Nicolaes Pietersz Berchem, 1670 - Allegory of Spring - fine art print

340 kr

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General specifications from Mauritshuis website (© - Mauritshuis - Mauritshuis)

Herman van Swoll, Amsterdam, c.1670-1698; his sale, Amsterdam, 22 April 1699, no. 20 (the entire series for 570 guilders); private collection, Amsterdam; anonymous sale, Amsterdam, 13 July 1718 (Lugt 267), no. 5 (the entire series for 505 guilders); sale Amsterdam (Daniel Adrianus Beukelaar), 22 May 1731 (Lugt 409a), no. 1; Morel collection, Paris; Morel sale, Paris (Lebrun), 3 May 1786 (Lugt 4025 and 4040), no. 70 (the entire series for 7801 livres to Langlier); Jacques Langlier Gallery, Paris, 1786-1789; his sale (‘Lenglier’), Paris (Lebrun), 15 April 1789 (Lugt 4422 and 4429), no. 50 (unsold); private collection, Paris, until 1834; Marseille Middleton Holloway, London; his sale, London, 1872 (the entire series for 170 pounds to Nieuwenhuys); Charles J. Nieuwenhuys Gallery, Brussels and London, 1872-1886; his sale, London (Christie’s), 17 July 1886 (Lugt 45927), no. 55 (together with inv. no. 1091 for 49 guineas to McLean); McLean collection, London; Eugène Fischof Gallery, Paris (together with inv. no. 1091); anonymous sale, London (Christie’s), 22 June 1901, no. 2 (13 guineas); Julius David Ichenhauser, London, 1901; Victor D. Spark Gallery, New York, 1948; William Mostyn Owen, London, 1962-1965?; Hazlitt Gallery, London, 1965; David E. Rust, Washington DC, c.1981-2011; Bob Haboldt Gallery, Paris-New York-Amsterdam, 2013; Eric Alberda Jelgersma, 2013-2018 (inv. nos. 1221-1222 were part of this collection since 1990); acquired with the support of the BankGiro Lottery and the Rembrandt Association (thanks in part to her Fund for 17th-century Painting and her Fund 1931), 2018 (together with inv. nos. 1221-1222)

Structured artwork information

Work of art title: "Allegory of Spring"
Classification of the work of art: painting
General term: classic art
Time: 17th century
Created in the year: 1670
Artwork age: more than 350 years old
Painted on: oil on canvas
Size of the original artwork: height: 94,3 cm width: 88,5 cm
Original artwork signature: signed: Berchem f
Museum / location: Mauritshuis
Museum location: The Hague, South Holland, Netherlands
Website: www.mauritshuis.nl
Artwork license: public domain
Courtesy of: Mauritshuis, The Hague
Creditline: Herman van Swoll, Amsterdam, c.1670-1698; his sale, Amsterdam, 22 April 1699, no. 20 (the entire series for 570 guilders); private collection, Amsterdam; anonymous sale, Amsterdam, 13 July 1718 (Lugt 267), no. 5 (the entire series for 505 guilders); sale Amsterdam (Daniel Adrianus Beukelaar), 22 May 1731 (Lugt 409a), no. 1; Morel collection, Paris; Morel sale, Paris (Lebrun), 3 May 1786 (Lugt 4025 and 4040), no. 70 (the entire series for 7801 livres to Langlier); Jacques Langlier Gallery, Paris, 1786-1789; his sale (‘Lenglier’), Paris (Lebrun), 15 April 1789 (Lugt 4422 and 4429), no. 50 (unsold); private collection, Paris, until 1834; Marseille Middleton Holloway, London; his sale, London, 1872 (the entire series for 170 pounds to Nieuwenhuys); Charles J. Nieuwenhuys Gallery, Brussels and London, 1872-1886; his sale, London (Christie’s), 17 July 1886 (Lugt 45927), no. 55 (together with inv. no. 1091 for 49 guineas to McLean); McLean collection, London; Eugène Fischof Gallery, Paris (together with inv. no. 1091); anonymous sale, London (Christie’s), 22 June 1901, no. 2 (13 guineas); Julius David Ichenhauser, London, 1901; Victor D. Spark Gallery, New York, 1948; William Mostyn Owen, London, 1962-1965?; Hazlitt Gallery, London, 1965; David E. Rust, Washington DC, c.1981-2011; Bob Haboldt Gallery, Paris-New York-Amsterdam, 2013; Eric Alberda Jelgersma, 2013-2018 (inv. nos. 1221-1222 were part of this collection since 1990); acquired with the support of the BankGiro Lottery and the Rembrandt Association (thanks in part to her Fund for 17th-century Painting and her Fund 1931), 2018 (together with inv. nos. 1221-1222)

Artist table

Artist name: Nicolaes Pietersz Berchem
Gender: male
Nationality: Dutch
Jobs of the artist: painter
Home country: the Netherlands
Artist category: old master
Died aged: 61 years
Born: 1622
Died: 1683

