Nicolas Poussin, 1640 - A Path Leading into a Forest Clearing - fine art print

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Article overview

In 1640 Nicolas Poussin painted this 17th century artwork. The original creation has the size: 38,6 x 24,6 cm. Pen and brown ink and brown wash was used by the French painter as the technique for the masterpiece. Today, the work of art is in the the The J. Paul Getty Museum's collection. With courtesy of - The J. Paul Getty Museum (license: public domain).In addition, the artwork has the creditline: . On top of that, alignment is portrait and has an aspect ratio of 1 : 1.4, which means that the length is 29% shorter than the width. The painter Nicolas Poussin was a European artist from France, whose style can be classified as Baroque. The Baroque artist lived for 71 years - born in the year 1594 in Les Andelys, Normandie, France and died in the year 1665 in Rome, Roma province, Lazio, Italy.

General description from the museum's website (© Copyright - The J. Paul Getty Museum - The J. Paul Getty Museum)

Nicolas Poussin is primarily known as a painter of history subjects, but he was also an accomplished landscapist. He probably made this drawing for its own sake, rather than as a study for a painting.

Poussin probably made this view on the spot. He captured the atmosphere of a wooded path opening onto a grassy clearing, with sunlight streaming through a thicket of trees. With vivid touches of his pen and brush, he skillfully suggested the deep shadows on the trunks of the trees and the sunlight penetrating their foliage.

Structured artwork details

Work of art title: "A Path Leading into a Forest Clearing"
Artwork categorization: painting
General term: classic art
Period: 17th century
Artwork year: 1640
Age of artwork: over 380 years old
Painted on: pen and brown ink and brown wash
Dimensions of the original artwork: 38,6 x 24,6 cm
Museum / collection: The J. Paul Getty Museum
Location of museum: Los Angeles, California, United States of America
Museum website: The J. Paul Getty Museum
Artwork license: public domain
Courtesy of: The J. Paul Getty Museum

Artist table

Name of the artist: Nicolas Poussin
Other artist names: Possino Nicolas, Nicolaas Poussin, Mons. Poussin, Poussin Nicholas, Possini, Pocijn, Possini Nicolas, Nicolas Poussin, Nicolas-Poussin, Poussn Nicolas, Poussain, Nicoli Posini, N. Pousin, MonsuPosino, Monsu Poison, Nichola Poussin, Pousan, Nicolo Pussini, Nicholo Poussin, Poussin Nicolo French, Nicolò Pussino, Poison, Pussen Nikola, Poussino Nicolas, Possene, Posini, Possano, Niccolo Pussini, Niccolo, Pussing, Nicolao Pussino, Puisson, Pousijn Nicolas, Monsù Pozzino, Poussan, Monsù Nicolò Posino, Monsu Pusino, monsù Pussino, Puisson Nicolas, Monsù Posino, V. Poussin, Monsù Poesi, le Poussin, Poussijn Nicolas, Pousine, N. Pusino, Bussing, Nicolas Pouissin, Poussijn, Pussino, NicoloPusini, Monsù Posez, Niccola Posino, Ponssin, Pusan Niḳolah, Poysing, Monsieur Pusino, Monsu Pussino, NiccoloPossini, Nicola Posini, Puglino, Nicolaus Poussin, Nicolò Posino, Poussini, Pousin Nicolas, Nicolas Le Poussin, Niccolo Poussin, Poussin Nic., Paussin Nicolas, Niccolò Possini, Monsù Possino, N. Poussin, Niccolo Pussino, Nicol. Poussin, Monsù Poussian, Pozzino, Monsu Possin, Nicolo Pusino, Poussein, NicoloPoussin, Nicolaes Poussyn, Busseng, Pusen, Monsù Posin, Nicolò Pusin, Nicolas Poulsin, Poufon Nicolas, Nikolaas Poussin, Niccolò Pusini, Pusino, Niccolo Pussino, Ns. Poussin, Pusini, Poussyn, Nichola, Nic Pausin, Nicolò Pussin pittor francese, Poussine, Niccolo Posino, Nicolaes Poussin, Nicoli Poussin, Posi, Paussin, Nicolo Pussino, N. P. Poussin, MonsuPozzino, Pussin, Nicolo Posino, Niccolo Possino, musu pusi, N. of Pusin, Pusino Nicolas, Pousino, Pousan Nicolas, Poussn, Bossing, W. Poussin, Nicolò Pousin, Niccolo Pousin, MonsuPosi, N. Pousssin, Nico. Poussin, N. Pousijn, Nikolaes Poussyn, Possyne, Nicola Poussain, Nicolò Poussino, Poussen Nicolas, Nicolo Posini, Pousijn, nikolaus poussin, פוסן ניקולה, Niccolo Pusino, Nicolo Possino, possin, N Poussin, Poussen, Monsù Posi, Nicola Pusino, Poussin Nichola, Bussien, nik. poussin, el Tusino, Poison Nicolas, N. Paussin, Poesi Nicolas, N. Pouissin, Munsu Nicollo, Nicola Poussin, Nikolas Poussin, Poufon, Niccola Pussino, Nikolaes Poussin, MonsuPosini, Nicolò Pusini, Nicolai Poussin, Posi Nicolas, Poussino, Posini Nicolas, Monsu Pusin, Monsu Poesi, Nicolas Pussino, Poersijn, Nichls. Poussin, Nich. Poussin, N. Pussino, poussin n., Poussin Nicolas, Nichs. Poussin, Nicolo, Nicolò Pousino, poussin nicolas, Niccolò Putino, munsu Pusino francese, MonsuPossini, Monsù Possini, Niccolo Putino, Pousien, N.c. Poussin, Nicolo Pussin, Nicholas Poussin, Nicolò Poussin, Poussin Nicolo, Pousssin, Monsù Pusini, Poussin, Posino, Pousien Nicolas, Pussino Figurista, Pozzino Nicolas, Niccol Pusini, Pausin, Niccolo Pusino, Nicolao Gia Possin, Nicolaus Poussing, Nicolai Pousin, Pousin, Nic. Poussin, Le Poussin Nicolas, Possino, Nicolo Possini
Artist gender: male
Nationality: French
Professions of the artist: painter
Home country: France
Classification of the artist: old master
Styles of the artist: Baroque
Died aged: 71 years
Birth year: 1594
Place of birth: Les Andelys, Normandie, France
Year died: 1665
Died in (place): Rome, Roma province, Lazio, Italy

