Impressionism
Impressionism was a major artistic movement which originated in France in the 1870s. To define impressionism is difficult, because its characteristics are similar to those of other movements that flourished at around the same time. In general, Impressionism had an extreme attention to the transient effects of light and atmosphere. This movement is characterized by a naturalistic style, short lengths, and loose brush strokes that convey the sensation of the moment when the view being painted was observed (hence its name); they are not concerned with details or clear outlines. Impressionist artists had a very specific set of goals, and one of these was to change the standards by which artworks were valued. The Impressionists viewed their paintings as mere visual expressions of the energy in nature that they have experienced. They wanted their viewers to feel that they participated in the creation of such works. Impressionists were more concerned with the simplification of value relations and colors than with detailed, naturalistic portrayals. Simplification of line and color can be found in many paintings by Monet, Manet and Renoir. The Impressionists also attempted to give their work a sense of immediacy and spontaneity. They did not want their paintings to look contrived or premeditated, so they sought to make the viewer feel that he was actually in the presence of the subject being depicted.
Paul Cézanne, 1871 - Landscape with Water Mill - fine art print
Claude Monet, 1889 - The Petite Creuse River - fine art print
Camille Pissarro, 1865 - Landscape - fine art print
Pierre-Auguste Renoir, 1902 - Le Cannet - fine art print
James Wilson Morrice, 1905 - Snow Scene - fine art print
Frederick Carl Frieseke, 1926 - Youth - fine art print
Camille Pissarro, 1874 - The Public Garden at Pontoise - fine art print
Matthijs Maris, 1849 - Choppy water - fine art print
George Inness, 1864 - Harvest Time - fine art print
Berthe Morisot, 1883 - Young Woman Knitting - fine art print
Claude Monet, 1876 - Bridge at Argenteuil on a Gray Day - fine art print
Pierre-Auguste Renoir - Fruit and Bonbonnière - fine art print
Paul Cézanne, 1878 - Apples - fine art print
Willem Maris, 1854 - Sketch of cows at a fence - fine art print
Anton Mauve, 1848 - Lying bull - fine art print
Anton Mauve, 1860 - Lying Cow - fine art print
Willard Leroy Metcalf, 1905 - Early Autumn - fine art print
George Hendrik Breitner, 1880 - Building Site - fine art print
Eugène Boudin, 1858 - Festival in the Harbor of Honfleur - fine art print
George Hendrik Breitner, 1902 - Construction Site in Amsterdam - fine art print
Max Liebermann, 1911 - Rider on the Beach - fine art print
Edgar Degas, 1870 - Madame Camus - fine art print
Eugène Boudin, 1869 - The Beach at Trouville - fine art print
Paul Signac, 1919 - Geneva - fine art print
George Inness, 1871 - Approaching Storm from the Alban Hills - fine art print
Tom Roberts, 1900 - Hutt Valley - fine art print
Theodore Robinson, 1894 - Low Tide, Riverside Yacht Club - fine art print
George Inness, 1848 - Crossing the Ford - fine art print
Pierre-Auguste Renoir, 1879 - The Dreamer - fine art print
Robert William Vonnoh, 1890 - Spring in France - fine art print
Paul Cézanne, 1895 - A Table Corner (A corner table) - fine art print
Matthijs Maris, 1849 - Landscape with approaching storm - fine art print
Camille Pissarro, 1872 - Still Life with Apples and Pitcher - fine art print
Pierre-Auguste Renoir, 1912 - With Mouth - fine art print
John Henry Twachtman, 1889 - Icebound - fine art print
Paul Cézanne, 1890 - Bottle and Fruit (Bottle and fruits) - fine art print
George Hendrik Breitner, 1901 - Dam Square in Amsterdam - fine art print
Johannes Bosboom, 1827 - Kerkinterieur - fine art print
Pierre-Auguste Renoir, 1891 - Reading (Reading) - fine art print
Franz Jaschke, 1905 - Franzerl, the artist's son - fine art print