Article information

Article categorization: art copy
Method of reproduction: reproduction in digital format
Manufacturing method: UV direct printing
Manufacturing: Germany
Stock type: on demand
Product use: art print gallery, wall art
Alignment of the image: square format
Image ratio: 1 : 1 (length : width)
Side ratio interpretation: the length is equal to the width
Available material variants: acrylic glass print (with real glass coating), poster print (canvas paper), canvas print, metal print (aluminium dibond)
Canvas on stretcher frame (canvas print): 20x20cm - 8x8", 30x30cm - 12x12", 50x50cm - 20x20", 70x70cm - 28x28", 100x100cm - 39x39", 150x150cm - 59x59", 180x180cm - 71x71"
Acrylic glass print (with real glass coating) size variants: 20x20cm - 8x8", 30x30cm - 12x12", 50x50cm - 20x20", 70x70cm - 28x28", 100x100cm - 39x39", 150x150cm - 59x59", 180x180cm - 71x71"
Poster print (canvas paper) variants: 30x30cm - 12x12", 50x50cm - 20x20", 70x70cm - 28x28", 100x100cm - 39x39"
Aluminium print: 20x20cm - 8x8", 30x30cm - 12x12", 50x50cm - 20x20", 70x70cm - 28x28", 100x100cm - 39x39"
Framing of the artprint: unframed reproduction

Obtain your fine art print material option

For every product we offer a range of different sizes and materials. Pick your favorite size and material among the following options:

  • Canvas print: A printed canvas, which shall not be confused with an artwork painted on a canvas, is an image applied onto cotton canvas. Furthermore, a canvas print generates a nice and pleasant appearance. Canvas prints are relatively low in weight, meaning that it is quite simple to hang your Canvas print without the use of additional wall-mounts. Because of thata canvas print is suited for all types of walls.
  • Poster on canvas material: The poster print is a printed flat canvas with a fine structure on the surface, that reminds the original version of the work of art. A printed poster is perfectly qualified for framing the fine art print in a custom-made frame. Please bear in mind, that depending on the absolute size of the canvas poster print we add a white margin of approximately 2-6cm round about the painting to facilitate the framing with your custom frame.
  • Acrylic glass print: An acrylic glass print, which is often named as a fine art print on plexiglass, transforms the original work of art into beautiful wall décor. The great advantage of an acrylic glass fine art copy is that sharp contrasts and minor details become recognizeable because of the delicate gradation. The acrylic glass protects your custom fine art print against light and heat for many decades.
  • Aluminium dibond (metal print): Aluminium Dibond prints are prints on metal with a true effect of depth. The white and bright parts of the artpiece shimmer with a silky gloss, however without any glare. The colors of the print are luminous and bright, the fine details of the print are clear and crisp.

Your personal art product

In 1670 Nicolaes Pietersz Berchem created this 17th century painting "Allegory of Spring". The version of the piece of art measures the size of height: 94,3 cm width: 88,5 cm | height: 37,1 in width: 34,8 in and was painted with the technique of oil on canvas. The artwork's inscription is: "signed: Berchem f". Moveover, the work of art is part of the Mauritshuis's digital art collection, which is located in The Hague, South Holland, Netherlands. With courtesy of: Mauritshuis, The Hague (public domain license). : Herman van Swoll, Amsterdam, c.1670-1698; his sale, Amsterdam, 22 April 1699, no. 20 (the entire series for 570 guilders); private collection, Amsterdam; anonymous sale, Amsterdam, 13 July 1718 (Lugt 267), no. 5 (the entire series for 505 guilders); sale Amsterdam (Daniel Adrianus Beukelaar), 22 May 1731 (Lugt 409a), no. 1; Morel collection, Paris; Morel sale, Paris (Lebrun), 3 May 1786 (Lugt 4025 and 4040), no. 70 (the entire series for 7801 livres to Langlier); Jacques Langlier Gallery, Paris, 1786-1789; his sale (‘Lenglier’), Paris (Lebrun), 15 April 1789 (Lugt 4422 and 4429), no. 50 (unsold); private collection, Paris, until 1834; Marseille Middleton Holloway, London; his sale, London, 1872 (the entire series for 170 pounds to Nieuwenhuys); Charles J. Nieuwenhuys Gallery, Brussels and London, 1872-1886; his sale, London (Christie’s), 17 July 1886 (Lugt 45927), no. 55 (together with inv. no. 1091 for 49 guineas to McLean); McLean collection, London; Eugène Fischof Gallery, Paris (together with inv. no. 1091); anonymous sale, London (Christie’s), 22 June 1901, no. 2 (13 guineas); Julius David Ichenhauser, London, 1901; Victor D. Spark Gallery, New York, 1948; William Mostyn Owen, London, 1962-1965?; Hazlitt Gallery, London, 1965; David E. Rust, Washington DC, c.1981-2011; Bob Haboldt Gallery, Paris-New York-Amsterdam, 2013; Eric Alberda Jelgersma, 2013-2018 (inv. nos. 1221-1222 were part of this collection since 1990); acquired with the support of the BankGiro Lottery and the Rembrandt Association (thanks in part to her Fund for 17th-century Painting and her Fund 1931), 2018 (together with inv. nos. 1221-1222). What is more, the alignment of the digital reproduction is in square format and has an aspect ratio of 1 : 1, which means that the length is equal to the width.

Disclaimer: We try our utmost in order to describe the art products as clearly as possible and to illustrate them visually on the various product detail pages. Although, the tone of the printing material, as well as the print result can diverge slightly from the image on the screen. Depending on the settings of your screen and the condition of the surface, not all colors are printed as exactly as the digital version on this website. Considering that all our art prints are printed and processed by hand, there might also be minor differences in the size and exact position of the motif.

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