Paul Cézanne, 1866 - Antoine Dominique Sauveur Aubert (born 1817), the Artist's Uncle - fine art print
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In 1866 the artist Paul Cézanne painted the work of art. The original version has the following size of 31 3/8 x 25 1/4 in (79,7 x 64,1 cm). Oil on canvas was applied by the artist as the medium of the artpiece. Today, this artpiece is part of the art collection of The Metropolitan Museum of Art. With courtesy of - The Metropolitan Museum of Art, New York, Wolfe Fund, 1951; acquired from The Museum of Modern Art, Lillie P. Bliss Collection (public domain). The creditline of the artpiece is the following: Wolfe Fund, 1951; acquired from The Museum of Modern Art, Lillie P. Bliss Collection. Furthermore, alignment of the digital reproduction is in portrait format and has an aspect ratio of 1 : 1.2, meaning that the length is 20% shorter than the width. The painter Paul Cézanne was an artist from France, whose style was primarily Impressionism. The European artist was born in 1839 and deceased at the age of 67 in 1906 in Aix-en-Provence.
Selectable materials
In the dropdown menu right next to the product you can pick a material and a size of your choice. The following options are available for individualization:
- Canvas: The printed canvas applied on a wood frame. How do I hang a canvas print on the wall? The great advantage of canvas prints is that they are relatively low in weight, which implies that it is easy to hang the Canvas print without the support of additional wall-mounts. A canvas print is suited for any kind of wall.
- Print on acrylic glass: An print on acrylic glass, often described as a print on plexiglass, will turn an original into brilliant décor. Your work of art is custom-made with modern UV print machines. This creates intense, stunning colors. The great benefit of an acrylic glass fine art copy is that contrasts as well as smaller details will be more recognizeable thanks to the fine gradation. Our real glass coating protects your custom art print against light and heat for several decades.
- Aluminium dibond (metal print): Aluminium Dibond prints are metal prints with an impressive depth. The non-reflective surface structure creates a fashionable impression. The white and bright sections of the original work of art shine with a silky gloss but without any glow. This direct UV print on Aluminum Dibond is the most popular entry-level product and is a truly sophisticated way to showcase fine art prints, because it puts all of the viewer’s attention on the whole artwork.
- Printed poster on canvas material: The poster print is a printed cotton canvas with a nice surface structure. The print poster is optimally qualified for putting the art print in a custom-made frame. Please note, that depending on the absolute size of the canvas poster print we add a white margin 2-6cm around the work of art in order to facilitate the framing.
Important legal note: We try the best we can to describe our art products as exact as possible and to showcase them visually in our shop. Although, the tone of the print materials, as well as the printing might diverge slightly from the image on the monitor. Depending on the settings of your screen and the nature of the surface, not all colors will be printed one hundret percent realistically. Considering that our art reproductions are printed and processed manually, there might also be minor deviations in the motif's size and exact position.
The product
Print categorization: | art reproduction |
Reproduction: | reproduction in digital format |
Manufacturing process: | UV direct printing (digital print) |
Manufacturing: | German-made |
Stock type: | on demand production |
Intended usage: | home design, art collection (reproductions) |
Image alignment: | portrait format |
Side ratio: | 1 : 1.2 - (length : width) |
Interpretation of image ratio: | the length is 20% shorter than the width |
Available reproduction fabrics: | canvas print, poster print (canvas paper), metal print (aluminium dibond), acrylic glass print (with real glass coating) |
Canvas on stretcher frame (canvas print) size variants: | 50x60cm - 20x24", 100x120cm - 39x47", 150x180cm - 59x71" |
Acrylic glass print (with real glass coating) sizes: | 50x60cm - 20x24", 100x120cm - 39x47" |
Poster print (canvas paper): | 50x60cm - 20x24", 100x120cm - 39x47" |
Aluminium dibond print (aluminium material) size variants: | 50x60cm - 20x24", 100x120cm - 39x47" |
Framing of the artprint: | not available |
Structured information on the artpiece
Piece of art title: | "Antoine Dominique Sauveur Aubert (born 1817), the Artist's Uncle" |
Classification: | painting |
General category: | modern art |
Time: | 19th century |
Year of creation: | 1866 |
Approximate age of artwork: | 150 years |
Original medium of artwork: | oil on canvas |
Artwork original dimensions: | 31 3/8 x 25 1/4 in (79,7 x 64,1 cm) |
Museum: | The Metropolitan Museum of Art |
Place of the museum: | New York City, New York, United States of America |
Museum's website: | The Metropolitan Museum of Art |
License: | public domain |
Courtesy of: | The Metropolitan Museum of Art, New York, Wolfe Fund, 1951; acquired from The Museum of Modern Art, Lillie P. Bliss Collection |
Artwork creditline: | Wolfe Fund, 1951; acquired from The Museum of Modern Art, Lillie P. Bliss Collection |
Artist overview table
Artist: | Paul Cézanne |
Artist gender: | male |
Artist nationality: | French |
Professions of the artist: | painter |
Country of origin: | France |
Classification of the artist: | modern artist |
Art styles: | Impressionism |
Died aged: | 67 years |
Born in the year: | 1839 |
Died: | 1906 |
Place of death: | Aix-en-Provence |
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Artwork specifications by the museum's website (© - by The Metropolitan Museum of Art - The Metropolitan Museum of Art)
In the autumn of 1866, Cézanne undertook a series of paintings of his maternal uncle, Dominique Aubert, in different costumes. Here, he dons a robe and tasseled blue cap. In another work in The Met’s collection, he poses as a monk (1993.400.1). A friend reported: "Every day there appears a [new] portrait of him." Cézanne applied his paint directly with a palette knife on the coarsely woven canvas, giving these pictures what he called a "gutsy" character.