Martin Johnson Heade, 1858 - Rhode Island Shore - fine art print
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Artwork description by the museum (© Copyright - by Los Angeles County Museum of Art - Los Angeles County Museum of Art)
Martin Johnson Heade (1819-1904) was one of the central figures in the American luminist movement, a late manifestation of the Hudson River school of landscape painting. During the third quarter of the 19th century, landscape artists such as Heade combined accurate, naturalistic detail with brilliant illumination and a sense of order and harmony to create timeless, silent images that seemingly defy their specificity. Among Heade’s most prized works are his views of the salt marshes around Narragansett Bay in Rhode Island, along the New Jersey coast, and in Newburyport, Massachusetts. Rhode Island Shore dates from the artist’s first stay in Providence, in 1858, when he initially turned to the theme. The site – Church Cove in Mount Hope Bay looking toward Mount Hope – was rich in historical associations. This was the place where King Philip, the chief of the Wampanoag Indians, died in 1676. Although his death marked a critical point in the subjugation of the Indians of southern New England by the European settlers, the landscape as it appeared in the mid-19th century offered no hint of this past conflict. Yet the 19th-century public would have been well aware of the site’s significance. The serenity of the scene also belied the actual turbulence of Heade’s own era. Through such hushed images as Rhode Island Shore as well as other placid harbor views and picturesque scenes of the Eastern coast, luminists offered the American viewing public a sense of order and clam at a time when heightening political, social, and economic tensions were erupting into a bloody civil war. Heade’s marsh scenes, of which Rhode Island Shore is the earliest known example, are panoramas of flat terrains punctuated by small mounds of hay. Most of the marsh scenes are small in scale, presented in a narrow, open-ended horizontal format. The sky, often in dramatic sunset hues, usually dominates at least half of the composition. All is meticulously painted, the brushstrokes barely discernible. Nothing is allowed to distract the observer from the simplicity and order of the tautly composed landscapes. Even humans are absent, although the haystacks signify the presence of an important industry derived from the marshy swamp area. The scenes gain their quiet power from the abstract relationships of horizontals and verticals, a limited vocabulary of harmonious contrasts. Although the views often appear airless, they are about light and atmosphere. Because Rhode Island Shore was the first of Heade’s marsh paintings, it does not strictly conform to his later, more characteristic haystack scenes but instead suggests affinities to the earlier Hudson River School aesthetic from which it emerged. Larger and squarer in format, the scene is also livelier and more atmospheric, with the view framed by a large dark tree on the right. Yet the elements that are the hallmark of Heade’s mature art and the quintessential luminist approach are already present. Through the generosity of the late Charles and Elma Shoemaker, the Los Angeles public can now enjoy Rhode Island Shore in all its delicate splendor, a gentle reminder of our nation’s nostalgic desire for tranquility.
Structured table of the artwork
Artwork name: | "Rhode Island Shore" |
Artwork categorization: | painting |
Art classification: | modern art |
Artwork century: | 19th century |
Created in the year: | 1858 |
Approximate age of artwork: | around 160 years |
Medium of original artwork: | oil on canvas |
Dimensions of the original work of art: | 20 1/4 x 32 1/4 in (51,44 x 81,92 cm) |
Museum / location: | Los Angeles County Museum of Art |
Place of the museum: | Los Angeles, California, United States of America |
Available under: | Los Angeles County Museum of Art |
Artwork license: | public domain |
Courtesy of: | Los Angeles County Museum of Art (www.lacma.org) |
Quick overview of the artist
Name: | Martin Johnson Heade |
Also known as: | Heed Martin Johnson, Heade, m.j. heade, Martin Johnson Heade, Heade Martin Johnson, Heade Martin J. |
Gender of the artist: | male |
Artist nationality: | American |
Jobs: | painter, traveller |
Home country: | United States |
Artist classification: | modern artist |
Art styles: | Realism |
Lifespan: | 85 years |
Birth year: | 1819 |
Hometown: | Lumberville, Bucks county, Pennsylvania, United States |
Died in the year: | 1904 |
Deceased in (place): | Saint Augustine, Saint Johns county, Florida, United States |
