Realism
Realism is the section of painting that focuses on depicting a visually accurate image. Realist painters attempted to capture exactly what they saw in real life, rather than creating an idealized version like the classical artists of the Renaissance did.
Most early realistic paintings were portraits and landscapes (used for recording the appearance of nature) but later was expanded into the other areas of painting such as representation of homes, work and natural settings. To convey a sense of realism in their paintings, Realist painters often used color blending, perspective harmony and tone gradation to create the illusion that a viewer is actually looking at real life objects that are three-dimensional (3D). The correct depiction of volume was of high important and used techniques like shading to create the illusion of volume. Realist painters also often used chiaroscuro (contrast between light and dark) in their paintings to create focus on certain objects and isolate them from others.
Realism first appeared during the mid-19th Century as artists attempted to depict what they saw in the world around them. This was in contrast to the highly idealized images of the Renaissance and Baroque period and can be considered a part of Romanticism. During Realism, there was also an emphasis on individual experience rather than concepts like those based on religion or mythology, which Medieval and Early Renaissance artworks had used (this is referred to as a secularization of art). Realist painters are also called Naturalists, but Realism is more specific than that term. Realism became the dominant form of Western painting during the mid-to-late 19th century and was characterized by themes of everyday life. This contrasted with other movements at that time which were either formalist or romanticist. The realistic painters of the 19th century wanted to capture scenes as faithfully as possible, so that they could be used by other people to make a mental picture of common life in Europe and America. They especially focused on rural (countryside) and working class life which was generally ignored by Romantic artist. Many realist painter slike Gustave Courbet and Jean-François Millet painted scenes of farmers in the countryside, while Thomas Eakins and Édouard Manet depicted scenes of life in big cities. Realism can be seen as part of a desire towards naturalism that occurred during the Industrial Revolution. The industrial revolution turned rural living into an urban environment. This forced many peasants and small-town people into the cities, while also giving city workers more time to leisurely contemplate life.
Realist painters wished to be as accurate as possible in their portrayal of different scenes in life and used detailed observation of nature to achieve this. Realist artists of the mid-19th Century commented on what they saw and experienced in everyday life. They were known as "The Eye" painters because they wanted to show people things that they had never noticed before. Their efforts resulted in new ideas regarding composition, form and technique that have become the foundation of modern art.
Carl Spitzweg - Childhood friends - fine art print
Wilhelm Trübner, 1878 - Caesar am Rubicon - fine art print
Hans Larwin, 1915 - Trench - fine art print
Carl Blechen, 1829 - Afternoon in Capri - fine art print
Thomas Leitner, 1907 - Storm and rain - fine art print
Robert Russ, 1877 - Helgoland - fine art print
Anton Hansch, 1858 - Landscape in Salzkammergut - fine art print
Ferdinand Knab, 1886 - Bavarian countryside - fine art print
Carl Spitzweg - Stroller having a rest - fine art print
Carl Spitzweg - Papal zollrevision - fine art print
Franz von Lenbach, 1902 - Marion lenbach in ritterrüstung - fine art print
Johann Baptist Reiter, 1860 - Reading boy - fine art print
Johann Baptist Reiter, 1849 - Slumbering woman - fine art print
Gustav Ranzoni, 1871 - Before the thunderstorm - fine art print
Johann Baptist Reiter, 1890 - Lexi with the grapes - fine art print
Wilhelm Trübner, 1910 - Landscape - fine art print
Fritz von Uhde, 1889 - Going Home - fine art print
Hermann Mevius, 1852 - Dutch seacoast during low tide - fine art print
Robert Russ, 1885 - Landscape with ponds and farms - fine art print
Carl Blechen, 1833 - Forest road in resin - fine art print
August Heinrich, 1820 - At the Edge of the Forest - fine art print
Johann Baptist Reiter, 1840 - Lady in a light blue dress - fine art print
Franz von Lenbach - Adolf oberlander - fine art print
Franz Rumpler, 1872 - A boy with horses on the beach - fine art print
Franz von Lenbach - The landscape painter eduard schleich - fine art print
Eduard Ritter, 1835 - Sitting young man in a black skirt - fine art print
Carl Spitzweg, 1847 - Where Garden Stolz - fine art print
Emil Strecker, 1907 - Before the holidays - fine art print
Bernhard Fiedler, 1854 - View of Cairo - fine art print
Wilhelm Trübner, 1876 - Potato field near wessling in bavaria - fine art print
Franz Rumpler, 1891 - Cardinal Johann Rudolf Kutschker - fine art print
Franz von Lenbach, 1897 - Bjørnson - fine art print
August von Rentzell - The village drummers - fine art print
Anton Hermann Kowalsky - Exit - fine art print
Johann Baptist Reiter, 1873 - Damenporträt - fine art print
Wilhelm Trübner, 1872 - Landwehr officer - fine art print
Franz Adam, 1847 - Napoleon on the battlefield - fine art print
Fritz von Uhde, 1890 - The artist's daughter - fine art print
Emil Strecker - The good bye - fine art print
Franz von Lenbach, 1859 - Guardian boy on a grass hill - fine art print
Hans Thoma, 1895 - Die Quelle (The Spring) - fine art print
Johann Baptist Reiter, 1836 - The innkeeper Barbara Meyer - fine art print
