulated ideal type by complementing the weeping willow. [Source: Grabner, Sabine: Natale Schiavoni. The sadness in: New Acquisitions. Master of Heiligenkreuz to Krystufek, exh. Cat. Osterreichische Galerie Belvedere, Vienna 15.09.-21.11.1999 (temporary exhibition of the Austrian Gallery, 224), S. 40f]

Background data about the artwork

Name of the painting: "Sadness"
Artwork classification: painting
Broad category: modern art
Temporal classification: 19th century
Created in: 1841
Age of artwork: 170 years
Artwork original medium: oil on canvas
Original size (artwork): 73 x 59 cm
Signature: signed and dated lower right: N. Schiavoni / 1841
Exhibited in: Belvedere
Location of museum: Vienna, Austria
Website: Belvedere
License of artwork: public domain
Courtesy of: © Belvedere, Vienna, inventory number: 8956
Creditline of artwork: purchase from the Dorotheum, Vienna in 1994

Short overview of the artist

Name: Natale Schiavone
Jobs: painter
Artist category: modern artist
Art styles: Realism
Life span: 81 years
Born in the year: 1777
City of birth: Chioggia, Veneto
Year died: 1858
Deceased in (place): Venice

About this article

Print categorization: art print
Method of reproduction: digital reproduction
Production method: digital printing
Production: German production
Stock type: production on demand
Product usage: home décor, art print gallery
Alignment of the image: portrait format
Aspect ratio: 1 : 1.2 (length : width)
Implication of side aspect ratio: the length is 20% shorter than the width
Materials available: metal print (aluminium dibond), poster print (canvas paper), acrylic glass print (with real glass coating), canvas print
Canvas print (canvas on stretcher frame) size options: 50x60cm - 20x24", 100x120cm - 39x47", 150x180cm - 59x71"
Acrylic glass print (with real glass coating) options: 50x60cm - 20x24", 100x120cm - 39x47", 150x180cm - 59x71"
Poster print (canvas paper): 50x60cm - 20x24", 100x120cm - 39x47"
Aluminium print size options: 50x60cm - 20x24", 100x120cm - 39x47"
Framing of the art copy: no frame

Choose your preferred product material

We offer a range of various materials and sizes for every product. In order match your personal requirements perfectly, you can choose among the following product customization options:

  • Canvas print: A canvas print, which should not be confused with a canvas painting, is a digital copy applied onto cotton canvas material. Further, a canvas creates a nice and comfortable feeling. Your canvas of your favorite artwork will allow you to transform your custom art print into a large size artpiece. Canvas prints are relatively low in weight, which means that it is easy to hang up the Canvas print without the help of extra wall-mounts. That is why, canvas prints are suited for any type of wall.
  • Aluminium dibond: These are metal prints on aluminium dibond material with a true depth effect. For our Direct Print On Aluminum Dibond, we print the chosen artpiece on the surface of the white-primed aluminum material. The direct print on Aluminum Dibond is one of the most demanded entry-level products and is a truly sophisticated way to showcase fine art reproductions, since it puts all of the viewer’s attention on the artwork.
  • Poster print (canvas material): The poster is a UV printed flat canvas with a slightly roughened texture on the surface, which resembles the original masterpiece. Please bear in mind, that depending on the size of the poster print we add a white margin between 2-6cm round about the painting, which facilitates the framing with your custom frame.
  • Acrylic glass print (with real glass coating): The print on acrylic glass, which is sometimes labelled as a an art print on plexiglass, will change an original artwork into beautiful wall décor.

Background information on the article

The 19th century painting titled Sadness was made by the artist Natale Schiavone. The original version has the exact dimensions of 73 x 59 cm and was manufactured with the technique oil on canvas. "Signed and dated lower right: N. Schiavoni / 1841" is the masterpiece's original inscription. What is more, the work of art is included in the Belvedere's digital art collection, which is one of Europe's most famous museums with three locations that blends the experience of architecture and art in a unique way. The modern art masterpiece, which belongs to the public domain is being provided with courtesy of © Belvedere, Vienna, inventory number: 8956. Creditline of the artwork: purchase from the Dorotheum, Vienna in 1994. On top of that, alignment of the digital reproduction is in portrait format with an aspect ratio of 1 : 1.2, meaning that the length is 20% shorter than the width. The painter Natale Schiavone was an artist, whose style can be attributed primarily to Realism. The artist lived for a total of 81 years, born in the year 1777 in Chioggia, Veneto and passed away in the year 1858 in Venice.

Important information: We try the best we can to depict our art products as accurate as possible and to exhibit them visually in our shop. Nevertheless, the colors of the print products and the printing may vary to a certain extent from the representation on the screen. Depending on your screen settings and the nature of the surface, colors can unfortunately not be printed one hundret percent realistically. In view of the fact that all the fine art prints are processed and printed manually, there might as well be minor deviations in the exact position and the size of the motif.

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