The product specifications
Article type: | art print |
Method of reproduction: | digital reproduction |
Production method: | UV direct printing |
Provenance: | made in Germany |
Type of stock: | on demand |
Intended usage: | gallery wall, wall décor |
Artwork orientation: | landscape format |
Image ratio: | 3 : 2 length : width |
Implication: | the length is 50% longer than the width |
Materials: | metal print (aluminium dibond), poster print (canvas paper), acrylic glass print (with real glass coating), canvas print |
Canvas print (canvas on stretcher frame) size options: | 30x20cm - 12x8", 60x40cm - 24x16", 90x60cm - 35x24", 120x80cm - 47x31" |
Acrylic glass print (with real glass coating): | 30x20cm - 12x8", 60x40cm - 24x16", 90x60cm - 35x24", 120x80cm - 47x31" |
Poster print (canvas paper) variants: | 60x40cm - 24x16", 90x60cm - 35x24", 120x80cm - 47x31" |
Aluminium print (aluminium dibond material) size variants: | 30x20cm - 12x8", 60x40cm - 24x16", 90x60cm - 35x24", 120x80cm - 47x31" |
Frame: | please bear in mind that this art print does not have a frame |
Select your product material
The product dropdown menu gives you the chance to choose the size and materialaccording to your personal preferences. You can select your favorite material and size between the subsequent choices:
- Print on glossy acrylic glass (with real glass coating): An print on acrylic glass, which is sometimes denoted as a plexiglass print, changes your favorite original artwork into gorgeous décor. Your work of art is custom-made with the help of state-of-the-art UV print machines. It creates impressive and rich color shades. With an acrylic glass art print contrasts as well as color details become exposed thanks to the subtle gradation.
- The poster print (canvas material): A poster is a printed cotton canvas with a slightly rough surface finish. It is qualified for putting your art print in a personal frame. Please keep in mind, that depending on the size of the canvas poster print we add a white margin between 2-6cm around the artwork, which facilitates the framing with a custom frame.
- Aluminium dibond print: An Aluminium Dibond print is a material with an impressive effect of depth, which makes a modern impression thanks to a non-reflective surface. The white & bright parts of the original work of art shine with a silk gloss but without the glow. The colors of the print are luminous in the highest definition, the details appear very clear.
- The canvas print: A printed canvas, not to be confused with an artwork painted on a canvas, is a digital copy applied on a canvas. In addition to that, a printed canvas makes a cosy and enjoyable effect. Your canvas print of your favorite work of art will let you turn your new art print into a large work of art like you would see in a gallery. Canvas Prints have the advantage of being relatively low in weight, which implies that it is easy to hang the Canvas print without the help of extra wall-mounts. Hence, canvas prints are suited for any kind of wall.
Information
In 1858 the painter Martin Johnson Heade made the piece of art "Rhode Island Shore". The 160 year-old version of the artpiece measures the size - 20 1/4 x 32 1/4 in (51,44 x 81,92 cm) and was painted with the technique oil on canvas. Nowadays, the artwork is part of the Los Angeles County Museum of Art's art collection in Los Angeles, California, United States of America. With courtesy of - Los Angeles County Museum of Art (www.lacma.org) (licensed - public domain).In addition, the artwork has the creditline: . Moreover, alignment of the digital reproduction is in landscape format with an image ratio of 3 : 2, meaning that the length is 50% longer than the width. The painter, traveller Martin Johnson Heade was a North American artist, whose style was mainly Realism. The North American artist was born in 1819 in Lumberville, Bucks county, Pennsylvania, United States and died at the age of 85 in 1904 in Saint Augustine, Saint Johns county, Florida, United States.
Important legal note: We try to depict the products as precisely as it is possible and to display them visually on the different product detail pages. At the same time, the colors of the printing material and the print result can differ somehwat from the presentation on the screen. Depending on the screen settings and the nature of the surface, not all color pigments are printed as realisitcally as the digital version shown here. Considering that all our art reproductions are processed and printed by hand, there may also be minor differences in the motif's exact position and the size.
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