Charles-Théodore Frère, 1880 - Jerusalem from the Mount of Olives - fine art print

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Product information

This piece of art titled Jerusalem from the Mount of Olives was painted by the French painter Charles-Théodore Frère. The beyond 140 years old original had the following size: 29 1/2 x 43 1/2 in (74,9 x 110,5 cm) and was produced with the technique oil on canvas. Besides, this work of art is in the the art collection of The Metropolitan Museum of Art, which is one of the world's largest and finest art museums, which includes more than two million works of art spanning five thousand years of world culture, from prehistory to the present and from every part of the globe.. With courtesy of - The Metropolitan Museum of Art, New York, Catharine Lorillard Wolfe Collection, Bequest of Catharine Lorillard Wolfe, 1887 (public domain license). : Catharine Lorillard Wolfe Collection, Bequest of Catharine Lorillard Wolfe, 1887. Moreover, alignment is landscape with a side ratio of 3 : 2, which implies that the length is 50% longer than the width.

Selectable product materials

The product dropdown menu provides you with the chance to select the material and size of your choice. You can choose among the following product customization options:

  • The canvas print: A printed canvas applied on a wooden frame. A canvas generates a plastic effect of three dimensionality. Besides, printed canvas generates a lively and pleasant appearance. Your canvas of your favorite artwork will let you turn your individual fine art print into a large size artpiece like you would see in a real gallery. Hanging your canvas print: The advantage of canvas prints is that they are relatively low in weight, which means that it is easy and straightforward to hang your Canvas print without the use of additional wall-mounts. Canvas prints are suited for all types of walls.
  • The acrylic glass print (with real glass coating): The acrylic glass print, which is often described as a plexiglass print, will convert your favorite original work of art into wonderful décor and makes a distinct alternative to aluminium and canvas prints. The artwork is manufactured with the help of state-of-the-art UV direct printing machines. This creates the image effect of deep, rich colors. With an acrylic glass art print contrasts and also color details will be identifiable because of the fine tonal gradation.
  • Aluminium dibond print: Aluminium Dibond prints are metal prints with an outstanding depth effect, which makes a contemporary impression thanks to a surface structure, which is non-reflective. For our Direct Aluminium Dibond print, we print the chosen work of art onto the aluminium composite surface. The white & bright components of the artpiece shimmer with a silky gloss but without the glow. The UV print on aluminium is the most popular entry-level product and is a modern way to showcase art, because it puts the viewer’s attention on the whole artwork.
  • The poster print on canvas material: The poster print is a UV printed sheet of cotton canvas paper with a nice structure on the surface, which resembles the original version of the masterpiece. It is ideally appropriate for placing your art print with the help of a custom frame. Please bear in mind, that depending on the size of the poster we add a white margin of around 2-6 cm round about the print motif to facilitate the framing with a custom frame.

Important note: We try our utmost in order to describe our products as accurate as possible and to illustrate them visually. Nonetheless, the tone of the print products, as well as the printing might differ marginally from the presentation on the monitor. Depending on your screen settings and the nature of the surface, color pigments can unfortunately not be printed as realistically as the digital version on this website. Given that our art reproductions are printed and processed manually, there may also be slight deviations in the motif's size and exact position.

Structured product information

Article type: fine art print
Reproduction: reproduction in digital format
Production process: UV direct print (digital printing)
Origin of the product: manufactured in Germany
Stock type: on demand
Intended product usage: wall gallery, home décor
Alignment of the artwork: landscape alignment
Image aspect ratio: 3 : 2 - (length : width)
Image ratio meaning: the length is 50% longer than the width
Material variants: poster print (canvas paper), metal print (aluminium dibond), acrylic glass print (with real glass coating), canvas print
Canvas print (canvas on stretcher frame) options: 30x20cm - 12x8", 60x40cm - 24x16", 90x60cm - 35x24", 120x80cm - 47x31", 150x100cm - 59x39"
Acrylic glass print (with real glass coating) size options: 30x20cm - 12x8", 60x40cm - 24x16", 90x60cm - 35x24", 120x80cm - 47x31"
Poster print (canvas paper) sizes: 60x40cm - 24x16", 90x60cm - 35x24", 120x80cm - 47x31"
Aluminium print (aluminium dibond material) sizes: 30x20cm - 12x8", 60x40cm - 24x16", 90x60cm - 35x24", 120x80cm - 47x31"
Framing of the art reproduction: not available

Structured details of the artpiece

Artwork title: "Jerusalem from the Mount of Olives"
Classification: painting
Category: modern art
Artwork century: 19th century
Created in: 1880
Approximate age of artwork: over 140 years old
Medium of original artwork: oil on canvas
Artwork original dimensions: 29 1/2 x 43 1/2 in (74,9 x 110,5 cm)
Museum: The Metropolitan Museum of Art
Museum location: New York City, New York, United States of America
Museum's web page: The Metropolitan Museum of Art
License type of artwork: public domain
Courtesy of: The Metropolitan Museum of Art, New York, Catharine Lorillard Wolfe Collection, Bequest of Catharine Lorillard Wolfe, 1887
Artwork creditline: Catharine Lorillard Wolfe Collection, Bequest of Catharine Lorillard Wolfe, 1887

Contextual artist data

Name of the artist: Charles-Théodore Frère
Artist gender: male
Nationality: French
Jobs: painter
Country of origin: France
Artist category: modern artist
Age at death: 74 years
Born: 1814
Died: 1888

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Additional information from the museum's website (© - by The Metropolitan Museum of Art - www.metmuseum.org)

This panoramic view was commissioned from Frère by the New York collector Catharine Lorillard Wolfe by 1880, when it was first described as being in her possession. Because the artist had not been to the Holy Land for twenty years—he had last traveled there as part of Empress Eugénie’s retinue in 1861—the composition must be based on one or more earlier studies or photographs.

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