Rembrandt van Rijn, 1660 - Portrait of a Gentleman with a Tall Hat and Gloves - fine art print

703 kr

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The 17th century painting "Portrait of a Gentleman with a Tall Hat and Gloves" was painted by the baroque artist Rembrandt van Rijn. The original measures the size 99,5 x 82,5 cm (39 3/16 x 32 1/2 in) and was made with oil on canvas transferred to canvas. This artpiece is in the the digital collection of National Gallery of Art located in Washington D.C., United States of America. With courtesy of: National Gallery of Art, Washington (public domain).The creditline of the artwork is the following: . The alignment of the digital reproduction is in portrait format and has a side ratio of 1 : 1.2, meaning that the length is 20% shorter than the width. The painter Rembrandt van Rijn was an artist, whose art style was primarily Baroque. The Dutch painter was born in 1606 in Leiden and died at the age of 63 in the year 1669.

Get your favorite art print material

The product dropdown menu provides you with the chance to select the material and size of your choice. We allow you to pick your favorite size and material among the following product individualization options:

  • Poster (canvas material): A poster is a printed flat canvas with a granular surface finish. Please bear in mind, that depending on the absolute size of the poster we add a white margin 2-6cm around the print motif, which facilitates the framing with your custom frame.
  • The canvas print: The canvas print is a printed cotton canvas stretched on a wooden frame. The canvas makes a charming and warm atmosphere. The advantage of canvas prints is that they are relatively low in weight, meaning that it is easy to hang up your Canvas print without the use of any wall-mounts. Therefore, a canvas print is suited for all kinds of walls.
  • The acrylic glass print: A glossy acrylic glass print, which is sometimes named as a plexiglass print, will turn the original into magnificient wall decoration. Your favorite work of art is being manufactured with state-of-the-art UV direct print machines. It creates sharp, intense color shades.
  • Metal (aluminium dibond print): This is a metal print made on aluminium dibond with a true depth effect. The colors are bright and vivid in the highest definition, details are crisp, and you can feel a matte appearance of the surface.

Legal note: We try what we can to describe the products as clearly as it is possible and to exhibit them visually on the product detail pages. Nevertheless, the colors of the print products, as well as the print result may vary to a certain extent from the representation on your device's monitor. Depending on the settings of your screen and the condition of the surface, color pigments might not be printed 100% realistically. Considering that the fine art prints are printed and processed manually, there might also be minor variations in the motif's size and exact position.

About this product

Article categorization: wall art
Reproduction method: digital reproduction
Manufacturing method: digital printing (UV direct print)
Manufacturing: made in Germany
Stock type: on demand
Intended usage: art print gallery, wall art
Alignment: portrait alignment
Image ratio: (length : width) 1 : 1.2
Interpretation of aspect ratio: the length is 20% shorter than the width
Materials you can choose: metal print (aluminium dibond), canvas print, acrylic glass print (with real glass coating), poster print (canvas paper)
Canvas on stretcher frame (canvas print) sizes: 50x60cm - 20x24", 100x120cm - 39x47", 150x180cm - 59x71"
Acrylic glass print (with real glass coating) size variants: 50x60cm - 20x24", 100x120cm - 39x47", 150x180cm - 59x71"
Poster print (canvas paper) size options: 50x60cm - 20x24", 100x120cm - 39x47"
Dibond print (alumnium material) size variants: 50x60cm - 20x24", 100x120cm - 39x47"
Art print framing: unframed art print

Artpiece information

Title of the work of art: "Portrait of a Gentleman with a Tall Hat and Gloves"
Artwork categorization: painting
Art categorization: classic art
Artwork century: 17th century
Artpiece year: 1660
Approximate age of artwork: more than 360 years
Artwork original medium: oil on canvas transferred to canvas
Dimensions of the original artwork: 99,5 x 82,5 cm (39 3/16 x 32 1/2 in)
Exhibited in: National Gallery of Art
Location of the museum: Washington D.C., United States of America
Museum's web page: National Gallery of Art
Artwork license: public domain
Courtesy of: National Gallery of Art, Washington

The painter

Name of the artist: Rembrandt van Rijn
Gender: male
Artist nationality: Dutch
Jobs of the artist: painter
Country of origin: the Netherlands
Classification: old master
Art styles: Baroque
Lifetime: 63 years
Born in the year: 1606
Birthplace: Leiden
Year of death: 1669
Place of death: Amsterdam

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Artwork specifications from the museum (© Copyright - National Gallery of Art - National Gallery of Art)

After learning the fundamentals of drawing and painting in his native Leiden, Rembrandt van Rijn went to Amsterdam in 1624 to study for six months with Pieter Lastman (1583–1633), a famous history painter. Upon completion of his training Rembrandt returned to Leiden. Around 1632 he moved to Amsterdam, quickly establishing himself as the town’s leading artist, specializing in history paintings and portraiture. He received many commissions and attracted a number of students who came to learn his method of painting.

Rembrandt conceived this portrait of a man and another of a woman (see NGA 1942.9.68) as pendants, or companion pieces. In both, light illuminates the subjects from exactly the same angle. The sitters interact with restrained yet poignant warmth; he gestures toward her while looking at the viewer, and she glances in his direction while holding her feather fan so that it inclines toward him. The identity of the sitters is not known, but the circle of wealthy friends and acquaintances who might have ordered portraits at that period of Rembrandt’s life was rather small. The style of the sitters’ costumes is datable to the late 1650s, which is consistent with the character of Rembrandt’s painting technique.

The early history of these paintings is shrouded in mystery, but by 1803 they had entered the collection of Prince Nicolai Yusupov (1751–1831) in Saint Petersburg. The first published descriptions of the pair, in 1864, already mention their "extraordinary energy," and the paintings made a tremendous impression at the great Rembrandt exhibition in Amsterdam in 1898. When Nicolai’s great-great-grandson, Prince Felix Yusupov (1887–1967), escaped Russia at the start of the Revolution in 1917, he brought the family jewels and these two Rembrandt paintings with him to London. Joseph E. Widener, the future benefactor of the National Gallery of Art, purchased the pair in 1921 when the prince’s need for cash forced him to part with his family heirlooms.

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