Art 17th century
The 17th century was a period of great artistic achievement in Europe, with Baroque style at its peak. The 17th century is often referred to as an age of religious art, with painting styles dominated by a prevailing mood of somberness and grandeur. This was in many ways a reflection of the political and religious turmoil of the time, with works focusing on themes such as death, judgment, faith, salvation and the Apocalypse. Yet at the same time one of the most important artistic developments was the secularization of art. With increasing wealth and cultural sophistication among all classes, artists turned to themes that would appeal to a wider public. While many paintings continued to emphasize religious ceremonies, figures or events, there was a growing trend for artists to show secular subjects, such as scenes from history and mythology. This was influenced by the changing political climate of the time—the end of the Thirty Years War in 1648 allowed painters and sculptors to make their art more realistic, while there was also a newfound interest in Classical antiquity. An important feature of Baroque art of the 17th century was its use of rich and contrasting colors, with the Baroque artists favoring a bold palette. Much of this colorfulness came from the addition of bright pigments made possible by new painting techniques and methods that allowed greater precision in the application of paint to canvas. Other new techniques in this period included the development of life-size nudes and a greater focus on realism, with artists paying close attention to details such as texture—this was known as "fine painting" or the "finer arts". There was a great deal of interest in depicting the natural world as accurately as possible. This included showing plants, animals and other objects such as fruit and flowers in a realistic manner. With this new sense of realism came a greater emphasis on the depiction of everyday life and the lives of ordinary people—the word "genre" was used to describe paintings that depicted everyday subjects. Renaissance styles were also a major influence in this period, particularly in Italy. High Renaissance artists such as Michelangelo and Raphael were still active, while new generations of artists developed styles similar to their work. The Baroque style was the dominant artistic movement in Italy throughout this period, although there were other influences from Mannerism and even some examples of naturalistic painting that emerged during the mid-17th century. The church had a dominant role in the production of art throughout the 17th century and many painters were also employed by church institutions, such as monasteries or convents. In addition, artists often received financial backing from benefactors—patrons who promised to provide support for an artist during their career in return for the right to buy a painting at the end of their life.
Unknown, 1675 - Plan of Den Briel, 1600 - fine art print
Albert Jansz Klomp, 1640 - Landscape with Cows - fine art print
Unknown, 1600 - River Bank - fine art print
Unknown, 1600 - Ships in the port of Amsterdam - fine art print
Frans Hals, 1657 - Portrait of a Man, possibly a Preacher - fine art print
Jan Asselijn, 1646 - Cavalry Attack at Sunset - fine art print
G.D. Beet, 1652 - Self-Portrait - fine art print
Unknown, 1650 - Portrait of a Man - fine art print
Jacob Jordaens I, 1657 - The Carrying of the Cross - fine art print
Unknown, 1630 - River view at sunrise - fine art print
Unknown, 1650 - Loenersloot Castle on the Angstel - fine art print
Egbert Lievensz van der Poel, 1646 - Interior of a barn - fine art print
Unknown, 1600 - River Landscape with some hay ships - fine art print
Anthony van Dyck, 1610 - Three putti with a dog - fine art print
Jan Havicksz Steen, 1665 - The supper at Emmaus - fine art print
Unknown, 1610 - Portrait of a man - fine art print
Unknown, 1632 - Single sheep that licking its paw - fine art print
Unknown, 1699 - The Island of Onrust near Batavia (Jakarta) - fine art print
Unknown, 1610 - Mary Magdalene at the foot of the cross - fine art print
Unknown, 1630 - The Parable of the Unworthy Wedding Guest - fine art print
Anthony van Dyck, 1620 - Penitent Mary Magdalene - fine art print
Bartolomé Esteban Murillo, 1660 - Annunciation to the Virgin - fine art print
Johannes Lingelbach, 1650 - Italian Landscape with Figures - fine art print
Unknown, 1600 - Portrait of kenau simonsdochter hasselaer, 1573 - fine art print
Hendrick ter Brugghen, 1622 - The Incredulity of Thomas - fine art print
Unknown, 1630 - Man of Sorrows - fine art print
Unknown, 1600 - Roman ruins - fine art print
Unknown, 1634 - Elijah fed by the ravens - fine art print
Unknown, 1600 - Ruin of the Sibyl Temple in Tivoli - fine art print
Unknown, 1635 - Standing boar - fine art print
Anthony van Dyck, 1627 - Portrait of Charles Mallery - fine art print
