Theodore Robinson, 1887 - The Valley of Arconville - fine art print

708 kr

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Original information about the work of art from the museum (© - by Art Institute Chicago - Art Institute Chicago)

One of the first American artists to paint in Giverny, France, Theodore Robinson assimilated the teachings of the region’s most famous resident, Claude Monet, in his vibrant compositions. In this striking panoramic view of the French valley of Arconville, southeast of Paris, Robinson employed densely layered, broken brushwork—learned from his friend and mentor Monet—to lead the eye away from the figure of the woman, down the slope, and across the valley. Although Robinson, like the French Impressionists, here captured momentary effects such as the illusion of grass moving in the breeze, the geometric forms of the houses below add structure to the image.

Work of art details

Title of the piece of art: "The Valley of Arconville"
Classification: painting
Broad category: modern art
Artwork century: 19th century
Created in: 1887
Age of artwork: around 130 years old
Painted on: oil on canvas
Original size: 45,8 × 55,7 cm (18 × 21 7/8 in)
Signature: signed, lower right: "TH. ROBINSON"
Exhibited in: Art Institute Chicago
Location of the museum: Chicago, Illinois, United States of America
Website: Art Institute Chicago
License: public domain
Courtesy of: Art Institute Chicago
Creditline of artwork: Friends of American Art Collection

Artist details table

Name of the artist: Theodore Robinson
Also known as: theo robinson, Robinson Theodore, th. robinson, Theodore Robinson, Robinson
Gender of the artist: male
Nationality: American
Professions of the artist: painter
Country of the artist: United States
Artist classification: modern artist
Art styles: Impressionism
Lifespan: 44 years
Year of birth: 1852
Birthplace: Irasburg, Orleans county, Vermont, United States
Died in the year: 1896
Died in (place): New York City, New York state, United States

Item background data

Print categorization: art reproduction
Method of reproduction: reproduction in digital format
Manufacturing process: UV direct print (digital printing)
Manufacturing: made in Germany
Type of stock: production on demand
Product usage: home design, wall picture
Orientation of the artwork: landscape alignment
Image ratio: 1.2 : 1
Interpretation: the length is 20% longer than the width
Materials you can choose: canvas print, acrylic glass print (with real glass coating), metal print (aluminium dibond), poster print (canvas paper)
Canvas print (canvas on stretcher frame) sizes: 60x50cm - 24x20", 120x100cm - 47x39", 180x150cm - 71x59"
Acrylic glass print (with real glass coating) options: 60x50cm - 24x20", 120x100cm - 47x39", 180x150cm - 71x59"
Poster print (canvas paper) size options: 60x50cm - 24x20", 120x100cm - 47x39"
Aluminium dibond print (aluminium material) variants: 60x50cm - 24x20", 120x100cm - 47x39"
Art print framing: not included

Materials you can choose from

The product dropdown menu ofers you the chance to choose your prefered material and size. The following options are available for individualization:

  • Metal (aluminium dibond print): Aluminium Dibond prints are prints on metal with an impressive depth. The bright & white parts of the artpiece shimmer with a silky gloss but without any glow. The print on aluminium is one of the most demanded entry-level products and is an extremely sophisticated way to display fine art prints, as it puts all of the viewer’s focus on the artwork.
  • Poster print (canvas material): Our poster print is a UV printed cotton canvas paper with a slight surface finish. A poster print is ideally suited for placing your art print using a customized frame. Please bear in mind, that depending on the absolute size of the canvas poster print we add a white margin of approximately 2 - 6cm round about the print motif, which facilitates the framing.
  • Canvas: A UV printed canvas material stretched on a wooden stretcher frame. A canvas creates a charming and positive ambience. A canvas print has the advantage of being low in weight, meaning that it is easy to hang up the Canvas print without the use of any wall-mounts. Hence, canvas prints are suited for any type of wall.
  • Print on acrylic glass (with real glass coating on top): The print on acrylic glass, often named a print on plexiglass, makes your favorite original into home decoration. Above all, it forms a viable alternative to canvas and dibond fine art replicas. With an acrylic glass art print contrasts and also minor artwork details will be more exposed with the help of the subtle gradation in the picture. Our plexiglass with real glass coating protects your selected art print against sunlight and heat for between 4 and 6 decades.

Information about the print product

This artwork was created by the American painter Theodore Robinson. The version of the painting had the following size: 45,8 × 55,7 cm (18 × 21 7/8 in). Oil on canvas was used by the North American artist as the medium of the painting. The artwork has the following text as inscrption: signed, lower right: "TH. ROBINSON". Today, this artwork forms part of the Art Institute Chicago's digital art collection, which is one of the world’s great art museums, housing a collection that spans centuries and the globe. The modern art artpiece, which belongs to the public domain is provided with courtesy of Art Institute Chicago. Moreover, the artwork has the creditline: Friends of American Art Collection. In addition to this, the alignment is in landscape format and has a side ratio of 1.2 : 1, which implies that the length is 20% longer than the width. The painter Theodore Robinson was a North American artist from United States, whose style was mainly Impressionism. The American painter lived for 44 years and was born in 1852 in Irasburg, Orleans county, Vermont, United States and deceased in 1896.

Legal disclaimer: We try whatever we can in order to depict our products in as much detail as possible and to illustrate them visually on the different product detail pages. Nonetheless, the pigments of the printing material and the imprint might differ marginally from the representation on the device's screen. Depending on your screen settings and the nature of the surface, color pigments can unfortunately not be printed one hundret percent realistically. Given that the art reproductions are processed and printed manually, there may as well be slight discrepancies in the motif's exact position and the size.

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