Impressionism
Impressionism was a major artistic movement which originated in France in the 1870s. To define impressionism is difficult, because its characteristics are similar to those of other movements that flourished at around the same time. In general, Impressionism had an extreme attention to the transient effects of light and atmosphere. This movement is characterized by a naturalistic style, short lengths, and loose brush strokes that convey the sensation of the moment when the view being painted was observed (hence its name); they are not concerned with details or clear outlines. Impressionist artists had a very specific set of goals, and one of these was to change the standards by which artworks were valued. The Impressionists viewed their paintings as mere visual expressions of the energy in nature that they have experienced. They wanted their viewers to feel that they participated in the creation of such works. Impressionists were more concerned with the simplification of value relations and colors than with detailed, naturalistic portrayals. Simplification of line and color can be found in many paintings by Monet, Manet and Renoir. The Impressionists also attempted to give their work a sense of immediacy and spontaneity. They did not want their paintings to look contrived or premeditated, so they sought to make the viewer feel that he was actually in the presence of the subject being depicted.
Paul Sérusier, 1920 - Knitter bottom pink - fine art print
Childe Hassam, 1902 - Oyster Sloop, Cos Cob - fine art print
Pierre-Auguste Renoir, 1907 - House of Post, Cagnes - fine art print
Pierre-Auguste Renoir, 1918 - Woman Leaning (Female leaning) - fine art print
Max Slevogt, 1917 - Nina and wolfgang slevogt - fine art print
Pierre-Auguste Renoir, 1918 - Portrait of Felix Hippolyte-Lucas - fine art print
Childe Hassam, 1910 - St. Mark’s in the Bowery - fine art print
Max Slevogt, 1913 - Self-portrait with black hat - fine art print
Maurice Prendergast, 1910 - Cove, Maine - fine art print
George Hendrik Breitner, 1900 - Ginger Pot wit Anemones - fine art print
Isaac Israels, 1900 - Portrait of a woman - fine art print
Albert Weisgerber, 1911 - In the munich hofgarten - fine art print
Rudolf Junk, 1905 - Man reading in a gazebo - fine art print
John Henry Twachtman, 1900 - Harbor Scene - fine art print
William Merritt Chase, 1910 - Fish - fine art print
Maurice Brazil Prendergast, 1912 - Gloucester Harbor - fine art print
Ludwig Sigmundt, 1911 - Weissenkirchen - fine art print
George Hendrik Breitner, 1923 - The Rokin, Amsterdam - fine art print
Claude Monet, 1901 - Vétheuil - fine art print
Pierre-Auguste Renoir, 1917 - in a Landscape (in a Landscape) - fine art print
John Henry Twachtman, 1902 - The White Bridge - fine art print
Frederick Carl Frieseke, 1915 - Torn Lingerie - fine art print
Max Liebermann, 1913 - Hunters in the dunes - fine art print
Pierre-Auguste Renoir, 1910 - Pomegranates (Grenades) - fine art print
Maurice Brazil Prendergast, 1907 - Seascape–St. Mâlo - fine art print
Otto Stark, 1909 - A Summer Morning - fine art print
Pierre-Auguste Renoir, 1910 - Two Girls (Two Girls) - fine art print
Harold Gilman, 1917 - Sylvia Darning - fine art print
Claude Monet, 1901 - Charing Cross Bridge, London - fine art print
Demeter Koko, 1919 - Flock of geese in the pasture - fine art print
Pierre-Auguste Renoir, 1911 - Landscape (Landscape) - fine art print
