Isack van Ostade, 1646 - Travellers outside an Inn - fine art print

761 kr

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Specification of the print product

Travellers outside an Inn was created by the male artist Isack van Ostade. The original version of the artpiece has the dimensions of height: 75,8 cm width: 109,4 cm | height: 29,8 in width: 43,1 in. Oil on panel was applied by the Dutch artist as the medium of the artpiece. The original artpiece has the following inscription: signed and dated: Isack: van. Ostade 1646. Today, the artwork belongs to the Mauritshuis's digital collection in The Hague, South Holland, Netherlands. We are glad to state that this public domain artwork is supplied with courtesy of Mauritshuis, The Hague. The creditline of the artwork is the following: Probably Pieter Fouquet Gallery, Amsterdam; Pierre-Louis Randon de Boisset, Paris, until 1776; his sale, Paris, 27 February-25 March 1777 (Lugt 2652), no. 118 (for 15,000 francs to Le Brun for Radix Sainte-Foix); Claude-Pierre-Maximilien Radix Sainte-Foix, Paris, 1777; possibly Louis de Noailles, Maréchal de France, Paris; Joseph Duruey, Paris, 1791-1794; his sale, Paris, 21 June 1797 (Lugt 5625), no. 7 (for 7,400 francs to Robit); François-Antoine Robit, Paris, 1797-1801; his sale, Paris, 6 December 1800 (Lugt 6161), no. 77 and again offered for sale at second Robit sale, Paris, 11-18 May 1801 (Lugt 6259), no. 78 (for 9,020 francs to Séguin); Armand Séguin, Paris, 1801; Ferdinand d’Artois, Duc de Berry, Paris; his widow, Marie-Caroline-Ferdinande-Louise de Bourbon, Duchesse de Berry, Paris; offered for sale in London, Christie’s, 1834 (cf. Lugt 13608a), no. 33, unsold and incorporated in the Berry sale, Paris, 4-6 April 1837 (Lugt 14643), no. 18 (for 32,655 francs to Demidoff); Anatole Demidoff, San Donato, 1837-1868; his sale, 18 April 1868 (Lugt 30437), no. 9 (for 104,000 francs to Mannheim for the 4th Marquess of Hertford); Richard Seymour-Conway, 4th Marquess of Hertford, Paris, 1868-1870; by inheritance to his illegitimate son, Richard Wallace, Paris, 1870 (inventory 1871, no. 359; exhibited at the Bethnal Green Museum, London, 24 June 1872-April 1875, no. 173; subsequently exhibited as part of The Wallace Collection, Hertford House, London); his widow, Amélie-Julie-Charlotte Castelnau, Lady Wallace, Hertford House, London, 1890; acquired by Alfred de Rothschild, London, in exchange for another painting by Isack van Ostade (London, The Wallace Collection, inv. no. P 73), after 1890 and before 1898; by inheritance to his illegitimate daughter, Almira, Countess of Carnarvon, 1918; Knoedler Gallery, New York (inv. no. 15881), with Colnaghi Gallery, London and Arthur Ruck Gallery, London, March 1924; sold to Jan Kleykamp of Kleykamp Gallery, The Hague, October 1925 (sold to the Mauritshuis for 35,000 guilders); acquired with the support of the Rembrandt Association and private individuals, 1925. In addition to that, the alignment is landscape and has a side ratio of 1.4 : 1, which implies that the length is 40% longer than the width.

Product materials our customers can pick

We offer a range of different sizes and materials for every product. Pick your favorite size and material among the following options:

  • Aluminium print (aluminium dibond): Aluminium Dibond prints are metal prints with a true depth effect. A direct Direct Print on Aluminum Dibond is the excellent introduction to art reproductions produced with aluminum. Colors are luminous and bright, the details of the print appear crisp and clear, and you can truly perceive a matte appearance of the surface.
  • Canvas: A printed canvas material applied on a wood stretcher frame. Additionally, a canvas print produces a soft and positive effect. How can I hang a canvas on my wall? The advantage of canvas prints is that they are relatively low in weight. This means, it is easy and straightforward to hang up the Canvas print without extra wall-mounts. Canvas prints are suitable for all types of walls.
  • Printed poster on canvas material: A poster print is a printed flat cotton canvas with a granular finish on the surface. The printed poster is suited for framing the art print with a personal frame. Please bear in mind, that depending on the absolute size of the canvas poster print we add a white margin of approximately 2-6cm around the print, which facilitates the framing with your custom frame.
  • Print on acrylic glass: An print on acrylic glass, which is sometimes referenced as a print on plexiglass, will change the original into amazing home décor and forms a great alternative option to aluminium or canvas fine art replicas. The acrylic glass protects your custom fine art print against light and heat for between four and 6 decades.

