Nicolaes Pietersz Berchem, 1670 - Allegory of Summer - fine art print

28,99 €

inkl. MwSt. zzgl. Versandkosten

Additional description as provided from the museum (© - Mauritshuis - Mauritshuis)

Herman van Swoll, Amsterdam, c.1670-1698; his sale, Amsterdam, 22 April 1699, no. 20 (the entire series for 570 guilders); private collection, Amsterdam; anonymous sale, Amsterdam, 13 July 1718 (Lugt 267), no. 5 (the entire series for 505 guilders); sale Amsterdam (Daniel Adrianus Beukelaar), 22 May 1731 (Lugt 409a), no. 1; Morel collection, Paris; Morel sale, Paris (Lebrun), 3 May 1786 (Lugt 4025 and 4040), no. 70 (the entire series for 7801 livres to Langlier); Jacques Langlier Gallery, Paris, 1786-1789; his sale (‘Lenglier’), Paris (Lebrun), 15 April 1789 (Lugt 4422 and 4429), no. 50 (unsold); private collection, Paris, until 1834; Marseille Middleton Holloway, London; his sale, London, 1872 (the entire series for 170 pounds to Nieuwenhuys); Charles J. Nieuwenhuys Gallery, Brussels and London, 1872-1886; his sale, London (Christie’s), 17 July 1886 (Lugt 45927), no. 55 (together with inv. no. 1220 for 49 guineas to McLean); McLean collection, London; Eugène Fischof Gallery, Paris (together with inv. no. 1220); anonymous sale, London (Christie’s), 22 June 1901, no. 3; anonymous collection, United States, until 1924; A.- G. (Boehler & Steinmeyer) Gallery, Lucerne, 1924-1927; D. Katz Gallery, Dieren, 1927; A.- G. Luzern (Boehler & Steinmeyer) Gallery, Lucerne, 1934; anonymous collection, The Netherlands, 1934 (via D. Katz Gallery, Dieren?); sale The Hague (Van Marle and Bignell), 3 May 1944, no. 10 (offered for sale by ‘Schilderijen en Antiquiteitenhandel v/h D. Katz N.V.’, Dieren/The Hague; for 10.500 guilders to Dik on commission of Schmidt); J. Dik Gallery, Amsterdam, 1944; Führermuseum, Linz (Linz number 3479; bought for 12.180 guilders from Dik); Central Collecting Point, Altaussee, 1945; Central Collecting Point, Munich, 8 July 1945-8 July 1946; NK collection (inv. no. NK 2732), since 1946, kept by Stichting Nederlands Kunstbezit (SNK) / Rijksdienst Beeldende Kunst (RBK), The Hague / Instituut Collectie Nederland (ICN), Amsterdam-Rijswijk / Rijksdienst voor het Cultureel Erfgoed/Cultural Heritage Agency of the Netherlands (RCE), Amersfoort-Rijswijk; on loan to the Kunsthistorisch Instituut, Utrecht, from 1948; on loan to the Prince William V Gallery, The Hague, from 1977; on loan to the Mauritshuis, The Hague, 1992-2010; transferred by the Cultural Heritage Agency of the Netherlands into the keeping of the Mauritshuis, 2010

