Realism
Realism is the section of painting that focuses on depicting a visually accurate image. Realist painters attempted to capture exactly what they saw in real life, rather than creating an idealized version like the classical artists of the Renaissance did.
Most early realistic paintings were portraits and landscapes (used for recording the appearance of nature) but later was expanded into the other areas of painting such as representation of homes, work and natural settings. To convey a sense of realism in their paintings, Realist painters often used color blending, perspective harmony and tone gradation to create the illusion that a viewer is actually looking at real life objects that are three-dimensional (3D). The correct depiction of volume was of high important and used techniques like shading to create the illusion of volume. Realist painters also often used chiaroscuro (contrast between light and dark) in their paintings to create focus on certain objects and isolate them from others.
Realism first appeared during the mid-19th Century as artists attempted to depict what they saw in the world around them. This was in contrast to the highly idealized images of the Renaissance and Baroque period and can be considered a part of Romanticism. During Realism, there was also an emphasis on individual experience rather than concepts like those based on religion or mythology, which Medieval and Early Renaissance artworks had used (this is referred to as a secularization of art). Realist painters are also called Naturalists, but Realism is more specific than that term. Realism became the dominant form of Western painting during the mid-to-late 19th century and was characterized by themes of everyday life. This contrasted with other movements at that time which were either formalist or romanticist. The realistic painters of the 19th century wanted to capture scenes as faithfully as possible, so that they could be used by other people to make a mental picture of common life in Europe and America. They especially focused on rural (countryside) and working class life which was generally ignored by Romantic artist. Many realist painter slike Gustave Courbet and Jean-François Millet painted scenes of farmers in the countryside, while Thomas Eakins and Édouard Manet depicted scenes of life in big cities. Realism can be seen as part of a desire towards naturalism that occurred during the Industrial Revolution. The industrial revolution turned rural living into an urban environment. This forced many peasants and small-town people into the cities, while also giving city workers more time to leisurely contemplate life.
Realist painters wished to be as accurate as possible in their portrayal of different scenes in life and used detailed observation of nature to achieve this. Realist artists of the mid-19th Century commented on what they saw and experienced in everyday life. They were known as "The Eye" painters because they wanted to show people things that they had never noticed before. Their efforts resulted in new ideas regarding composition, form and technique that have become the foundation of modern art.
Joseph Selleny, 1847 - Desolate cemetery - fine art print
Johann Peter Krafft, 1840 - The Holy Spyridon - fine art print
Hugo Darnaut, 1883 - Motif from cell - fine art print
Eugen Jettel, 1895 - Sunken road in winter - fine art print
Eugen Jettel, 1894 - View of Auvers-sur-Oise - fine art print
Christian Griepenkerl, 1877 - Bernhard Baron Wüllerstorf-Urbair - fine art print
Josef Danhauser, 1828 - The Schola Renz More - fine art print
Albin Egger-Lienz, 1923 - The grace - fine art print
Ferdinand Georg Waldmüller, 1831 - Prater Landscape - fine art print
Thomas Ender, 1820 - The cemetery (cemetery near Vienna) - fine art print
Eduard Swoboda - Damenbildnis - fine art print
Anton Einsle, 1864 - Self-portrait - fine art print
Anton Einsle, 1853 - Jacob Rain Heart - fine art print
Carl Schuch, 1890 - Paris houses - fine art print
Johann Peter Krafft, 1851 - Judith with the head of Holofernes - fine art print
Hugo Darnaut, 1900 - The Sand Pit - fine art print
Johann Peter Krafft, 1854 - The Rhône glacier - fine art print
Peter Fendi - Mother with child under the crucifix - fine art print
Friedrich Loos, 1838 - Motif Oberschuetzen - fine art print
Johann Knapp, 1810 - Still Life with goldfish bowl - fine art print
Josef Danhauser, 1836 - Woman portrait - fine art print
Josef Danhauser, 1830 - The fallen asleep Painter in the studio - fine art print
Eduard Swoboda, 1848 - The contract - fine art print
Rudolf Hausleithner, 1883 - Carnival morning - fine art print
Franz Schrotzberg, 1836 - Diana and Endymion - fine art print
Hermine Lang-Laris, 1891 - The Botanical Garden in Vienna - fine art print
Carl Schindler, 1840 - The Sentinel - fine art print
Franz Schrotzberg, 1845 - Ferdinand Prince Lobkowitz - fine art print
Albin Egger-Lienz, 1893 - Good Friday - fine art print
Josef Lauer, 1860 - Small flower piece (Alpine flowers) - fine art print
Joseph Heicke, 1851 - Alm cattle - fine art print
Josef Danhauser, 1836 - Abraham contrary Hagar and Ishmael - fine art print
Carl Schindler, 1841 - The wedding trip - fine art print
Thomas Ender, 1840 - Forest landscape in the high mountains - fine art print
Rudolf von Alt, 1867 - On the beach of Santa Lucia in Naples - fine art print
Hugo Darnaut, 1915 - Nordic landscape - fine art print
Albin Egger-Lienz, 1902 - After the peace agreement - fine art print
Marianne von Eschenburg, 1900 - Professor Alexander Kolisko - fine art print
Eduard Peithner von Lichtenfels, 1889 - Italian countryside - fine art print
