Tina Blau, 1882 - Spring in the Prater - fine art print
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Specification
This more than 130 year-old artwork was created by Tina Blau in 1882. The piece of art was made with the size 214 x 291 cm - frame dimensions: 267 x 340 x 16 cm. Oil on canvas was applied by the artist as the medium of the artpiece. Signed and dated lower right: Tina Blue / Vienna 1882 was the masterpiece's original inscription. Nowadays, this work of art belongs to the art collection of Belvedere, which is one of Europe's most famous museums with three locations that blends the experience of architecture and art in a unique way. With courtesy of - © Belvedere, Vienna, inventory number: 2233 (license: public domain). The creditline of the artwork is: transfer from the Kunsthisthistorischen Museum, Vienna in 1921. Further, the alignment is landscape and has a ratio of 4 : 3, which means that the length is 33% longer than the width. Tina Blau was a painter, whose artistic style was primarily Realism. The Realist artist was born in the year 1845 in Vienna and passed away at the age of 71 in the year 1916.
Materials you can pick from
For every fine art print we offer a range of different sizes & materials. Choose among the following product options now to match your preferences in size and material:
- Printed acrylic glass (with real glass coating): An acrylic glass print, which is often named as a an art print on plexiglass, transforms the original artwork into brilliant wall decoration. The artwork is manufactured with the help of modern UV printing technology. Our acrylic glass protects your custom art replica against light and heat for many years.
- Poster print (canvas material): A poster is a printed cotton canvas paper with a slightly roughened surface finish, which resembles the original masterpiece. Please bear in mind, that depending on the absolute size of the poster we add a white margin of something between 2-6cm round about the painting, which facilitates the framing with your custom frame.
- Metal print (aluminium dibond): An Aluminium Dibond print is a print material with a true effect of depth. Its non-reflective surface structure make a contemporary look. The bright sections of the original work of art shine with a silky gloss, however without the glare. The colors are luminous in the highest definition, the details are crisp and clear. This UV print on aluminium is one of the most popular entry-level products and is a truly modern way to display artworks, because it draws focus on the artwork.
- Canvas print: The printed canvas, which shall not be mistaken with a real painting on a canvas, is a digital copy printed on a UV direct printing machine. A canvas of your favorite artwork will give you the opportunity of transforming your into a large size artpiece as you know from galleries. A canvas print has the advantage of being relatively low in weight, meaning that it is quite simple to hang your Canvas print without the help of any wall-mounts. That is why, a canvas print is suitable for any kind of wall.
Important information: We try what we can in order to describe the art products as exact as possible and to exhibit them visually in our shop. Still, the tone of the print materials and the printing can vary marginally from the presentation on your device's screen. Depending on the screen settings and the nature of the surface, colors might not be printed one hundret percent realistically. Bearing in mind that the are printed and processed by hand, there may also be slight variations in the exact position and the size of the motif.
Article details
Print prodct: | art copy |
Method of reproduction: | digital reproduction |
Production method: | UV direct print |
Product Origin: | produced in Germany |
Type of stock: | on demand |
Product usage: | wall decoration, art print gallery |
Alignment of the image: | landscape format |
Side ratio: | 4 : 3 |
Aspect ratio implication: | the length is 33% longer than the width |
Available choices: | canvas print, metal print (aluminium dibond), acrylic glass print (with real glass coating), poster print (canvas paper) |
Canvas on stretcher frame (canvas print) sizes: | 40x30cm - 16x12", 80x60cm - 31x24", 120x90cm - 47x35", 160x120cm - 63x47" |
Acrylic glass print (with real glass coating) options: | 40x30cm - 16x12", 80x60cm - 31x24", 120x90cm - 47x35" |
Poster print (canvas paper): | 40x30cm - 16x12", 80x60cm - 31x24", 120x90cm - 47x35" |
Aluminium print (aluminium dibond material) size options: | 40x30cm - 16x12", 80x60cm - 31x24", 120x90cm - 47x35" |
Frame: | please note that this art copy is not framed |
Structured artwork details
Title of the piece of art: | "Spring in the Prater" |
Categorization: | painting |
Category: | modern art |
Time: | 19th century |
Created in the year: | 1882 |
Age of artwork: | 130 years old |
Original medium of artwork: | oil on canvas |
Original artwork dimensions: | 214 x 291 cm - frame dimensions: 267 x 340 x 16 cm |
Signature: | signed and dated lower right: Tina Blue / Vienna 1882 |
Museum / collection: | Belvedere |
Museum location: | Vienna, Austria |
Museum website: | www.belvedere.at |
Artwork license type: | public domain |
Courtesy of: | © Belvedere, Vienna, inventory number: 2233 |
Artwork creditline: | transfer from the Kunsthisthistorischen Museum, Vienna in 1921 |
General information on the artist
Artist: | Tina Blau |
Jobs of the artist: | painter |
Classification of the artist: | modern artist |
Styles: | Realism |
Lifetime: | 71 years |
Year of birth: | 1845 |
Born in (place): | Vienna |
Died in the year: | 1916 |
Town of death: | Vienna |
© Copyright - intellectual property of | Artprinta.com
Original artwork description from Belvedere (© - Belvedere - www.belvedere.at)
The "Spring in the Prater" is Tina blue undisputed masterpiece and the largest painting, painted by the artist during their lifetime. In a letter to August Schaeffer dated 19 January 1900 (today Tina Blau-estate, New York) reported the artist that they have painted the picture 1881/82. The jury of the first International Art Exhibition of the Vienna Künstlerhaus 1882 initially wanted to reject the image as it was and in the eyes of the hanging committee to light everywhere a "hole in the wall" would make. Only the intervention of Hans Makart, the image was still accepted. The following year, it became the Fine Arts, Antonin Proust, issued at the initiative of the French Minister at the Paris Salon, where it received a "mention honorable". The image was first purchased by collectors F. W. Crone. As part of the collective exhibition Tina blue in the gallery Pisko 1899 the picture was finally acquired for the Imperial Art Gallery.