Work of art specs

Name of the painting: "Allegory of Summer"
Artwork classification: painting
Generic term: classic art
Artwork century: 17th century
Created in: 1670
Approximate age of artwork: 350 years
Painted on: oil on canvas
Original artwork size: height: 94 cm width: 88 cm
Signed (artwork): signed: Berchem f.
Museum: Mauritshuis
Museum location: The Hague, South Holland, Netherlands
Available under: www.mauritshuis.nl
License type: public domain
Courtesy of: Mauritshuis, The Hague
Creditline: Herman van Swoll, Amsterdam, c.1670-1698; his sale, Amsterdam, 22 April 1699, no. 20 (the entire series for 570 guilders); private collection, Amsterdam; anonymous sale, Amsterdam, 13 July 1718 (Lugt 267), no. 5 (the entire series for 505 guilders); sale Amsterdam (Daniel Adrianus Beukelaar), 22 May 1731 (Lugt 409a), no. 1; Morel collection, Paris; Morel sale, Paris (Lebrun), 3 May 1786 (Lugt 4025 and 4040), no. 70 (the entire series for 7801 livres to Langlier); Jacques Langlier Gallery, Paris, 1786-1789; his sale (‘Lenglier’), Paris (Lebrun), 15 April 1789 (Lugt 4422 and 4429), no. 50 (unsold); private collection, Paris, until 1834; Marseille Middleton Holloway, London; his sale, London, 1872 (the entire series for 170 pounds to Nieuwenhuys); Charles J. Nieuwenhuys Gallery, Brussels and London, 1872-1886; his sale, London (Christie’s), 17 July 1886 (Lugt 45927), no. 55 (together with inv. no. 1220 for 49 guineas to McLean); McLean collection, London; Eugène Fischof Gallery, Paris (together with inv. no. 1220); anonymous sale, London (Christie’s), 22 June 1901, no. 3; anonymous collection, United States, until 1924; A.- G. (Boehler & Steinmeyer) Gallery, Lucerne, 1924-1927; D. Katz Gallery, Dieren, 1927; A.- G. Luzern (Boehler & Steinmeyer) Gallery, Lucerne, 1934; anonymous collection, The Netherlands, 1934 (via D. Katz Gallery, Dieren?); sale The Hague (Van Marle and Bignell), 3 May 1944, no. 10 (offered for sale by ‘Schilderijen en Antiquiteitenhandel v/h D. Katz N.V.’, Dieren/The Hague; for 10.500 guilders to Dik on commission of Schmidt); J. Dik Gallery, Amsterdam, 1944; Führermuseum, Linz (Linz number 3479; bought for 12.180 guilders from Dik); Central Collecting Point, Altaussee, 1945; Central Collecting Point, Munich, 8 July 1945-8 July 1946; NK collection (inv. no. NK 2732), since 1946, kept by Stichting Nederlands Kunstbezit (SNK) / Rijksdienst Beeldende Kunst (RBK), The Hague / Instituut Collectie Nederland (ICN), Amsterdam-Rijswijk / Rijksdienst voor het Cultureel Erfgoed/Cultural Heritage Agency of the Netherlands (RCE), Amersfoort-Rijswijk; on loan to the Kunsthistorisch Instituut, Utrecht, from 1948; on loan to the Prince William V Gallery, The Hague, from 1977; on loan to the Mauritshuis, The Hague, 1992-2010; transferred by the Cultural Heritage Agency of the Netherlands into the keeping of the Mauritshuis, 2010

Artist overview table

Artist: Nicolaes Pietersz Berchem
Gender: male
Artist nationality: Dutch
Professions of the artist: painter
Country of the artist: the Netherlands
Artist classification: old master
Life span: 61 years
Born: 1622
Year died: 1683

Article details

Product classification: fine art print
Reproduction: reproduction in digital format
Production process: UV direct print (digital printing)
Provenance: manufactured in Germany
Type of stock: on demand
Intended product use: art reproduction gallery, wall gallery
Orientation: square format
Aspect ratio: length to width 1 : 1
Aspect ratio interpretation: the length is equal to the width
Available product materials: poster print (canvas paper), metal print (aluminium dibond), acrylic glass print (with real glass coating), canvas print
Canvas on stretcher frame (canvas print) variants: 20x20cm - 8x8", 30x30cm - 12x12", 50x50cm - 20x20", 70x70cm - 28x28", 100x100cm - 39x39", 150x150cm - 59x59", 180x180cm - 71x71"
Acrylic glass print (with real glass coating) size variants: 20x20cm - 8x8", 30x30cm - 12x12", 50x50cm - 20x20", 70x70cm - 28x28", 100x100cm - 39x39"
Poster print (canvas paper): 30x30cm - 12x12", 50x50cm - 20x20", 70x70cm - 28x28", 100x100cm - 39x39"
Dibond print (alumnium material): 20x20cm - 8x8", 30x30cm - 12x12", 50x50cm - 20x20", 70x70cm - 28x28", 100x100cm - 39x39"
Art print framing: please note that this art print does not have a frame

