Franz Anton Maulbertsch, 1769 - Tribute to Empress Maria Theresia - fine art print

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The product material choices

In the dropdown menu next to the article you can choose your individual material and size. The following options are available for individualization:

  • Canvas print: A canvas print is a printed cotton canvas stretched on a wooden frame. How do I hang a canvas print on the wall? Canvas Prints have the advantage of being low in weight, which implies that it is easy and straightforward to hang up your Canvas print without the support of extra wall-mounts. Therefore, a canvas print is suited for all types of walls.
  • Acrylic glass print (with real glass coating on top): The print on acrylic glass, which is often described as a plexiglass print, will change the artwork into décor. Your own version of the artwork will be custom-made with the help of modern UV direct print technology. The great benefit of an acrylic glass fine art copy is that contrasts and smaller details will be exposed due to the delicate tonal gradation in the print.
  • Poster print (canvas material): A poster print is a UV printed cotton canvas paper with a granular finish on the surface. It is particularly suited for putting the art copy with a customized frame. Please bear in mind, that depending on the absolute size of the poster we add a white margin 2-6cm round about the artwork, which facilitates the framing with your custom frame.
  • Aluminium dibond print (metal): An Aluminium Dibond print is a print with an impressive depth. Its non-reflective surface structure make a fashionable look. The Direct Print on Aluminum Dibond is the best introduction to art prints with aluminum. The bright and white components of the artpiece shimmer with a silk gloss, however without any glow. The colors are luminous and vivid in the highest definition, details of the print appear clear and crisp.

Important information: We try all that we can in order to depict our art products as closely as possible and to demonstrate them visually on the various product detail pages. Still, the tone of the printed materials, as well as the print result can vary somehwat from the representation on your device's monitor. Depending on your settings of your screen and the nature of the surface, color pigments may not be printed one hundret percent realistically. Given that the are processed and printed manually, there might also be slight differences in the motif's exact position and the size.

What does the curator team of the Belvedere write about this 18th century artwork made by Franz Anton Maulbertsch? (© - Belvedere - Belvedere)

The particularly finely crafted paintings served as a template for a radiertes and stung sheet of Johann Veit Kauperz, which was used as the frontispiece of the fifth volume of Supplementum Codicis Austriaci. Although the publication falls into the year 1777, the graphic was first mentioned in 1769 in a meeting considered complete and praised Maulbertsch than the Inventor. A portrait medallion Maria Theresia with widow veil shows almost in profile, is surrounded by several figures. In the Fama floats with trombone and laurel wreath, while the helmeted Minerva instructs two putti when decorating the portrait with flowers. Left, the figure of the prince's generosity is seated with scepter and cornucopia, the right is that of Justitita blindfold, sword and scales. The basis of the figural scene forms a pedestal, is double-headed eagle and national coat of arms are in the middle. It is obvious that both the medallion as was also the emblem of the Maria Theresa Thaler, who was then an official currency, godfather confessed. The draft introduces located at the obverse of the coin Latin inscription is even played, but was waived the down later. smoothed that the painting in the style, extremely precise in the design and color appear greatly reduced, is due in particular to the function as a stub template. Nevertheless, classical aspirations are likely to be responsible for this clarity. [Georg Lechner, 9/2009]

The masterpiece was painted by the male Austrian artist Franz Anton Maulbertsch. The version of the work of art measures the size: 31 x 20,5 cm - frame dimensions: 39 × 29 × 4 cm. Oil on canvas was applied by the Austrian artist as the technique for the artpiece. Today, this work of art is in the the Belvedere's digital art collection. With courtesy of: © Belvedere, Vienna, inventory number: 4238 (license: public domain). Creditline of the artwork: transfer from the Kunsthistorisches Museum, Vienna. - 1948 inventory in 1922. Besides this, the alignment is in portrait format and has an aspect ratio of 2 : 3, meaning that the length is 33% shorter than the width. The painter Franz Anton Maulbertsch was a European artist from Austria, whose art style can mainly be assigned to Baroque. The Baroque artist was born in 1724 in Langenargen, Baden-Wurttemberg, Germany and passed away at the age of 72 in 1796 in Vienna, Vienna state, Austria.

Structured information on the artwork

Title of the work of art: "Tribute to Empress Maria Theresia"
Classification: painting
Broad category: classic art
Period: 18th century
Created in: 1769
Age of artwork: 250 years
Original medium: oil on canvas
Original dimensions (artwork): 31 x 20,5 cm - frame dimensions: 39 × 29 × 4 cm
Exhibited in: Belvedere
Museum location: Vienna, Austria
Museum website: Belvedere
License type: public domain
Courtesy of: © Belvedere, Vienna, inventory number: 4238
Creditline of artwork: transfer from the Kunsthistorisches Museum, Vienna. - 1948 inventory in 1922

Article details

Product categorization: wall art
Method of reproduction: digital reproduction
Manufaturing technique: UV direct printing (digital print)
Origin of the product: manufactured in Germany
Type of stock: on demand production
Intended product usage: gallery wall, home design
Orientation: portrait alignment
Aspect ratio: 2 : 3
Interpretation of the image ratio: the length is 33% shorter than the width
Materials available: metal print (aluminium dibond), canvas print, poster print (canvas paper), acrylic glass print (with real glass coating)
Canvas print (canvas on stretcher frame) variants: 20x30cm - 8x12", 40x60cm - 16x24", 60x90cm - 24x35", 80x120cm - 31x47", 100x150cm - 39x59"
Acrylic glass print (with real glass coating) variants: 20x30cm - 8x12", 40x60cm - 16x24", 60x90cm - 24x35", 80x120cm - 31x47", 100x150cm - 39x59"
Poster print (canvas paper) options: 40x60cm - 16x24", 60x90cm - 24x35", 80x120cm - 31x47"
Aluminium dibond print (aluminium material) size variants: 20x30cm - 8x12", 40x60cm - 16x24", 60x90cm - 24x35", 80x120cm - 31x47"
Art print framing: unframed art print

Artist information

Artist name: Franz Anton Maulbertsch
Other artist names: Maulbertsch, franz maulpertsch, maulpertsch ant. fr., maulpertsch, Ant. Maulpersch, Anton Franz Maulbertsch, maulpertsch f. a., Maulperz, Maubertz, Maulpersch Ant., Maulbersch Anton Franz, Maulpertsch Anton Franz, F. A. Maulbertsch, Franz Anton Maulbertsch, Maulpertsch Franz Anton, Maulbertsch Franz Anton, Maulberts, Malberz Anton Franz, Franz Anton Maulpertsch, Anton Maulpersch, Franz A. Maulbertsch, Anton Franz Maulpertsch, Maulberch, Maulpertz, Maulbertsch Anton Franz
Gender: male
Nationality of artist: Austrian
Jobs: painter
Country of origin: Austria
Classification of the artist: old master
Styles of the artist: Baroque
Age at death: 72 years
Year born: 1724
Born in (place): Langenargen, Baden-Wurttemberg, Germany
Died: 1796
Died in (place): Vienna, Vienna state, Austria

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