Charles François Daubigny, 1855 - Villerville Seen from Le Ratier - fine art print

462 kr

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Artwork information by The Cleveland Museum of Art website (© Copyright - by The Cleveland Museum of Art - The Cleveland Museum of Art)

The town of Villerville on the Normandy coast appears just to the right of center in this expansive landscape by Daubigny, a pioneer of outdoor painting and a major influence on Claude Monet and the Impressionists. Daubigny introduced a new kind of natural landscape based on outdoor studies of light, water, and atmospheric conditions. Here, streaks of bright light along the horizon set off the dark masses of the rocky shore in the foreground.

Structured artwork data

Artpiece title: "Villerville Seen from Le Ratier"
Categorization of the artpiece: painting
Broad category: modern art
Time: 19th century
Created in the year: 1855
Age of artwork: 160 years old
Painted on: oil on fabric
Original dimensions: Framed: 80 x 141,5 x 7,5 cm (31 1/2 x 55 11/16 x 2 15/16 in); Unframed: 54,2 x 116,2 cm (21 5/16 x 45 3/4 in)
Original artwork signature: signed in lower right: Daubigny 1855
Museum / location: The Cleveland Museum of Art
Location of museum: Cleveland, Ohio, United States of America
Website Museum: www.clevelandart.org
License type of artwork: public domain
Courtesy of: The Cleveland Museum of Art
Artwork creditline: Bequest of William G. Mather

Artist details table

Artist: Charles François Daubigny
Artist gender: male
Nationality of artist: French
Professions: painter
Home country: France
Artist category: modern artist
Life span: 61 years
Birth year: 1817
Died: 1878

Structured product information

Product categorization: art reproduction
Method of reproduction: reproduction in digital format
Production process: UV direct print (digital printing)
Origin of the product: German production
Stock type: production on demand
Intended product use: wall decoration, home décor
Alignment of the image: landscape alignment
Image ratio: 2 : 1 length : width
Image ratio implication: the length is two times longer than the width
Available material options: poster print (canvas paper), metal print (aluminium dibond), acrylic glass print (with real glass coating), canvas print
Canvas print (canvas on stretcher frame) variants: 40x20cm - 16x8", 60x30cm - 24x12", 80x40cm - 31x16", 100x50cm - 39x20", 120x60cm - 47x24", 160x80cm - 63x31", 180x90cm - 71x35"
Acrylic glass print (with real glass coating) size options: 40x20cm - 16x8", 60x30cm - 24x12", 80x40cm - 31x16", 100x50cm - 39x20", 120x60cm - 47x24", 160x80cm - 63x31", 180x90cm - 71x35"
Poster print (canvas paper) size variants: 60x30cm - 24x12", 80x40cm - 31x16", 100x50cm - 39x20", 120x60cm - 47x24"
Aluminium dibond print (aluminium material) options: 40x20cm - 16x8", 60x30cm - 24x12", 80x40cm - 31x16", 100x50cm - 39x20", 120x60cm - 47x24"
Picture frame: not available

Which product material do you like most?

The product dropdown menu ofers you the opportunity to pick your favorite size and material. The following options are available for individualization:

  • Aluminium dibond print (metal): An Aluminium Dibond print is a print with an outstanding depth. The white and bright parts of the work of art shimmer with a silk gloss, however without any glow. The print on Aluminum Dibond is one of the most demanded entry-level products and is a sophisticated way to showcase fine art prints, since it draws focus on the artwork.
  • Acrylic glass print (with real glass coating): The acrylic glass print, often referred to as a print on plexiglass, will convert the original artwork into home décor and is a distinct alternative to aluminium or canvas prints. The work of art is being printed with modern UV print technology. This makes vibrant and sharp colors. The major advantage of a plexiglass fine art print is that contrasts as well as minor artwork details become exposed thanks to the subtle tonal gradation. The acrylic glass protects your custom art replica against sunlight and external influences for up to 6 decades.
  • The poster print (canvas material): Our poster print is a printed cotton canvas paper with a slightly roughened texture on the surface. Please keep in mind, that depending on the size of the canvas poster print we add a white margin 2-6cm round about the artwork in order to facilitate the framing.
  • The canvas print: The canvas print, not to be mistaken with a painting on a canvas, is a digital replica printed onto cotton canvas material. The advantage of canvas prints is that they are relatively low in weight, which means that it is easy and straightforward to hang up your Canvas print without extra wall-mounts. A canvas print is suitable for any kind of wall.

Product summary

The artpiece with the title Villerville Seen from Le Ratier was made by the male French artist Charles François Daubigny. The version of the piece of art had the exact dimensions Framed: 80 x 141,5 x 7,5 cm (31 1/2 x 55 11/16 x 2 15/16 in); Unframed: 54,2 x 116,2 cm (21 5/16 x 45 3/4 in) and was painted with the techinque oil on fabric. The artwork has the following inscription: signed in lower right: Daubigny 1855. This piece of art can be viewed in in the digital art collection of The Cleveland Museum of Art, which is one of the leading museums worldwide that builds, preserves, studies, and shares its outstanding collections of art from all periods and parts of the world, generating new scholarship and understanding, while serving as a social and intellectual hub for its community. The modern art artpiece, which belongs to the public domain is included with courtesy of The Cleveland Museum of Art. The creditline of the artwork is: Bequest of William G. Mather. What is more, the alignment is landscape with a side ratio of 2 : 1, which implies that the length is two times longer than the width.

Legal note: We try whatever we can to describe our products as exact as possible and to showcase them visually. Nevertheless, the colors of the print products, as well as the print result might differ marginally from the presentation on the screen. Depending on the settings of your screen and the quality of the surface, colors may not be printed one hundret percent realistically. Given that all art prints are printed and processed manually, there may also be slight deviations in the size and exact position of the motif.

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