Mannerism
Mannerism was a style of art which dominated European painting from about 1520 to 1600. It originated in the city of Florence as a reaction against Renaissance art. It became dominant all over Europe except England where it was never popular or widely practiced until after 1600 when it evolved into Baroque style. Mannerists tended to use complex compositions and distorted figures in order to express a feeling or mood. It developed as an attempt by artists to return art from the naturalistic depiction of Renaissance art, which had come before it, into an expressionist art form that was more emotional and nuanced. Mannerism began during a time when religion was taking a back seat to the humanist virtues of classical antiquity. People were beginning to think about art in a different way. It was not only mere decoration, but it represented ideas and emotions as well. Mannerism reflected this change in thinking by employing religious themes for inspiration but not always depicting them realistically. Mannerist paintings generally used complex compositions and distorted figures. Some pieces depict an entire scene using only one point of view instead of the normal Renaissance perspective. These compositions often included elongated limbs and exaggerated facial expressions. Mannerist painters employed these techniques to express ideas related to human emotion such as anxiety, depression, or loneliness. Mannerism was an exceptionally individualistic style of art that did not always conform to the canons established by the Church of Rome. In fact, many artists who produced Mannerist works were called before the church to explain their actions. Artists got around this by admitting that they had included some religious content in their work, even though it was not always depicted realistically. Mannerism was also an anti-establishment style of art because it did not follow the Renaissance ideals. It purposely set out to disturb those ideals, with the intention of replacing them with a new and different way of looking at religious themes through paintings. Mannerism was started by artists such as Michelangelo and Raphael, but they eventually abandoned it in favor of the more naturalistic style of art produced by their student, Caravaggio.
Corneille de Lyon - Madame de Chatillon - fine art print
François Clouet - Admiral Gaspard II de Coligny - fine art print
Alessandro Allori, 1565 - Francesco deMedici - fine art print
Corneille de Lyon, 1520 - Portrait of a Man - fine art print
Tintoretto, 1550 - Saint Helen Testing the True Cross - fine art print
Jacopo Bassano, 1550 - Portrait of a Bearded Man - fine art print
Parmigianino, 1523 - Portrait of Lorenzo Cybo - fine art print
Jacopo Tintoretto, 1560 - The Finding of Moses - fine art print
Andrea Schiavone - Christ before Pilate - fine art print
Joachim Beuckelaer, 1562 - Portrait of a Young Woman - fine art print
Corneille de Lyon, 1540 - Portrait of a Woman - fine art print
Herri met de Bles, 1550 - The Temptation of Saint Anthony - fine art print
Nosadella, 1560 - The Holy Family with Saint John the Baptist - fine art print
Aurelio Lomi - The Gathering of Manna - fine art print
Corneille de Lyon, 1540 - Portrait of a Man with Gloves - fine art print
Luis de Morales, 1560 - The Lamentation - fine art print
Jacopo Bassano, 1715 - Annunciation to the Shepherds - fine art print
Corneille de Lyon - Man with a Feather in Hat - fine art print
Corneille de Lyon - Portrait of René Le Puy du Fou - fine art print
Giovanni Battista Moroni, 1552 - Gian Lodovico Madruzzo - fine art print
Corneille de Lyon - Man with Red Beard - fine art print
Cornelis Ketel, 1575 - Portrait or Paul or Vianen (1550-1613) - fine art print
Luca Cambiaso, 1565 - Madonna and Child, with John the Baptist - fine art print
Alessandro Allori, 1600 - Portrait of a Woman - fine art print
Otto van Veen, 1600 - Brinno Raised upon the Shield - fine art print
El Greco, 1575 - Portrait of a Man, former title Tintoretto - fine art print
Corneille de Lyon - Portrait of a Man - fine art print
François Clouet, 1566 - Portrait of François de Scépeaux - fine art print
Corneille de Lyon, 1545 - Portrait of a Man - fine art print
Parmigianino - St Barbara - fine art print
Giovanni Battista Moroni, 1553 - Bongos Bartholomew (died 1584) - fine art print
François Clouet - Charles IX (1550–1574), King of France - fine art print
Otto van Veen, 1600 - The Conference of the Gauls at Reims - fine art print
Francesco Traballesi, 1554 - Man Playing the Clavichord - fine art print
