classic art
Classic art is a term used for art created before the modern period. Many critics and scholars have made a distinction between classic art and the subsequent movements of impressionism, post-impressionism, and expressionism. The phrase 'classic art' was coined in the nineteenth century to describe paintings which were thought to exhibit the ideal aesthetic ideals; however, since then it has often been used as an umbrella term for the period of art from roughly the Renaissance and Baroque eras to about 1848, though this varies depending on the area of focus. Many classic art movements evolved out of the Renaissance; however, they are usually distinguished from their later counterparts by ideology and style. Classic art is famous for its technique and style. There are varying interpretations of what classic art means, however, many believe it to contain the following characteristics: formality; subject matters such as mythology, religion or history; and controlled use of color. The golden age of classic art is a term used for the period originating from the Renaissance era to about 1848. It was a time where classic art flourished, though it was also considered by many contemporary critics as an "age of faith". There were five schools of thought in that period: Mannerism; Baroque; Classicism; Rococo; and Romanticism. Mannerist art was the idea of using strange contrasts in works, such as certain elements being extremely distorted or elongated for different aspects of a piece, to create jarring feelings in the audience. The Baroque style still contained some classically inspired features, however, it also had a more emotional element and was darker in color. Classicism represented a less emotional, more controlled approach to art than the Baroque style that came before; it often featured purer elements and easier lines. Rococo artwork typically had bright colors, light lines, and a lot of ornamentation. Romanticism was very melodramatic and sentimental in its nature; many of its themes took inspiration from the literature of that period, as well as ideas from the enlightenment and political upheaval. Classic art was first known to flourish in Italy, specifically Florence. Ever since then, it has had a huge influence on Western culture and later art movements. The style of classic art is often contrasted with that of modernism or contemporary forms of visual expression. This is because classic art was created at a time when many people believed there were universal truths in the world and they wanted to capture those truths in their art. These universal truths were seen as universals of form, space, color, and emotion.
Rufus Hathaway, 1793 - Sylvia Church Weston Sampson - fine art print
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Anthony van Dyck, 1630 - Ferdinand Boisschot - fine art print
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Francisco Herrera the Elder, 1630 - Saint Peter - fine art print
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Bartolomé Pérez, 1665 - Still Life - fine art print
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François Boucher, 1757 - Venus in the Workshop of Vulcan - fine art print
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Charles Willson Peale, 1785 - William Whetcroft (c.1735-1789) - fine art print
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Titian (Tiziano Vecellio), 1550 - Gerard Mercator - fine art print
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Unknown, 1790 - A Family Group - fine art print
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Sébastien Bourdon, 1637 - Et in Arcadia Ego - fine art print
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Gaetano Gandolfi, 1770 - The Liberation of Saint Peter - fine art print
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Jacob van Loo, 1650 - Bacchus and Ariadne - fine art print
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George Stubbs, 1792 - Juno - fine art print
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Bernardo Bellotto, 1745 - The Lock at Dolo - fine art print
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Francesco Montemezzano, 1590 - The Rape of Europa - fine art print
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Unknown, 1720 - Governor Gurdon Saltonstall (1666–1724) - fine art print
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Diego Velázquez, 1617 - The Education of the Virgin - fine art print
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Unknown, 1630 - Artemisia, the widow of Mausolus, King of Caria - fine art print
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Davenport Limner, 1670 - Reverend John Davenport (1597–1669/70) - fine art print
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Pseudo Bocchi, 1700 - Witchcraft Scene with Dwarves - fine art print
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Andrea Sacchi, 1650 - The Baptism of Christ - fine art print
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Juan van der Hamen y León, 1630 - Still Life - fine art print
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Nicolas-Pierre Loir, 1660 - The Adoration of the Sheperds - fine art print
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Karel Dujardin, 1650 - Tale of the Soldier - fine art print
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Jacopo Tintoretto, 1560 - Portrait of a Man - fine art print
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Pierpont Limner, 1711 - Reverend James Pierpont (1659/60-1714) - fine art print
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Giovanni Battista Tiepolo, 1740 - The Apotheosis of Saint Roch - fine art print
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Pieter Fransz. de Grebber, 1625 - Moses and the Brazen Serpent - fine art print
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Giulio Carpioni, 1660 - The Kingdom of Hypnos - fine art print
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Hubert Robert, 1760 - The Old Bridge - fine art print
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