Realism
Realism is the section of painting that focuses on depicting a visually accurate image. Realist painters attempted to capture exactly what they saw in real life, rather than creating an idealized version like the classical artists of the Renaissance did.
Most early realistic paintings were portraits and landscapes (used for recording the appearance of nature) but later was expanded into the other areas of painting such as representation of homes, work and natural settings. To convey a sense of realism in their paintings, Realist painters often used color blending, perspective harmony and tone gradation to create the illusion that a viewer is actually looking at real life objects that are three-dimensional (3D). The correct depiction of volume was of high important and used techniques like shading to create the illusion of volume. Realist painters also often used chiaroscuro (contrast between light and dark) in their paintings to create focus on certain objects and isolate them from others.
Realism first appeared during the mid-19th Century as artists attempted to depict what they saw in the world around them. This was in contrast to the highly idealized images of the Renaissance and Baroque period and can be considered a part of Romanticism. During Realism, there was also an emphasis on individual experience rather than concepts like those based on religion or mythology, which Medieval and Early Renaissance artworks had used (this is referred to as a secularization of art). Realist painters are also called Naturalists, but Realism is more specific than that term. Realism became the dominant form of Western painting during the mid-to-late 19th century and was characterized by themes of everyday life. This contrasted with other movements at that time which were either formalist or romanticist. The realistic painters of the 19th century wanted to capture scenes as faithfully as possible, so that they could be used by other people to make a mental picture of common life in Europe and America. They especially focused on rural (countryside) and working class life which was generally ignored by Romantic artist. Many realist painter slike Gustave Courbet and Jean-François Millet painted scenes of farmers in the countryside, while Thomas Eakins and Édouard Manet depicted scenes of life in big cities. Realism can be seen as part of a desire towards naturalism that occurred during the Industrial Revolution. The industrial revolution turned rural living into an urban environment. This forced many peasants and small-town people into the cities, while also giving city workers more time to leisurely contemplate life.
Realist painters wished to be as accurate as possible in their portrayal of different scenes in life and used detailed observation of nature to achieve this. Realist artists of the mid-19th Century commented on what they saw and experienced in everyday life. They were known as "The Eye" painters because they wanted to show people things that they had never noticed before. Their efforts resulted in new ideas regarding composition, form and technique that have become the foundation of modern art.
Carl Spitzweg - Childhood friends - fine art print
Hugo Darnaut, 1900 - Sunken splendor - fine art print
James Tissot, 1881 - In Full Sunlight (Direct sunlight) - fine art print
Honoré Daumier, 1862 - The Third-Class Carriage - fine art print
Olga Wisinger-Florian, 1900 - Blooming poppy - fine art print
Carl Blechen, 1829 - Afternoon in Capri - fine art print
Joakim Skovgaard, 1894 - Christ in the Realm of the Dead - fine art print
August Strindberg, 1892 - Sunset - fine art print
Jean-François Millet, 1860 - The Sheepfold, Moonlight - fine art print
Winslow Homer, 1901 - The Coming Storm - fine art print
Károly Markó d. Ä., 1859 - Ideal landscape with Boaz and Ruth - fine art print
Camille Corot, 1865 - Bacchante by the Sea - fine art print
Jean-Léon Gérôme, 1868 - Bashi-Bazouk Singing - fine art print
Vilhelm Hammershøi - Interior. Artificial Light - fine art print
Camille Corot, 1830 - Honfleur - fine art print
Thomas Ender, 1832 - The Grossglockner with the Pasterze - fine art print
Christoffer Wilhelm Eckersberg, 1818 - Families Nathanson - fine art print
Théodore Rousseau, 1842 - Landscape - fine art print
Emil Jakob Schindler, 1888 - Autumn landscape on the river - fine art print
Joakim Skovgaard, 1894 - Christ in the kingdom of the dead - fine art print
Théodore Rousseau, 1832 - Valley of the Seine - fine art print
Winslow Homer, 1894 - Casting, Number Two - fine art print
Johann Caspar Rahn, 1804 - Around the ruins of Habsburg - fine art print
Albert Gottschalk - Early spring day in Glostrup - fine art print
Carl Schweninger d. Ä. - Water landscape with cows - fine art print
Eugen Jettel, 1894 - View of Auvers-sur-Oise - fine art print
Remigius Adrianus van Haanen, 1888 - Large Dutch landscape - fine art print
Károly Markó d. Ä., 1860 - Spring on the River - fine art print
Hugo Darnaut, 1900 - The Sand Pit - fine art print
Johann Peter Krafft, 1854 - The Rhône glacier - fine art print
Jean-Léon Gérôme, 1885 - Lion on the Watch - fine art print
Rudolf Hausleithner, 1883 - Carnival morning - fine art print
August von Rentzell, 1833 - Reiterkavalkade with dogs - fine art print
Henriëtte Ronner, 1860 - The cat at play - fine art print
Anton Schrödl - Sheep in the stable - fine art print
Théodore Rousseau, 1855 - The Pond (Sea) - fine art print
Albin Egger-Lienz, 1893 - Good Friday - fine art print