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Detailed product info

In the year 1670 Nicolaes Pietersz Berchem made this piece of art "Allegory of Summer". The artwork had the following size: height: 94 cm width: 88 cm | height: 37 in width: 34,6 in and was painted with oil on canvas. The original artpiece has the following inscription: "signed: Berchem f.". The artpiece belongs to the Mauritshuis's collection in The Hague, South Holland, Netherlands. With courtesy of Mauritshuis, The Hague (public domain). The creditline of the artwork is: Herman van Swoll, Amsterdam, c.1670-1698; his sale, Amsterdam, 22 April 1699, no. 20 (the entire series for 570 guilders); private collection, Amsterdam; anonymous sale, Amsterdam, 13 July 1718 (Lugt 267), no. 5 (the entire series for 505 guilders); sale Amsterdam (Daniel Adrianus Beukelaar), 22 May 1731 (Lugt 409a), no. 1; Morel collection, Paris; Morel sale, Paris (Lebrun), 3 May 1786 (Lugt 4025 and 4040), no. 70 (the entire series for 7801 livres to Langlier); Jacques Langlier Gallery, Paris, 1786-1789; his sale (‘Lenglier’), Paris (Lebrun), 15 April 1789 (Lugt 4422 and 4429), no. 50 (unsold); private collection, Paris, until 1834; Marseille Middleton Holloway, London; his sale, London, 1872 (the entire series for 170 pounds to Nieuwenhuys); Charles J. Nieuwenhuys Gallery, Brussels and London, 1872-1886; his sale, London (Christie’s), 17 July 1886 (Lugt 45927), no. 55 (together with inv. no. 1220 for 49 guineas to McLean); McLean collection, London; Eugène Fischof Gallery, Paris (together with inv. no. 1220); anonymous sale, London (Christie’s), 22 June 1901, no. 3; anonymous collection, United States, until 1924; A.- G. (Boehler & Steinmeyer) Gallery, Lucerne, 1924-1927; D. Katz Gallery, Dieren, 1927; A.- G. Luzern (Boehler & Steinmeyer) Gallery, Lucerne, 1934; anonymous collection, The Netherlands, 1934 (via D. Katz Gallery, Dieren?); sale The Hague (Van Marle and Bignell), 3 May 1944, no. 10 (offered for sale by ‘Schilderijen en Antiquiteitenhandel v/h D. Katz N.V.’, Dieren/The Hague; for 10.500 guilders to Dik on commission of Schmidt); J. Dik Gallery, Amsterdam, 1944; Führermuseum, Linz (Linz number 3479; bought for 12.180 guilders from Dik); Central Collecting Point, Altaussee, 1945; Central Collecting Point, Munich, 8 July 1945-8 July 1946; NK collection (inv. no. NK 2732), since 1946, kept by Stichting Nederlands Kunstbezit (SNK) / Rijksdienst Beeldende Kunst (RBK), The Hague / Instituut Collectie Nederland (ICN), Amsterdam-Rijswijk / Rijksdienst voor het Cultureel Erfgoed/Cultural Heritage Agency of the Netherlands (RCE), Amersfoort-Rijswijk; on loan to the Kunsthistorisch Instituut, Utrecht, from 1948; on loan to the Prince William V Gallery, The Hague, from 1977; on loan to the Mauritshuis, The Hague, 1992-2010; transferred by the Cultural Heritage Agency of the Netherlands into the keeping of the Mauritshuis, 2010. On top of that, alignment of the digital reproduction is square and has an image ratio of 1 : 1, meaning that the length is equal to the width.

Important information: We try all that we can to depict our art products as accurately as possible and to illustrate them visually. Nonetheless, the pigments of the print products and the imprint can differ slightly from the image on your device's monitor. Depending on your settings of your screen and the condition of the surface, color pigments may not be printed one hundret percent realistically. Given that our are printed and processed by hand, there might also be slight differences in the motif's exact position and the size.

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