Franz Anton Maulbertsch (Umkreis), 1755 - Allegory of the Golden Age - fine art print

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Art product data

This 18th century masterpiece was painted by the painter Franz Anton Maulbertsch (Umkreis). The version of the work of art measures the size: 56 x 72 cm - frame dimensions: 69 x 85 x 6 cm. Oil on canvas was applied by the painter as the technique for the masterpiece. The artpiece forms part of the collection of Belvedere. With courtesy of - © Belvedere, Vienna, inventory number: 1481 (public domain). The creditline of the artwork is: purchase from Gallery Dr. Otto Cheerful, Vienna in 1912. Further, the alignment of the digital reproduction is landscape and has a side ratio of 4 : 3, meaning that the length is 33% longer than the width. The painter Franz Anton Maulbertsch (Umkreis) was an artist, whose style was mainly Baroque. The Baroque painter was born in 1724 in Langenargen, Lake Constance and deceased at the age of 72 in the year 1796 in Vienna.

Choose your desired product material option

The product dropdown menu gives you the chance to select the size and material of your choice. Choose among the following product options now to match your preferences in size and material:

  • Poster print (canvas material): The Artprinta poster is a UV printed canvas paper with a slight surface finish, which reminds the original artwork. Please bear in mind, that depending on the absolute size of the canvas poster print we add a white margin between 2-6cm around the print motif, which facilitates the framing with your custom frame.
  • Canvas: The printed canvas, which should not be mistaken with an artwork painted on a canvas, is a digital replica printed on a UV direct printing machine. A printed canvas of this artwork will let you turn your custom fine art print into a large size collection piece like you know from art galleries. Canvas prints are relatively low in weight, which implies that it is easy and straightforward to hang up your Canvas print without additional wall-mounts. A canvas print is suitable for any kind of wall.
  • Acrylic glass print: An acrylic glass print, which is often described as a print on plexiglass, will transform the original work of art into beautiful décor.
  • Aluminium dibond: This is a metal print manufactured on aluminium dibond material with an outstanding depth effect - for a modern look and non-reflective surface. For our Direct Print On Aluminum Dibond, we print your work of art right onto the surface of the aluminum material. The colors of the print are luminous and vivid in the highest definition, fine details are crisp.

Legal disclaimer: We try our best in order to describe our products as accurate as we can and to display them visually on the product detail pages. Nonetheless, the colors of the print products and the imprint may vary somehwat from the presentation on the device's screen. Depending on the settings of your screen and the nature of the surface, not all color pigments are printed one hundret percent realistically. Because all our are printed and processed manually, there may as well be minor variations in the motif's exact position and the size.

Structured article details

Product categorization: art copy
Reproduction: digital reproduction
Manufaturing technique: digital printing (UV direct print)
Manufacturing: German-made
Stock type: on demand production
Intended product use: art collection (reproductions), wall picture
Alignment of the artwork: landscape alignment
Aspect ratio: 4 : 3 length : width
Aspect ratio interpretation: the length is 33% longer than the width
Available variants: poster print (canvas paper), metal print (aluminium dibond), acrylic glass print (with real glass coating), canvas print
Canvas on stretcher frame (canvas print) sizes: 40x30cm - 16x12", 80x60cm - 31x24", 120x90cm - 47x35", 160x120cm - 63x47"
Acrylic glass print (with real glass coating): 40x30cm - 16x12", 80x60cm - 31x24", 120x90cm - 47x35", 160x120cm - 63x47"
Poster print (canvas paper) options: 40x30cm - 16x12", 80x60cm - 31x24", 120x90cm - 47x35"
Aluminium print (aluminium dibond material) variants: 40x30cm - 16x12", 80x60cm - 31x24", 120x90cm - 47x35"
Art print framing: unframed product

Structured artwork data

Title of the painting: "Allegory of the Golden Age"
Categorization of the artpiece: painting
Generic term: classic art
Temporal classification: 18th century
Created in the year: 1755
Artwork age: around 260 years
Original medium of artwork: oil on canvas
Dimensions of the original work of art: 56 x 72 cm - frame dimensions: 69 x 85 x 6 cm
Exhibited in: Belvedere
Place of the museum: Vienna, Austria
Web page: Belvedere
Artwork license type: public domain
Courtesy of: © Belvedere, Vienna, inventory number: 1481
Creditline: purchase from Gallery Dr. Otto Cheerful, Vienna in 1912

Contextual artist information

Artist: Franz Anton Maulbertsch (Umkreis)
Jobs: painter
Classification of the artist: old master
Art styles: Baroque
Life span: 72 years
Year born: 1724
Hometown: Langenargen, Lake Constance
Died in the year: 1796
Place of death: Vienna

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What does the original artwork description of the Belvedere say about the artwork made by Franz Anton Maulbertsch (Umkreis)? (© - by Belvedere - Belvedere)

As early as 1750/1752 led Maulbertsch the large-format ceiling painting "Allegory of the Four Seasons" for the castle Kirchstetten in Lower Austria from. Our image has been classified in the literature mostly as earlier design for the enrichment content in the course as a composer learned. In the bottom center of Neptune can be seen with the trident and sea horses. To the right are Ceres, the goddess of agriculture, as well as a fat Bacchusknabe and two putti with Flail and mow. hunting goddess Diana, who is accompanied by a girl with basket of fruit on this group rises. Again, hovering above Flora, the goddess of prosperity, while its left in pale colors Saturn, the god of agriculture and time appears. By the prominence this figure his role as the founder of the Golden Age (lat. Saturnia regna) is emphasized here, thereby the people prosperity and peace granted. In the Städel Art Institute in Frankfurt, a variant has received on this subject, which is now classified as a work of an artist from the Mildorfer perimeter. Even with the allegory of the four seasons is probably neither a draft Kirchstetten, nor a work of Maulbertsch's hand. As the figures of Neptune and Ceres, however, clearly spring from the repertoire of motifs Maulbertsch, this paraphrasing representation may have been created by a painter from his circle. [Georg Lechner, 10/2009]

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