Legal disclaimer: We try our best in order to describe the art products as precisely as possible and to showcase them visually. Still, the colors of the print materials, as well as the printing may diverge somehwat from the representation on your monitor. Depending on your settings of your screen and the condition of the surface, color pigments can unfortunately not be printed as realistically as the digital version on this website. Considering that all our art prints are printed and processed manually, there might also be slight variations in the exact position and the size of the motif.

The product

Print categorization: art print
Reproduction: digital reproduction
Production method: UV print / digital printing
Production: made in Germany
Stock type: on demand
Intended usage: wall gallery, art reproduction gallery
Artwork alignment: landscape format
Aspect ratio: 1.4 : 1
Image ratio implication: the length is 40% longer than the width
Available reproduction materials: poster print (canvas paper), canvas print, acrylic glass print (with real glass coating), metal print (aluminium dibond)
Canvas print (canvas on stretcher frame): 70x50cm - 28x20", 140x100cm - 55x39"
Acrylic glass print (with real glass coating) options: 70x50cm - 28x20", 140x100cm - 55x39"
Poster print (canvas paper) variants: 70x50cm - 28x20"
Dibond print (alumnium material) size variants: 70x50cm - 28x20", 140x100cm - 55x39"
Picture frame: please consider that this art print has no frame

Artwork table

Artwork title: "Travellers outside an Inn"
Classification: painting
Broad category: classic art
Artwork century: 17th century
Year of creation: 1646
Approximate age of artwork: over 370 years old
Painted on: oil on panel
Dimensions of the original work of art: height: 75,8 cm width: 109,4 cm
Signature: signed and dated: Isack: van. Ostade 1646
Museum: Mauritshuis
Museum location: The Hague, South Holland, Netherlands
Website of the museum: www.mauritshuis.nl
License type: public domain
Courtesy of: Mauritshuis, The Hague
Creditline: Probably Pieter Fouquet Gallery, Amsterdam; Pierre-Louis Randon de Boisset, Paris, until 1776; his sale, Paris, 27 February-25 March 1777 (Lugt 2652), no. 118 (for 15,000 francs to Le Brun for Radix Sainte-Foix); Claude-Pierre-Maximilien Radix Sainte-Foix, Paris, 1777; possibly Louis de Noailles, Maréchal de France, Paris; Joseph Duruey, Paris, 1791-1794; his sale, Paris, 21 June 1797 (Lugt 5625), no. 7 (for 7,400 francs to Robit); François-Antoine Robit, Paris, 1797-1801; his sale, Paris, 6 December 1800 (Lugt 6161), no. 77 and again offered for sale at second Robit sale, Paris, 11-18 May 1801 (Lugt 6259), no. 78 (for 9,020 francs to Séguin); Armand Séguin, Paris, 1801; Ferdinand d’Artois, Duc de Berry, Paris; his widow, Marie-Caroline-Ferdinande-Louise de Bourbon, Duchesse de Berry, Paris; offered for sale in London, Christie’s, 1834 (cf. Lugt 13608a), no. 33, unsold and incorporated in the Berry sale, Paris, 4-6 April 1837 (Lugt 14643), no. 18 (for 32,655 francs to Demidoff); Anatole Demidoff, San Donato, 1837-1868; his sale, 18 April 1868 (Lugt 30437), no. 9 (for 104,000 francs to Mannheim for the 4th Marquess of Hertford); Richard Seymour-Conway, 4th Marquess of Hertford, Paris, 1868-1870; by inheritance to his illegitimate son, Richard Wallace, Paris, 1870 (inventory 1871, no. 359; exhibited at the Bethnal Green Museum, London, 24 June 1872-April 1875, no. 173; subsequently exhibited as part of The Wallace Collection, Hertford House, London); his widow, Amélie-Julie-Charlotte Castelnau, Lady Wallace, Hertford House, London, 1890; acquired by Alfred de Rothschild, London, in exchange for another painting by Isack van Ostade (London, The Wallace Collection, inv. no. P 73), after 1890 and before 1898; by inheritance to his illegitimate daughter, Almira, Countess of Carnarvon, 1918; Knoedler Gallery, New York (inv. no. 15881), with Colnaghi Gallery, London and Arthur Ruck Gallery, London, March 1924; sold to Jan Kleykamp of Kleykamp Gallery, The Hague, October 1925 (sold to the Mauritshuis for 35,000 guilders); acquired with the support of the Rembrandt Association and private individuals, 1925

