Luca Signorelli, 1493 - The Assumption of the Virgin with Saints Michael and Benedict - fine art print

469 kr

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Art product explanation

In 1493 the Italian artist Luca Signorelli painted the early renaissance piece of art. The more than 520 year old original had the size - 67 1/4 x 51 3/4 in (170,8 x 131,4 cm) and was painted with oil and gold on wood. This artwork is in the the collection of The Metropolitan Museum of Art, which is located in New York City, New York, United States of America. This classic art artpiece, which is part of the public domain is supplied with courtesy of The Metropolitan Museum of Art, New York, Purchase, Joseph Pulitzer Bequest, 1929. : Purchase, Joseph Pulitzer Bequest, 1929. Moreover, alignment is in portrait format with a ratio of 3 : 4, which implies that the length is 25% shorter than the width. Luca Signorelli was a painter, draftsman of Italian nationality, whose style can be attributed primarily to Early Renaissance. The European artist was born in 1470 in Cortona, Arezzo province, Tuscany, Italy and deceased at the age of 53 in the year 1523.

Obtain your art print material option

We offer a range of different materials and sizes for every product. The following sizes and materials are the options we offer you for individualization:

  • Canvas print: A UV printed canvas material mounted on a wood frame. Additionally, a canvas creates a attractive, positive effect. How can I hang a canvas on the wall? Canvas prints are relatively low in weight, which means that it is easy and straightforward to hang up the Canvas print without extra wall-mounts. Hence, canvas prints are suited for all kinds of walls.
  • Poster print on canvas material: A poster print is a printed canvas paper with a fine finish on the surface. It is optimally qualified for framing the art replica in a personal frame. Please keep in mind, that depending on the size of the poster we add a white margin of something between 2-6 cm round about the print in order to facilitate the framing.
  • Aluminium dibond print: Aluminium Dibond prints are prints on metal with an impressive depth - for a modern look and a non-reflective surface structure. A direct Direct Print on Aluminum Dibond is the perfect introduction to the sophisticated world of art reproductions made with aluminum.
  • The acrylic glass print (with real glass coating): An acrylic glass print, often referred to as a plexiglass print, will turn the original artwork into magnificient décor. Furthermore, the acrylic art print makes a great alternative to canvas and dibond art prints. Your own version of the artwork will be made with the help of modern UV direct print technology. The great advantage of an acrylic glass fine art print is that sharp contrasts and also smaller image details will be exposed thanks to the granular gradation.

Legal disclaimer: We try everything to depict our products with as many details as possible and to display them visually. Nonetheless, the pigments of the printed materials, as well as the print result may differ to a certain extent from the presentation on your monitor. Depending on your screen settings and the quality of the surface, not all color pigments are printed 100% realistically. Given that the are processed and printed manually, there might also be minor differences in the motif's size and exact position.

About this product

Product type: wall art
Method of reproduction: reproduction in digital format
Production technique: digital printing (UV direct print)
Production: produced in Germany
Stock type: on demand
Product use: wall decoration, gallery wall
Alignment: portrait format
Image ratio: 3 : 4 length to width
Implication of side aspect ratio: the length is 25% shorter than the width
Material options: metal print (aluminium dibond), acrylic glass print (with real glass coating), canvas print, poster print (canvas paper)
Canvas print (canvas on stretcher frame): 30x40cm - 12x16", 60x80cm - 24x31", 90x120cm - 35x47", 120x160cm - 47x63"
Acrylic glass print (with real glass coating) options: 30x40cm - 12x16", 60x80cm - 24x31", 90x120cm - 35x47", 120x160cm - 47x63"
Poster print (canvas paper) size variants: 30x40cm - 12x16", 60x80cm - 24x31", 90x120cm - 35x47"
Aluminium print options: 30x40cm - 12x16", 60x80cm - 24x31", 90x120cm - 35x47"
Picture frame: not available

Structured artwork information

Name of the artwork: "The Assumption of the Virgin with Saints Michael and Benedict"
Artwork classification: painting
Broad category: classic art
Period: 15th century
Artpiece year: 1493
Age of artwork: 520 years old
Original medium of artwork: oil and gold on wood
Original size (artwork): 67 1/4 x 51 3/4 in (170,8 x 131,4 cm)
Museum / collection: The Metropolitan Museum of Art
Place of the museum: New York City, New York, United States of America
Web URL: The Metropolitan Museum of Art
Artwork license type: public domain
Courtesy of: The Metropolitan Museum of Art, New York, Purchase, Joseph Pulitzer Bequest, 1929
Creditline of artwork: Purchase, Joseph Pulitzer Bequest, 1929

Structured artist data

Name: Luca Signorelli
Other artist names: Lucas Signorelli, luca signorelli gen. luca da cortona, Luca Signorelli da Cortona, Luca Signorelli, Signorelli Luca, Lucas Cortonensis, Signorelli Luca d'Egidio di maestro Ventura de', Signorelli, Luca Signorilli
Artist gender: male
Nationality of artist: Italian
Professions: draftsman, painter
Home country: Italy
Classification of the artist: old master
Styles of the artist: Early Renaissance
Died aged: 53 years
Year born: 1470
Place of birth: Cortona, Arezzo province, Tuscany, Italy
Year of death: 1523

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(© - by The Metropolitan Museum of Art - The Metropolitan Museum of Art)

This altarpiece combines the Assumption of the Virgin with two saints—the Archangel Michael subduing Satan, and Benedict. It was painted about 1493–95 for the Olivetan convent of Saint Michael in the artist’s native Cortona. Although Signorelli designed the altarpiece and must also have painted the Virgin and Saint Benedict, other parts may be by an assistant.Much of the picture is abraded but the Virgin and Saint Benedict are relatively well preserved. The frame is sixteenth century.

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