Realism
Realism is the section of painting that focuses on depicting a visually accurate image. Realist painters attempted to capture exactly what they saw in real life, rather than creating an idealized version like the classical artists of the Renaissance did.
Most early realistic paintings were portraits and landscapes (used for recording the appearance of nature) but later was expanded into the other areas of painting such as representation of homes, work and natural settings. To convey a sense of realism in their paintings, Realist painters often used color blending, perspective harmony and tone gradation to create the illusion that a viewer is actually looking at real life objects that are three-dimensional (3D). The correct depiction of volume was of high important and used techniques like shading to create the illusion of volume. Realist painters also often used chiaroscuro (contrast between light and dark) in their paintings to create focus on certain objects and isolate them from others.
Realism first appeared during the mid-19th Century as artists attempted to depict what they saw in the world around them. This was in contrast to the highly idealized images of the Renaissance and Baroque period and can be considered a part of Romanticism. During Realism, there was also an emphasis on individual experience rather than concepts like those based on religion or mythology, which Medieval and Early Renaissance artworks had used (this is referred to as a secularization of art). Realist painters are also called Naturalists, but Realism is more specific than that term. Realism became the dominant form of Western painting during the mid-to-late 19th century and was characterized by themes of everyday life. This contrasted with other movements at that time which were either formalist or romanticist. The realistic painters of the 19th century wanted to capture scenes as faithfully as possible, so that they could be used by other people to make a mental picture of common life in Europe and America. They especially focused on rural (countryside) and working class life which was generally ignored by Romantic artist. Many realist painter slike Gustave Courbet and Jean-François Millet painted scenes of farmers in the countryside, while Thomas Eakins and Édouard Manet depicted scenes of life in big cities. Realism can be seen as part of a desire towards naturalism that occurred during the Industrial Revolution. The industrial revolution turned rural living into an urban environment. This forced many peasants and small-town people into the cities, while also giving city workers more time to leisurely contemplate life.
Realist painters wished to be as accurate as possible in their portrayal of different scenes in life and used detailed observation of nature to achieve this. Realist artists of the mid-19th Century commented on what they saw and experienced in everyday life. They were known as "The Eye" painters because they wanted to show people things that they had never noticed before. Their efforts resulted in new ideas regarding composition, form and technique that have become the foundation of modern art.
William Michael Harnett, 1879 - Memento Mori,To This Favour - fine art print
Jules Breton, 1880 - The Tired Gleaner - fine art print
Albert Besnard, 1890 - The Siesta - fine art print
Rosa Bonheur, 1877 - Wild Boars in the Snow - fine art print
Martin Johnson Heade, 1873 - Apple Blossoms - fine art print
Honoré Daumier, 1873 - The Troubadour - fine art print
James Tissot, 1878 - Seaside (July: Specimen of a Portrait) - fine art print
Winslow Homer, 1903 - Early Morning After a Storm at Sea - fine art print
Jean-François Millet, 1840 - Monsieur Martin - fine art print
Jean-François Millet, 1847 - Return from the Fields - fine art print
Ferdinand Georg Waldmüller, 1831 - Prater Landscape - fine art print
Jules Dupré, 1870 - Marshland - fine art print
Édouard Manet, 1673 - Berthe Morisot - fine art print
Jean-Léon Gérôme, 1885 - Lion on the Watch - fine art print
Jean-Charles Cazin, 1891 - Midnight - fine art print
Antoine Chintreuil, 1870 - Industrial Plant - fine art print
Martin Johnson Heade, 1873 - Orchid Blossoms - fine art print
Eugène Carrière, 1891 - Armand Berton - fine art print
Jules Dupré, 1850 - The Windmill - fine art print
Thomas Eakins, 1873 - The Biglin Brothers Turning the Stake - fine art print
Arnold Böcklin, 1881 - Ruin by the Sea - fine art print
Henri Fantin-Latour, 1878 - Roses in a Vase - fine art print
Jean-Léon Gérôme, 1860 - Head of an Italian Woman - fine art print
Rosa Bonheur, 1880 - The Farm at the Entrance of the Wood - fine art print
Henri Fantin-Latour, 1882 - Madame Lerolle - fine art print
Martin Johnson Heade, 1872 - High Tide on the Marshes - fine art print
Jean-Léon Gérôme, 1880 - Leaving the Oasis - fine art print
Édouard Manet, 1873 - Boats at Berck-sur-Mer - fine art print
Ferdinand Georg Waldmüller, 1828 - Countess Széchenyi - fine art print
Henri Fantin-Latour, 1867 - Marie-Yolande de Fitz-James - fine art print
Antoine Chintreuil, 1857 - The Marl Pit at Mulcent: Evening - fine art print
Camille Flers, 1835 - Cottage by the River with Washerwomen - fine art print
Winslow Homer, 1864 - The Brierwood Pipe - fine art print
Jules Bastien-Lepage, 1881 - Albert Wolff in His Study - fine art print
Winslow Homer, 1867 - Women Working in a Field - fine art print
Winslow Homer, 1868 - White Mare - fine art print
Jules Bastien-Lepage, 1881 - Marie Samary of the Odéon Theater - fine art print
Jean-Charles Cazin, 1883 - The Rainbow, Achères la Forêt - fine art print
Henri Fantin-Latour, 1886 - Tannhäuser - fine art print
Martin Johnson Heade, 1868 - Point Judith, Rhode Island - fine art print
Gustave Courbet, 1863 - Mme L (Laure Borreau) - fine art print