Contextual artist metadata

Name of the artist: Isack van Ostade
Also known as: Isaek van Ostade, Oostade, Ijsack van Ostade, van ostade isack, Isaac Van Ofstade, Isacq van Ostade, Isaak Ostade, Isaace Ostade, Isaac Ostrade, Isaac v. Ostade, Isac v. Ostade, I.V. Ostade, Ostade I. van, Isac Ostade, Jsaac Ostade, Ostade Isaac Jansz. van, Ostade Isaack van, J.v. Ostade, Isack Van Ostade, I. Ostade, Ostade Isaac, Isaac d'Ostade, Isac Ostaden, Isaac Ostade, Isac von Ostade, Is: Ostade, Isaak Van Ostade, isak ostade, Isaac van Ostaden, T. Ostade, Isaac Jansz. Van Ostade, ון-אוסטדה איזק, J. Ostade, Izaack van Ostade, Isaac van Oostaden, ostade j. van, Ostade Isaak van, stade isack van, Isaack van Ostade, isaach van ostade, J. V. Ostade, Js. Ottade, Isaac Ossade, Is. van Ostade, Is. Ostade, J.S. Van Ostade, Van Ostade, I van Ostade, I. v Ostade, Isaac von Ostaden, van ostade j, J: van Ostade, Ostade Isak van, Isac van Ostade, J. van Oostade, Isack Ostade, J V Ostade, J. van Ostade, Ostade Isaac van, Isaack Osttade, Ostade Isack van, isar van ostade, Ostade Isack van, Isaac-Ostade, J. S. Van Ostade, Isaack Ostade, I Oostade, I. van Ostade, Isaak van Oostaade, Isaac Van-Ostade, J. Osade, I. van Oostade, Izaak van Ostade, ostade isack, Isaac van Ostade, Izaak Ostade, Isak van Ostade, Izaac van Ostade, ostade izaac van, Js. Ostade, Isaac von Ostade, J v. Ostaade, Ostade Isaac, I van Oostade, Isac van Ostate
Artist gender: male
Nationality of artist: Dutch
Professions of the artist: painter
Country of origin: the Netherlands
Artist classification: old master
Age at death: 28 years
Born: 1621
Birthplace: Haarlem, North Holland, Netherlands
Died: 1649
City of death: Haarlem, North Holland, Netherlands

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Supplemental information by Mauritshuis (© Copyright - by Mauritshuis - Mauritshuis)

Probably Pieter Fouquet Gallery, Amsterdam; Pierre-Louis Randon de Boisset, Paris, until 1776; his sale, Paris, 27 February-25 March 1777 (Lugt 2652), no. 118 (for 15,000 francs to Le Brun for Radix Sainte-Foix); Claude-Pierre-Maximilien Radix Sainte-Foix, Paris, 1777; possibly Louis de Noailles, Maréchal de France, Paris; Joseph Duruey, Paris, 1791-1794; his sale, Paris, 21 June 1797 (Lugt 5625), no. 7 (for 7,400 francs to Robit); François-Antoine Robit, Paris, 1797-1801; his sale, Paris, 6 December 1800 (Lugt 6161), no. 77 and again offered for sale at second Robit sale, Paris, 11-18 May 1801 (Lugt 6259), no. 78 (for 9,020 francs to Séguin); Armand Séguin, Paris, 1801; Ferdinand d’Artois, Duc de Berry, Paris; his widow, Marie-Caroline-Ferdinande-Louise de Bourbon, Duchesse de Berry, Paris; offered for sale in London, Christie’s, 1834 (cf. Lugt 13608a), no. 33, unsold and incorporated in the Berry sale, Paris, 4-6 April 1837 (Lugt 14643), no. 18 (for 32,655 francs to Demidoff); Anatole Demidoff, San Donato, 1837-1868; his sale, 18 April 1868 (Lugt 30437), no. 9 (for 104,000 francs to Mannheim for the 4th Marquess of Hertford); Richard Seymour-Conway, 4th Marquess of Hertford, Paris, 1868-1870; by inheritance to his illegitimate son, Richard Wallace, Paris, 1870 (inventory 1871, no. 359; exhibited at the Bethnal Green Museum, London, 24 June 1872-April 1875, no. 173; subsequently exhibited as part of The Wallace Collection, Hertford House, London); his widow, Amélie-Julie-Charlotte Castelnau, Lady Wallace, Hertford House, London, 1890; acquired by Alfred de Rothschild, London, in exchange for another painting by Isack van Ostade (London, The Wallace Collection, inv. no. P 73), after 1890 and before 1898; by inheritance to his illegitimate daughter, Almira, Countess of Carnarvon, 1918; Knoedler Gallery, New York (inv. no. 15881), with Colnaghi Gallery, London and Arthur Ruck Gallery, London, March 1924; sold to Jan Kleykamp of Kleykamp Gallery, The Hague, October 1925 (sold to the Mauritshuis for 35,000 guilders); acquired with the support of the Rembrandt Association and private individuals, 1925

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