Pierre Henri de Valenciennes, 1796 - Alexander at the Tomb of Cyrus the Great - fine art print
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Detailed product specifications
This 18th century piece of art was made by the French painter Pierre Henri de Valenciennes. The work of art was painted with the size: 16 9/16 × 35 7/8 in (42 × 91,1 cm) and was painted with the technique oil on canvas. Moveover, the artwork belongs to the art collection of Art Institute Chicago. This classic art public domain masterpiece is provided with courtesy of Art Institute Chicago. In addition, the work of art has the creditline: Restricted gift of Mrs. Harold T. Martin. Besides, the alignment is landscape and has a ratio of 2 : 1, which implies that the length is two times longer than the width.
Obtain your favorite art print material
The product dropdown menu ofers you the chance to choose your individual size and material. Choose among the following product options now to match your preferences in size and material:
- Poster (canvas material): The poster is a UV printed sheet of flat cotton canvas with a slightly rough texture on the surface. A print poster is excellently qualified for framing your fine art print with the help of a special frame. Please note, that depending on the absolute size of the poster print we add a white margin of something between 2-6cm round about the print, which facilitates the framing with your custom frame.
- Acrylic glass print (with real glass coating on top): An acrylic glass print, often referenced as a plexiglass print, will convert an artwork into beautiful wall decoration. Your own copy of the artwork is being custom-made with state-of-the-art UV direct print machines. The major benefit of an acrylic glass art print is that contrasts plus smaller painting details become more exposed with the help of the subtle gradation of the print.
- Canvas print: A printed canvas, not to be confused with an artwork painted on a canvas, is a digital image printed from a UV direct printing machine. A canvas print produces a cosy, comfy atmosphere. A canvas of your favorite work of art will let you turn your customized art print into a large size artpiece as you would see in a gallery. Canvas prints are relatively low in weight, which implies that it is easy to hang up the Canvas print without the help of extra wall-mounts. A canvas print is suitable for all types of walls in your home.
- Aluminium dibond (metal print): This is a metal print made on aluminium dibond with a true depth. The Aluminium Dibond Print is your excellent start to prints with aluminum.
Important note: We try whatever we can to describe the art products as exact as possible and to display them visually on the product detail pages. Still, the pigments of the print products, as well as the imprint may diverge to a certain extent from the representation on your screen. Depending on your screen settings and the nature of the surface, not all color pigments are printed one hundret percent realistically. Considering that all fine art prints are processed and printed manually, there might as well be slight variations in the size and exact position of the motif.
The product details
Product categorization: | art print |
Reproduction method: | reproduction in digital format |
Manufacturing process: | UV print / digital printing |
Production: | German production |
Stock type: | production on demand |
Proposed product use: | wall decoration, art reproduction gallery |
Orientation: | landscape format |
Side ratio: | 2 : 1 length : width |
Image aspect ratio meaning: | the length is two times longer than the width |
Fabric options: | poster print (canvas paper), canvas print, metal print (aluminium dibond), acrylic glass print (with real glass coating) |
Canvas print (canvas on stretcher frame) size variants: | 40x20cm - 16x8", 60x30cm - 24x12", 80x40cm - 31x16", 100x50cm - 39x20", 120x60cm - 47x24", 160x80cm - 63x31" |
Acrylic glass print (with real glass coating) size variants: | 40x20cm - 16x8", 60x30cm - 24x12", 80x40cm - 31x16", 100x50cm - 39x20", 120x60cm - 47x24" |
Poster print (canvas paper) sizes: | 60x30cm - 24x12", 80x40cm - 31x16", 100x50cm - 39x20", 120x60cm - 47x24" |
Dibond print (alumnium material) sizes: | 40x20cm - 16x8", 60x30cm - 24x12", 80x40cm - 31x16", 100x50cm - 39x20", 120x60cm - 47x24" |
Art print framing: | not available |
Structured information on the work of art
Name of the piece of art: | "Alexander at the Tomb of Cyrus the Great" |
Artwork classification: | painting |
Generic term: | classic art |
Artwork century: | 18th century |
Created in: | 1796 |
Artwork age: | around 220 years old |
Original medium of artwork: | oil on canvas |
Original dimensions: | 16 9/16 × 35 7/8 in (42 × 91,1 cm) |
Museum / collection: | Art Institute Chicago |
Museum location: | Chicago, Illinois, United States of America |
Website: | www.artic.edu |
Artwork license: | public domain |
Courtesy of: | Art Institute Chicago |
Creditline: | Restricted gift of Mrs. Harold T. Martin |
Artist details
Name: | Pierre Henri de Valenciennes |
Other names: | De Valenciennes Pierre Henri, Valenciennes Pierre-Henri de, M de Valenciennes, Devalenciennes Pierre Henry, Valenciennes, De Valenciennes M^Tr^R, P.H. Valenciennes, M. de Valenciennes, Valenciennes Pierre Henri de, Pierre Henri de Vallenciennes, Valenciennes Pierre-Henri, Vallenciennes, De Valenciennes, M. Valenciennes, Valenciennes Pierre Henry de, M. Valencienne, Devalenciennes Pierre Henri, Devalenciennes Pierre Henri De, Pierre Henri de Valenciennes |
Gender: | male |
Nationality: | French |
Jobs of the artist: | painter |
Home country: | France |
Classification: | old master |
Lifespan: | 69 years |
Born: | 1750 |
Birthplace: | Toulouse, Occitanie, France |
Died in the year: | 1819 |
Died in (place): | Paris, Ile-de-France, France |
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Additional specifications as provided by Art Institute Chicago (© - by Art Institute Chicago - Art Institute Chicago)
This landscape and its companion piece, Mount Athos Carved as a Monument to Alexander the Great, reflect the late-18th-century enthusiasm for the antique, as well as the cult of sensibility that made the tomb in a landscape a favored subject for art in this period. Here Alexander, who overthrew the Persian Empire, arrives at the tomb of its founder, Cyrus the Great (590/580–c. 529 B.C.), only to find that it has been desecrated. In choosing the subjects of this pair of moralizing landscapes, Pierre-Henri de Valenciennes was doubtless suggesting the transitory nature of empire and of life itself.