Friedrich von Amerling, 1834 - Amalie Klein - fine art print

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General information as provided by Belvedere (© - Belvedere - Belvedere)

Amalie Josefine Klein born, of Henikstein (1806-1871), was the daughter of Josef Ritter von Henikstein (1768-1838, after conversion to Catholicism since 1781 Edler von, since 1807 Knight of) and his wife Elisabeth, born Zacher of Sunstone. Henikstein was k. k. privileged wholesalers and next to its stores for several years and Director of the Austrian National Bank. He was also an important patron of music and friend of Wolfgang Amadeus Mozart. In his two townhouses (Kärntnerstraße, Wollzeile) and in the country based in Oberdöbling he organized regular concerts in which he himself took part, together with the most renowned musicians of the imperial city, for he is said to have the game on the cello and mandolin perfectly controlled. Amalie Josefine is reported that she was an excellent singer. Together with her sister Caroline, who married the important Austrian Orientalist Joseph Freiherr von Hammer-Puregstall, Amalie grew accordingly on a beautifully spiritual and musical Umfald. 1824 married Amalie older by nine years banker Carl Ferdinand Klein (1,797 to 1,868). That was before he was resident in Austria, in St. Petersburg as associé in the trading and banking house Stieglitz & Co. (like his father before him Peter Aasron Klein) operates. The couple first lived alternately in Vienna and St. Petersburg, but left soon for ever in Vienna down because Carl Ferdinand Klein preferred the Russian health reasons, the Austrian Air. Klein was industrialist who owned in Upper and Lower Austria several factories, was royal. Danish Commerce and a member of the mansion, also knights of k. k. Leopods Order. The couple Amalie Josefine and Carl Ferdinand Klein had nine children, of whom seven survived. At the time, portrayed as Amerling Amalie Klein, she was already the mother of six children. Literature: Wurzenbach, 8,, 1862, page 303 et seq .; Czeike, Felix (. Ed): Historical Dictionary Vienna, Vol 3, Vienna 1994, p 142;. Stieglitz, Olga: The Ephraim. A contribution to the history and genealogy of the Prussian Münzpächter, big businessmen and bankers and their connection to the Itzig and other families (DFA 131/132), Neustadt (Aisch) 2001. [Sabine Grabner, in: Friedrich von Amerling. 1803-1887, ed. v. Sabine Grabner, exh. Cat. Osterreichische Galerie Belvedere Vienna, Leipzig 2003, pp 132-133]

Details on the unique piece of art

Title of the piece of art: "Amalie Klein"
Categorization: painting
Category: modern art
Period: 19th century
Year of creation: 1834
Artwork age: around 180 years old
Original medium of artwork: oil on canvas
Original size: 127 x 103,5 cm - frame dimensions: 154 x 131 x 14 cm
Signature on artpiece: signed and dated lower left: FrAmerling / 1834
Museum / location: Belvedere
Place of museum: Vienna, Austria
Available under: Belvedere
Artwork license type: public domain
Courtesy of: © Belvedere, Vienna, inventory number: 3832
Creditline: exchange with Dr. gallery W. A. ​​Luz, Berlin in 1941

Short overview of the artist

Artist: Friedrich von Amerling
Alternative names: amerling friedrich von, amerling friedr., fr. v. amerling, fritz von amerling, friedrich v. amerling, fr. amerling, Amerling Friedrich, friedr. amerling, F. v. Amerling, franz v. amerling, Friedrich von Amerling, amerling friedrich v., friedrich amerling, amerling, f. amerling, Amerling Friedrich von, Friedr. v. Amerling
Gender of the artist: male
Nationality: Austrian
Professions of the artist: painter
Country of origin: Austria
Artist classification: modern artist
Styles of the artist: Biedermeier
Died at the age of: 84 years
Year born: 1803
Born in (place): Vienna, Vienna state, Austria
Died: 1887
Place of death: Vienna, Vienna state, Austria

