Realism
Realism is the section of painting that focuses on depicting a visually accurate image. Realist painters attempted to capture exactly what they saw in real life, rather than creating an idealized version like the classical artists of the Renaissance did.
Most early realistic paintings were portraits and landscapes (used for recording the appearance of nature) but later was expanded into the other areas of painting such as representation of homes, work and natural settings. To convey a sense of realism in their paintings, Realist painters often used color blending, perspective harmony and tone gradation to create the illusion that a viewer is actually looking at real life objects that are three-dimensional (3D). The correct depiction of volume was of high important and used techniques like shading to create the illusion of volume. Realist painters also often used chiaroscuro (contrast between light and dark) in their paintings to create focus on certain objects and isolate them from others.
Realism first appeared during the mid-19th Century as artists attempted to depict what they saw in the world around them. This was in contrast to the highly idealized images of the Renaissance and Baroque period and can be considered a part of Romanticism. During Realism, there was also an emphasis on individual experience rather than concepts like those based on religion or mythology, which Medieval and Early Renaissance artworks had used (this is referred to as a secularization of art). Realist painters are also called Naturalists, but Realism is more specific than that term. Realism became the dominant form of Western painting during the mid-to-late 19th century and was characterized by themes of everyday life. This contrasted with other movements at that time which were either formalist or romanticist. The realistic painters of the 19th century wanted to capture scenes as faithfully as possible, so that they could be used by other people to make a mental picture of common life in Europe and America. They especially focused on rural (countryside) and working class life which was generally ignored by Romantic artist. Many realist painter slike Gustave Courbet and Jean-François Millet painted scenes of farmers in the countryside, while Thomas Eakins and Édouard Manet depicted scenes of life in big cities. Realism can be seen as part of a desire towards naturalism that occurred during the Industrial Revolution. The industrial revolution turned rural living into an urban environment. This forced many peasants and small-town people into the cities, while also giving city workers more time to leisurely contemplate life.
Realist painters wished to be as accurate as possible in their portrayal of different scenes in life and used detailed observation of nature to achieve this. Realist artists of the mid-19th Century commented on what they saw and experienced in everyday life. They were known as "The Eye" painters because they wanted to show people things that they had never noticed before. Their efforts resulted in new ideas regarding composition, form and technique that have become the foundation of modern art.

Vilhelm Hammershøi - Ida Ilsted, the Artist's Fiancée - fine art print

Alexandre Cabanel, 1884 - Le Titan - fine art print

Carl Bloch, 1866 - In a Roman Osteria - fine art print

Rosa Bonheur, 1852 - The Horse Fair - fine art print

Henri Fantin-Latour, 1866 - Still Life - fine art print

Winslow Homer, 1899 - The Gulf Stream - fine art print

Winslow Homer, 1895 - Northeaster - fine art print

Gustave Courbet, 1865 - Jo, the Beautiful Irish - fine art print

Franz Eybl, 1850 - Reading girl - fine art print

Thomas Eakins, 1900 - The Thinker: Portrait of Louis N. Kenton - fine art print

James Tissot, 1860 - The Dance of death - fine art print

Pierre-Auguste Cot, 1873 - Springtime - fine art print

Carl Spitzweg - Childhood friends - fine art print

Friedrich Alois Schönn, 1883 - At the Latin bridge in Sarajevo - fine art print

Vilhelm Hammershøi, 1898 - Interior - fine art print

Jean-Léon Gérôme, 1884 - A Roman Slave Market - fine art print

Pierre-Auguste Cot, 1880 - The Storm - fine art print

Johann Knapp, 1822 - Homage to Jacquin (Jacquin monument) - fine art print

Gustave Doré, 1883 - The Valley of Tears - fine art print

Hugo Darnaut, 1900 - Sunken splendor - fine art print

Leopold Carl Müller - A Sphinx face today - fine art print

William Michael Harnett, 1879 - Memento Mori,To This Favour - fine art print

Arnold Böcklin, 1880 - Island of the Dead - fine art print

Gustave Doré, 1878 - Landscape in Scotland - fine art print

Johann Peter Krafft, 1825 - Arindal and Daura - fine art print

Gustave Doré, 1875 - Loch Lomond - fine art print

Camille Corot, 1850 - Cows and Water - fine art print

Natale Schiavone, 1841 - Sadness - fine art print

Wilhelm Trübner, 1878 - Caesar am Rubicon - fine art print

James Tissot, 1881 - In Full Sunlight (Direct sunlight) - fine art print

Honoré Daumier, 1862 - The Third-Class Carriage - fine art print

Winslow Homer, 1899 - Salt Kettle, Bermuda - fine art print

Hans Larwin, 1915 - Trench - fine art print

August Strindberg, 1894 - Wonderland - fine art print

Emil Jakob Schindler, 1891 - Pax - fine art print

Arnold Böcklin, 1883 - In the Sea - fine art print

Winslow Homer, 1874 - Fresh Eggs - fine art print

Otto von Thoren, 1870 - The proximity of the wolf - fine art print

Thomas Wilmer Dewing, 1890 - Summer - fine art print

Camille Corot, 1865 - Bacchante in a Landscape - fine art print

Olga Wisinger-Florian, 1900 - Blooming poppy - fine art print

Carl Blechen, 1829 - Afternoon in Capri - fine art print
