Realism
Realism is the section of painting that focuses on depicting a visually accurate image. Realist painters attempted to capture exactly what they saw in real life, rather than creating an idealized version like the classical artists of the Renaissance did.
Most early realistic paintings were portraits and landscapes (used for recording the appearance of nature) but later was expanded into the other areas of painting such as representation of homes, work and natural settings. To convey a sense of realism in their paintings, Realist painters often used color blending, perspective harmony and tone gradation to create the illusion that a viewer is actually looking at real life objects that are three-dimensional (3D). The correct depiction of volume was of high important and used techniques like shading to create the illusion of volume. Realist painters also often used chiaroscuro (contrast between light and dark) in their paintings to create focus on certain objects and isolate them from others.
Realism first appeared during the mid-19th Century as artists attempted to depict what they saw in the world around them. This was in contrast to the highly idealized images of the Renaissance and Baroque period and can be considered a part of Romanticism. During Realism, there was also an emphasis on individual experience rather than concepts like those based on religion or mythology, which Medieval and Early Renaissance artworks had used (this is referred to as a secularization of art). Realist painters are also called Naturalists, but Realism is more specific than that term. Realism became the dominant form of Western painting during the mid-to-late 19th century and was characterized by themes of everyday life. This contrasted with other movements at that time which were either formalist or romanticist. The realistic painters of the 19th century wanted to capture scenes as faithfully as possible, so that they could be used by other people to make a mental picture of common life in Europe and America. They especially focused on rural (countryside) and working class life which was generally ignored by Romantic artist. Many realist painter slike Gustave Courbet and Jean-François Millet painted scenes of farmers in the countryside, while Thomas Eakins and Édouard Manet depicted scenes of life in big cities. Realism can be seen as part of a desire towards naturalism that occurred during the Industrial Revolution. The industrial revolution turned rural living into an urban environment. This forced many peasants and small-town people into the cities, while also giving city workers more time to leisurely contemplate life.
Realist painters wished to be as accurate as possible in their portrayal of different scenes in life and used detailed observation of nature to achieve this. Realist artists of the mid-19th Century commented on what they saw and experienced in everyday life. They were known as "The Eye" painters because they wanted to show people things that they had never noticed before. Their efforts resulted in new ideas regarding composition, form and technique that have become the foundation of modern art.
Vilhelm Hammershøi, 1910 - Interior with the Artist's Easel - fine art print
Franz von Lenbach - Augusta queen of prussia and german empress - fine art print
Franz von Lenbach - Charlotte wolter - fine art print
Joseph Hasslwander - Study head of a bearded man I - fine art print
Cecilia Beaux, 1898 - Dorothea and Francesca - fine art print
Ferdinand Georg Waldmüller, 1820 - Rosina Wieser in 83 years - fine art print
Joseph Hasslwander - Length portrait of a Savoyardeknaben - fine art print
Eugène Carrière, 1886 - Portrait of a Boy - fine art print
Camille Corot, 1860 - The Curious Little Girl - fine art print
Vilhelm Hammershøi, 1889 - Seated Female Nude - fine art print
Ferdinand Georg Waldmüller, 1848 - Self-portrait at the easel - fine art print
Friedrich Hasslwander - Crucifix in countryside - fine art print
Christian Griepenkerl, 1879 - Dr. Moritz von Kaiserfeld - fine art print
Thomas Eakins, 1901 - Mrs. Gomez Arza - fine art print
Henri-Joseph Harpignies, 1891 - The Village Church - fine art print
Anton Hansch, 1860 - The Palü glacier - fine art print
Joseph Hasslwander - The right of asylum - fine art print
Leopold Ernst, 1838 - The interior of a baptistry - fine art print
Wilhelm Trübner, 1876 - Buchenwald with lovers - fine art print
Max Koner, 1898 - Prince Herbert Bismarck - fine art print
Christoffer Wilhelm Eckersberg, 1813 - Two Sheperds - fine art print
Camille Corot, 1871 - The Fisherman's Cottage - fine art print
William Michael Harnett, 1879 - The Artist's Letter Rack - fine art print
Constant Troyon, 1860 - Going to Market - fine art print
Joseph Hasslwander - Head study of an apostle - fine art print
Georg Decker, 1845 - The painter Leopold Brunner d. junior - fine art print
Franz Schrotzberg, 1847 - Countess Wilhelmine von Auersperg - fine art print
Leopold Carl Müller - Gate of an Arab house - fine art print
Hans Thoma, 1850 - Mother with child - fine art print
Josef Neugebauer, 1842 - The artist's wife - fine art print
Joseph Hasslwander - The painter Heinrich Schwemminger - fine art print
Michael Neder, 1848 - Elizabeth Musch at the age of 24 years - fine art print
Monogrammist G. R. - Moritz Hartmann - fine art print
Rudolf Hausleithner, 1874 - Peter Ritter von Tunner - fine art print
Eugène Fromentin, 1867 - Women of the Ouled Nayls - fine art print
Eugène Carrière, 1896 - The First Communion - fine art print
Hans Thoma, 1887 - The sculptor erwin short - fine art print