About this product

Article type: fine art reproduction
Reproduction: digital reproduction
Production method: UV direct print (digital printing)
Origin of the product: made in Germany
Type of stock: on demand production
Product use: wall décor, wall gallery
Orientation of the artwork: portrait alignment
Image aspect ratio: 1 : 1.2 length to width
Interpretation of the image aspect ratio: the length is 20% shorter than the width
Materials you can choose from: poster print (canvas paper), metal print (aluminium dibond), canvas print, acrylic glass print (with real glass coating)
Canvas print (canvas on stretcher frame) variants: 50x60cm - 20x24", 100x120cm - 39x47", 150x180cm - 59x71"
Acrylic glass print (with real glass coating) variants: 50x60cm - 20x24", 100x120cm - 39x47"
Poster print (canvas paper) sizes: 50x60cm - 20x24", 100x120cm - 39x47"
Aluminium dibond print (aluminium material): 50x60cm - 20x24", 100x120cm - 39x47"
Art print framing: without frame

Select the product material you would like to have

The product dropdown menu provides you with the opportunity to choose your prefered material and size. We allow yout to choose among the following variants:

  • Poster print (canvas material): The poster print is a printed sheet of cotton canvas paper with a granular texture on the surface, which reminds the actual version of the artwork. It is suited for framing the art copy using a special frame. Please note, that depending on the size of the poster we add a white margin 2-6cm around the work of art, which facilitates the framing with a custom frame.
  • The canvas print: A canvas print is a printed cotton canvas mounted on a wooden stretcher. It produces the extra impression of three dimensionality. Also, a canvas produces a soft and comfy ambience. A canvas print has the great advantage of being low in weight, which means that it is quite simple to hang your Canvas print without additional wall-mounts. Canvas prints are suitable for any kind of wall.
  • Print on glossy acrylic glass (with real glass coating): The acrylic glass print, which is sometimes named as a UV print on plexiglass, will turn the original work of art into brilliant décor and offers a good alternative option to canvas or dibond prints. The acrylic glass protects your selected art print against sunlight and external influences for several decades.
  • Aluminium dibond: Aluminium Dibond prints are prints on metal with a true depth effect. For your Direct Aluminium Dibond print, we print your selected artpiece on the surface of the aluminum. The bright and white parts of the artpiece shine with a silky gloss, however without the glare. The colors of the print are bright and luminous in the highest definition, the fine details appear clear and crisp. The print on Aluminum Dibond is one of the most demanded entry-level products and is a modern way to display art prints, as it draws focus on the whole artwork.

The artwork "Amalie Klein" painted by the Austrian artist Friedrich von Amerling as your own art replica

The piece of art was made by the biedermeier master Friedrich von Amerling. The original was painted with the size: 127 x 103,5 cm - frame dimensions: 154 x 131 x 14 cm and was painted with the techinque of oil on canvas. The original artwork has the following text as inscrption: signed and dated lower left: FrAmerling / 1834. What is more, this artwork can be viewed in in the Belvedere's digital collection, which is located in Vienna, Austria. With courtesy of - © Belvedere, Vienna, inventory number: 3832 (public domain). : exchange with Dr. gallery W. A. ​​Luz, Berlin in 1941. The alignment is portrait with an aspect ratio of 1 : 1.2, which implies that the length is 20% shorter than the width. The painter Friedrich von Amerling was an artist from Austria, whose artistic style was mainly Biedermeier. The Austrian painter lived for 84 years and was born in the year 1803 in Vienna, Vienna state, Austria and died in 1887 in Vienna, Vienna state, Austria.

Disclaimer: We try all that we can in order to depict the art products in as much detail as possible and to showcase them visually on the different product detail pages. However, the pigments of the printed materials and the printing can vary slightly from the presentation on your device's monitor. Depending on the settings of your screen and the quality of the surface, color pigments may not be printed as realisitcally as the digital version depicted here. Given that all art reproductions are processed and printed by hand, there may also be slight variations in the exact position and the size of the motif.

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