Realism
Realism is the section of painting that focuses on depicting a visually accurate image. Realist painters attempted to capture exactly what they saw in real life, rather than creating an idealized version like the classical artists of the Renaissance did.
Most early realistic paintings were portraits and landscapes (used for recording the appearance of nature) but later was expanded into the other areas of painting such as representation of homes, work and natural settings. To convey a sense of realism in their paintings, Realist painters often used color blending, perspective harmony and tone gradation to create the illusion that a viewer is actually looking at real life objects that are three-dimensional (3D). The correct depiction of volume was of high important and used techniques like shading to create the illusion of volume. Realist painters also often used chiaroscuro (contrast between light and dark) in their paintings to create focus on certain objects and isolate them from others.
Realism first appeared during the mid-19th Century as artists attempted to depict what they saw in the world around them. This was in contrast to the highly idealized images of the Renaissance and Baroque period and can be considered a part of Romanticism. During Realism, there was also an emphasis on individual experience rather than concepts like those based on religion or mythology, which Medieval and Early Renaissance artworks had used (this is referred to as a secularization of art). Realist painters are also called Naturalists, but Realism is more specific than that term. Realism became the dominant form of Western painting during the mid-to-late 19th century and was characterized by themes of everyday life. This contrasted with other movements at that time which were either formalist or romanticist. The realistic painters of the 19th century wanted to capture scenes as faithfully as possible, so that they could be used by other people to make a mental picture of common life in Europe and America. They especially focused on rural (countryside) and working class life which was generally ignored by Romantic artist. Many realist painter slike Gustave Courbet and Jean-François Millet painted scenes of farmers in the countryside, while Thomas Eakins and Édouard Manet depicted scenes of life in big cities. Realism can be seen as part of a desire towards naturalism that occurred during the Industrial Revolution. The industrial revolution turned rural living into an urban environment. This forced many peasants and small-town people into the cities, while also giving city workers more time to leisurely contemplate life.
Realist painters wished to be as accurate as possible in their portrayal of different scenes in life and used detailed observation of nature to achieve this. Realist artists of the mid-19th Century commented on what they saw and experienced in everyday life. They were known as "The Eye" painters because they wanted to show people things that they had never noticed before. Their efforts resulted in new ideas regarding composition, form and technique that have become the foundation of modern art.
Édouard Manet, 1882 - Flowers in a Crystal Vase - fine art print
Emil Jakob Schindler, 1888 - Autumn landscape on the river - fine art print
Robert Russ, 1885 - Landscape with ponds and farms - fine art print
Jean-Charles Cazin, 1894 - Mesnilval - fine art print
Jules Dupré, 1830 - The Estuary Farm - fine art print
Jean-François Millet, 1872 - Calling the Cows Home - fine art print
Thomas Eakins, 1876 - The Chess Players - fine art print
Charles-François Daubigny, 1867 - Autumnal Aulandschaft - fine art print
Arnold Böcklin, 1872 - Venus Anadyomene - fine art print
Gustave Courbet, 1866 - The Young Bather - fine art print
Emanuel Stöckler, 1849 - Tekfur palace in Constantinople - fine art print
Édouard Manet, 1866 - Young Lady in 1866 - fine art print
Alexandre Cabanel, 1876 - Catharine Lorillard Wolfe (1828–1887) - fine art print
Carl Blechen, 1833 - Forest road in resin - fine art print
Henri Fantin-Latour, 1888 - Roses and Lilies - fine art print
Lorenzo Butti, 1846 - Seascape with Scirocco - fine art print
Emile van Marcke de Lummen, 1890 - Study of a Cow - fine art print
William Michael Harnett, 1877 - Alas, Poor Yorick - fine art print
James Tissot, 1878 - Seaside (July: Specimen of a Portrait) - fine art print
Theodor von Hörmann, 1890 - View of Paris - fine art print
Henri Fantin-Latour, 1868 - Asters and Fruit on a Table - fine art print
Honoré Daumier, 1865 - The juggler - fine art print
Camille Corot, 1835 - Portrait of a Child - fine art print
Gustave Courbet, 1847 - The Cellist (Self-portrait) - fine art print
Franz Schrotzberg, 1878 - Self-portrait - fine art print
August Heinrich, 1820 - At the Edge of the Forest - fine art print
Camille Corot, 1870 - Ville dAvray - fine art print
Theodor von Hörmann, 1892 - Mondaufgang after harvest I - fine art print
Thomas Ender, 1840 - Overlooking Lake Garda - fine art print
Johann Baptist Reiter, 1840 - Lady in a light blue dress - fine art print
Joseph Martin Höger, 1835 - Waldkapelle - fine art print
Camille Corot, 1870 - Sibylle - fine art print
Franz Rumpler, 1872 - A boy with horses on the beach - fine art print
Gustave Courbet, 1859 - After the Hunt - fine art print
Camille Corot, 1833 - Toussaint Lemaistre (1807 / 8-1888) - fine art print
Jean-François Millet, 1850 - Starry Night - fine art print
Martin Johnson Heade, 1872 - Jungle Orchids and Hummingbirds - fine art print
Augustin Théodule Ribot, 1880 - Young shepherd - fine art print
Winslow Homer, 1890 - Palm Trees, Red - fine art print
James Tissot, 1872 - Tea - fine art print
