British Painter, 1572 - Portrait of Walter Devereux (1539–1576), First Earl of Essex - fine art print

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Art product summary

This 16th century piece of art named Portrait of Walter Devereux (1539–1576), First Earl of Essex was made by the painter British Painter in 1572. The masterpiece was made with the following dimensions: 41 1/8 x 31 1/2 in (104,5 x 80 cm). Oil on wood was used by the artist as the technique for the work of art. This piece of art is part of the The Metropolitan Museum of Art's collection. This classic art masterpiece, which is in the public domain is supplied with courtesy of The Metropolitan Museum of Art, New York, Rogers Fund, 1920. Besides, the artwork has the creditline: Rogers Fund, 1920. Furthermore, alignment is portrait and has a side ratio of 3 : 4, which means that the length is 25% shorter than the width.

Select your favorite material

The product dropdown menu gives you the possibility to pick your prefered size and material. You can pick your preferred size and material between the following choices:

  • Acrylic glass print: A glossy print on acrylic glass, which is often named as a UV print on plexiglass, changes your favorite original into beautiful décor. The plexiglass protects your selected fine art print against light and external influences for several decades.
  • Poster print (canvas material): The poster is a printed cotton canvas with a fine surface finish. Please bear in mind, that depending on the absolute size of the poster we add a white margin of approximately 2-6cm round about the artwork, which facilitates the framing with your custom frame.
  • Aluminium dibond print (metal): An Aluminium Dibond print is a print material with an outstanding depth - for a modern impression and non-reflective surface structure. A direct Direct Print on Aluminum Dibond is your ideal start to prints made on aluminum. For our Aluminium Dibond option, we print the favorite artwork right onto the aluminium surface. The direct UV print on Aluminum Dibond is the most popular entry-level product and is an extremely contemporary way to showcase artworks, because it draws attention on the replica of the artwork.
  • Canvas: The printed canvas mounted on a wood frame. Canvas Prints have the advantage of being relatively low in weight, which means that it is quite simple to hang the Canvas print without the support of extra wall-mounts. That is why, canvas prints are suitable for all kinds of walls.

Important note: We try our utmost in order to describe the art products as accurately as possible and to illustrate them visually. Please bear in mind that the tone of the printed materials, as well as the printing can diverge to a certain extent from the representation on your monitor. Depending on the settings of your screen and the nature of the surface, colors might not be printed one hundret percent realistically. Because all our art reproductions are processed and printed by hand, there may also be slight discrepancies in the exact position and the size of the motif.

Structured article details

Product classification: fine art print
Reproduction method: digital reproduction
Production process: UV direct printing (digital print)
Product Origin: made in Germany
Stock type: on demand production
Intended usage: art print gallery, art reproduction gallery
Artwork orientation: portrait format
Side ratio: 3 : 4 (length : width)
Meaning of side aspect ratio: the length is 25% shorter than the width
Available variants: acrylic glass print (with real glass coating), metal print (aluminium dibond), canvas print, poster print (canvas paper)
Canvas print (canvas on stretcher frame) options: 30x40cm - 12x16", 60x80cm - 24x31", 90x120cm - 35x47", 120x160cm - 47x63"
Acrylic glass print (with real glass coating) size options: 30x40cm - 12x16", 60x80cm - 24x31", 90x120cm - 35x47"
Poster print (canvas paper): 30x40cm - 12x16", 60x80cm - 24x31", 90x120cm - 35x47"
Dibond print (alumnium material) size variants: 30x40cm - 12x16", 60x80cm - 24x31", 90x120cm - 35x47"
Framing of the artprint: unframed product

Structured artwork details

Work of art name: "Portrait of Walter Devereux (1539–1576), First Earl of Essex"
Artwork classification: painting
General category: classic art
Time: 16th century
Created in: 1572
Approximate age of artwork: more than 440 years old
Medium of original artwork: oil on wood
Artwork original dimensions: 41 1/8 x 31 1/2 in (104,5 x 80 cm)
Museum / location: The Metropolitan Museum of Art
Location of the museum: New York City, New York, United States of America
Web URL: www.metmuseum.org
Artwork license: public domain
Courtesy of: The Metropolitan Museum of Art, New York, Rogers Fund, 1920
Artwork creditline: Rogers Fund, 1920

The painter

Artist: British Painter
Professions: painter
Artist category: old master

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Original information about the artwork by the museum (© - by The Metropolitan Museum of Art - The Metropolitan Museum of Art)

Walter Devereux succeeded his grandfather as Viscount Hereford and Lord Ferrers in 1558. He was joint custodian of Mary, Queen of Scots, in 1568. The following year, he helped put down the Northern Rising and was appointed marshal of the army at Leicester. He was lord lieutenant of County Stafford from 1569 until his death. Faithful to Queen Elizabeth I, Devereux was installed as a Knight of the Garter in 1572, and created Earl of Essex the same year. He sailed for Ireland in the summer of 1573 in an attempt to colonize Ulster, a costly venture that ended in failure in the summer of 1575. The earl died in Dublin in 1576 and was succeeded by his son Robert, a royal favorite who was executed in 1601 after attempting to raise a rebellion.This work is among numerous Elizabethan portraits formerly attributed to Federico Zuccaro, who was in London for only six months, from March to August 1575; no paintings from the Italian artist’s brief stay in England are known to survive. In 1962 David Piper suggested that the painting might be by George Gower (1540–1596), and in 1965 Roy Strong agreed, but the evidence is so limited that it is difficult to judge [verbal opinions recorded in department files].The present portrait is one of a number that commemorated the sitter’s rise to power in 1572. It was apparently modeled on a portrait of William Herbert, created Baron Herbert of Cardiff and Earl of Pembroke in 1551, who died in 1570 (Amgueddfa Cymru—National Museum Wales, Cardiff). A version of the MMA portrait is at the Mansion House, Ipswich; others were in the collections of Earl Amherst (sold, Sotheby's, London, January 29, 1964, no. 1) and Lord Bagot (sold, Sotheby's, London, July 26, 1967, no. 172). A variant of higher quality (National Portrait Gallery, London) differs in that the sitter’s hair is close-cropped, and he extends a baton. A coarser version of the London portrait belongs to the Ulster Museum in Belfast.While the face and hands are somewhat worn, the painting is in generally good state, with some losses where the three boards that make up the work are joined vertically.

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