Realism
Realism is the section of painting that focuses on depicting a visually accurate image. Realist painters attempted to capture exactly what they saw in real life, rather than creating an idealized version like the classical artists of the Renaissance did.
Most early realistic paintings were portraits and landscapes (used for recording the appearance of nature) but later was expanded into the other areas of painting such as representation of homes, work and natural settings. To convey a sense of realism in their paintings, Realist painters often used color blending, perspective harmony and tone gradation to create the illusion that a viewer is actually looking at real life objects that are three-dimensional (3D). The correct depiction of volume was of high important and used techniques like shading to create the illusion of volume. Realist painters also often used chiaroscuro (contrast between light and dark) in their paintings to create focus on certain objects and isolate them from others.
Realism first appeared during the mid-19th Century as artists attempted to depict what they saw in the world around them. This was in contrast to the highly idealized images of the Renaissance and Baroque period and can be considered a part of Romanticism. During Realism, there was also an emphasis on individual experience rather than concepts like those based on religion or mythology, which Medieval and Early Renaissance artworks had used (this is referred to as a secularization of art). Realist painters are also called Naturalists, but Realism is more specific than that term. Realism became the dominant form of Western painting during the mid-to-late 19th century and was characterized by themes of everyday life. This contrasted with other movements at that time which were either formalist or romanticist. The realistic painters of the 19th century wanted to capture scenes as faithfully as possible, so that they could be used by other people to make a mental picture of common life in Europe and America. They especially focused on rural (countryside) and working class life which was generally ignored by Romantic artist. Many realist painter slike Gustave Courbet and Jean-François Millet painted scenes of farmers in the countryside, while Thomas Eakins and Édouard Manet depicted scenes of life in big cities. Realism can be seen as part of a desire towards naturalism that occurred during the Industrial Revolution. The industrial revolution turned rural living into an urban environment. This forced many peasants and small-town people into the cities, while also giving city workers more time to leisurely contemplate life.
Realist painters wished to be as accurate as possible in their portrayal of different scenes in life and used detailed observation of nature to achieve this. Realist artists of the mid-19th Century commented on what they saw and experienced in everyday life. They were known as "The Eye" painters because they wanted to show people things that they had never noticed before. Their efforts resulted in new ideas regarding composition, form and technique that have become the foundation of modern art.
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Édouard Manet, 1879 - Portrait of a Lady - fine art print
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Henri Fantin-Latour, 1861 - Self-Portrait - fine art print
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Édouard Manet, 1864 - Fish (Still Life) - fine art print
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Pascal-Adolphe-Jean Dagnan-Bouveret, 1886 - Woman from Brittany - fine art print
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Édouard Manet, 1878 - George Moore (1852–1933) at the Café - fine art print
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Emil Jakob Schindler, 1892 - Sea coast of Sylt - fine art print
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Gustave Courbet, 1871 - Portrait of a Girl - fine art print
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Thomas Ender, 1843 - Castle Tyrol near Merano - fine art print
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Virgilio Narcisso Díaz de la Peña, 1861 - Waldinneres - fine art print
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Josef Danhauser, 1844 - Company scene - fine art print
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Hans Temple, 1895 - The actor Adolf sun valley - fine art print
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Albert Gottschalk, 1892 - Market at Stege Torv - fine art print
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Johan Hendrik Weissenbruch, 1895 - Stable Interior - fine art print
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Martin Johnson Heade, 1865 - Two Hummingbirds with Their Young - fine art print
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Thomas Eakins, 1895 - Maud Cook (Mrs. Robert C. Reid) - fine art print
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Franz von Lenbach, 1869 - The engraver conrad geyer - fine art print
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Emil Strecker, 1899 - The holder comes - fine art print
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Emil Strecker, 1884 - The employee (parlor) - fine art print
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George Catlin, 1830 - The Female Eagle - Shawano - fine art print
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Winslow Homer, 1892 - A Good Shot, Adirondacks - fine art print
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Winslow Homer, 1873 - Four Boys on a Beach - fine art print
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Winslow Homer, 1892 - Sketch forHound and Hunter - fine art print
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Honoré Daumier, 1868 - Advice to a Young Artist - fine art print
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Carl Schuch, 1881 - Reed landscape at Schwielowsee with ducks - fine art print
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Theodor von Hörmann, 1893 - Esparsettenfeld bei Znaim II - fine art print
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Carl Rudolf Huber, 1872 - Herd of cows on water - fine art print
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Friedrich Loos, 1854 - Monte Albano beautiful Cable - fine art print
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Marcus Pernhardt, 1850 - Farm on winter lake - fine art print
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Josef Altenkopf, 1850 - Waldpartie in Mödling - fine art print
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Carl Schuch, 1877 - The artist's studio in Venice - fine art print
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Henri Fantin-Latour, 1864 - Tannhäuser on the Venusberg - fine art print
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Honoré Daumier, 1830 - Christ and his Disciples - fine art print
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Wilhelm Trübner, 1874 - Brüsslerin with blue tie - fine art print
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Jakob Alt, 1834 - View of San Giorgio Maggiore in Venice - fine art print
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August Schaeffer von Wienwald, 1870 - Hungarian landscape - fine art print
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Tranquillo Orsi, 1814 - The courtyard of the Doge's Palace - fine art print
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