Mannerism
Mannerism was a style of art which dominated European painting from about 1520 to 1600. It originated in the city of Florence as a reaction against Renaissance art. It became dominant all over Europe except England where it was never popular or widely practiced until after 1600 when it evolved into Baroque style. Mannerists tended to use complex compositions and distorted figures in order to express a feeling or mood. It developed as an attempt by artists to return art from the naturalistic depiction of Renaissance art, which had come before it, into an expressionist art form that was more emotional and nuanced. Mannerism began during a time when religion was taking a back seat to the humanist virtues of classical antiquity. People were beginning to think about art in a different way. It was not only mere decoration, but it represented ideas and emotions as well. Mannerism reflected this change in thinking by employing religious themes for inspiration but not always depicting them realistically. Mannerist paintings generally used complex compositions and distorted figures. Some pieces depict an entire scene using only one point of view instead of the normal Renaissance perspective. These compositions often included elongated limbs and exaggerated facial expressions. Mannerist painters employed these techniques to express ideas related to human emotion such as anxiety, depression, or loneliness. Mannerism was an exceptionally individualistic style of art that did not always conform to the canons established by the Church of Rome. In fact, many artists who produced Mannerist works were called before the church to explain their actions. Artists got around this by admitting that they had included some religious content in their work, even though it was not always depicted realistically. Mannerism was also an anti-establishment style of art because it did not follow the Renaissance ideals. It purposely set out to disturb those ideals, with the intention of replacing them with a new and different way of looking at religious themes through paintings. Mannerism was started by artists such as Michelangelo and Raphael, but they eventually abandoned it in favor of the more naturalistic style of art produced by their student, Caravaggio.
Adam Elsheimer, 1608 - Saint John the Baptist in the Wilderness - fine art print
Tintoretto, 1590 - Tarquin and Lucretia - fine art print
El Greco, 1579 - The Assumption of the Virgin - fine art print
Giorgio Vasari, 1548 - The Temptation of Saint Jerome - fine art print
Denys Calvaert, 1619 - Saint John the Baptist in the Wilderness - fine art print
Giovanni Antonio Fasolo, 1570 - Portrait of a Lady - fine art print
Cornelis Cort, 1578 - The Battle of Zama - fine art print
El Greco, 1614 - The Feast in the House of Simon - fine art print
Luca Cambiaso, 1575 - Venus and Cupid - fine art print
Moretto da Brescia, 1550 - Mary Magdalene - fine art print
Jacopo Bassano, 1590 - Diana and Actaeon - fine art print
El Greco, 1600 - Saint Martin and the Beggar - fine art print
Alessandro Allori, 1565 - Francesco deMedici - fine art print
Tintoretto, 1550 - Saint Helen Testing the True Cross - fine art print
Joachim Beuckelaer, 1562 - Portrait of a Young Woman - fine art print
Jacopo Bassano, 1715 - Annunciation to the Shepherds - fine art print
Giovanni Battista Moroni, 1552 - Gian Lodovico Madruzzo - fine art print
Hans Eworth, 1575 - Portrait of a Woman - fine art print
Corneille de Lyon, 1560 - Portrait of a Man - fine art print