Pick your product material

For every fine art print we offer a range of different sizes & materials. The following options are available for individualization:

  • Print on glossy acrylic glass (with real glass coating): The print on acrylic glass, often referenced as a print on plexiglass, changes the original into magnificient home decoration. Your artwork is being manufactured with the help of state-of-the-art UV printing technology. The great advantage of a plexiglass fine art copy is that contrasts and also image details will be visible thanks to the precise gradation. The plexiglass with real glass coating protects your selected fine art print against sunlight and external influences for many decades.
  • Canvas: The UV printed canvas applied on a wood stretcher frame. Canvas prints are relatively low in weight. This means, it is easy to hang up the Canvas print without any wall-mounts. Hence, canvas prints are suitable for any kind of wall.
  • Printed poster (canvas material): A poster is a printed sheet of canvas paper with a slight surface structure. Please bear in mind, that depending on the size of the poster print we add a white margin of around 2-6cm round about the artwork to facilitate the framing.
  • Aluminium dibond: An Aluminium Dibond print is a print material with an impressive depth effect. The Aluminium Dibond Print is your ideal start to art reproductions produced with aluminum. For the Aluminium Dibond option, we print your chosen work of art right onto the surface of the white-primed aluminum. The white & bright components of the artpiece shimmer with a silky gloss but without glow. Colors are luminous in the highest definition, the details appear crisp.

Structured product details

Article categorization: fine art print
Method of reproduction: digital reproduction
Manufacturing process: UV direct print
Production: German production
Stock type: production on demand
Intended usage: home décor, wall gallery
Orientation of the artwork: portrait alignment
Side ratio: 1 : 1.4
Interpretation: the length is 29% shorter than the width
Available variants: acrylic glass print (with real glass coating), canvas print, poster print (canvas paper), metal print (aluminium dibond)
Canvas on stretcher frame (canvas print) sizes: 50x70cm - 20x28", 100x140cm - 39x55"
Acrylic glass print (with real glass coating) sizes: 50x70cm - 20x28", 100x140cm - 39x55"
Poster print (canvas paper): 50x70cm - 20x28"
Aluminium print (aluminium dibond material): 50x70cm - 20x28", 100x140cm - 39x55"
Picture frame: without frame

Legal disclaimer: We try the best we can in order to describe the art products as clearly as it is possible and to demonstrate them visually on the product detail pages. At the same time, the tone of the printing material and the imprint might vary slightly from the representation on the monitor. Depending on your settings of your screen and the condition of the surface, colors might not be printed one hundret percent realistically. Given that our are processed and printed manually, there might as well be slight differences in the motif's size and exact position.

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