Anton Romako, 1856 - The stubborn donkey - fine art print

39,99 €

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The modern art artpiece The stubborn donkey was made by the historicist artist Anton Romako. The original version measures the size 26 x 34 cm - frame dimensions: 33 x 47 x 6 cm. Oil on canvas was applied by the European artist as the technique for the piece of art. Today, the artpiece forms part of the digital art collection of Belvedere in Vienna, Austria. This public domain masterpiece is included, courtesy of © Belvedere, Vienna, inventory number: 1959. : dedication Hermione Eissler, Vienna in 1918. What is more, the alignment of the digital reproduction is landscape and has a ratio of 4 : 3, which means that the length is 33% longer than the width. The painter Anton Romako was an artist from Austria, whose artistic style can primarily be classified as Historicism. The artist was born in the year 1832 in Vienna, Vienna state, Austria and died at the age of 57 in 1889.

Select your favorite item material

We offer a range of different materials and sizes for every product. Choose among the following product options now to match your preferences in size and material:

  • Canvas: A UV printed canvas material mounted on a wood frame. The advantage of canvas prints is that they are relatively low in weight, which means that it is easy and straightforward to hang up your Canvas print without extra wall-mounts. A canvas print is suited for any kind of wall.
  • Poster (canvas material): The poster is a printed sheet of canvas with a nice texture on the surface. It is particularly suited for placing your art replica with the help of a custom-made frame. Please bear in mind, that depending on the absolute size of the canvas poster print we add a white margin 2-6cm around the print motif to facilitate the framing with a custom frame.
  • Metal (aluminium dibond print): Aluminium Dibond prints are prints on metal with a true depth effect. The Aluminium Dibond Print is the perfect start to replicas with aluminum. The white & bright sections of the original artpiece shine with a silk gloss but without any glare.
  • The acrylic glass print (with real glass coating on top): A glossy print on acrylic glass, which is often labelled as a an art print on plexiglass, will turn your favorite original into décor. Beyond that, it is a viable alternative to aluminium and canvas art prints. With an acrylic glass fine art print contrasts and details become recognizeable thanks to the very fine tonal gradation of the print.

Important legal note: We try what we can in order to describe the art products as exact as possible and to exhibit them visually on the product detail pages. At the same time, the pigments of the printing material and the printing might differ slightly from the presentation on your screen. Depending on the screen settings and the quality of the surface, not all colors are printed 100% realistically. Because the fine art prints are processed and printed by hand, there may also be minor discrepancies in the exact position and the size of the motif.

Structured product details

Article categorization: wall art
Reproduction: digital reproduction
Manufacturing method: digital printing
Product Origin: manufactured in Germany
Stock type: on demand
Intended product usage: wall art, home design
Orientation of the image: landscape format
Image aspect ratio: 4 : 3 length to width
Aspect ratio implication: the length is 33% longer than the width
Available product materials: canvas print, metal print (aluminium dibond), acrylic glass print (with real glass coating), poster print (canvas paper)
Canvas on stretcher frame (canvas print) size options: 40x30cm - 16x12", 80x60cm - 31x24", 120x90cm - 47x35", 160x120cm - 63x47"
Acrylic glass print (with real glass coating): 40x30cm - 16x12", 80x60cm - 31x24", 120x90cm - 47x35"
Poster print (canvas paper) variants: 40x30cm - 16x12", 80x60cm - 31x24", 120x90cm - 47x35"
Aluminium dibond print sizes: 40x30cm - 16x12", 80x60cm - 31x24", 120x90cm - 47x35"
Frame: without frame

Structured table of the work of art

Title of the artpiece: "The stubborn donkey"
Artwork categorization: painting
Umbrella term: modern art
Temporal classification: 19th century
Created in the year: 1856
Artwork age: over 160 years old
Medium of original artwork: oil on canvas
Size of the original work of art: 26 x 34 cm - frame dimensions: 33 x 47 x 6 cm
Museum / collection: Belvedere
Museum location: Vienna, Austria
Museum's website: www.belvedere.at
License: public domain
Courtesy of: © Belvedere, Vienna, inventory number: 1959
Creditline of artwork: dedication Hermione Eissler, Vienna in 1918

Brief overview of the artist

Artist name: Anton Romako
Also known as: romako a., a. romako, romako anton, Romako, Romako Anton, Anton Romako
Gender of the artist: male
Nationality of artist: Austrian
Jobs of the artist: painter
Country of the artist: Austria
Artist category: modern artist
Art styles: Historicism
Lifespan: 57 years
Birth year: 1832
Place of birth: Vienna, Vienna state, Austria
Year of death: 1889
Place of death: Vienna, Vienna state, Austria

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Original artwork description by Belvedere website (© - by Belvedere - Belvedere)

The oil painting The stubborn donkey Anton Romako was probably in 1856 during a trip to Spain by the artist and is considered the earliest surviving genre painting in his oeuvre. The contrast, saturated colors of humorous scene corresponds to the intense light of the South. The loose and sketchy brushwork acting like about works by Francisco de Goya or El Greco remember and is probably due Romako encounter with original works of Spanish painting tradition. 1860 gained Romako in Rome primarily oriented on the art market landscape views, genre paintings and portraits large financial and social recognition. After a failed marriage to the artist in 1875 returned to Vienna, where his style but not met the prevailing taste. With his increasingly bizarre and excessive design language and the emphasis on psychological moments he took elements of early expressionism anticipated. lonely in his later years and impoverished, was Romako an outsider among the historicist painters that should be rediscovered by future generations as an important reference point. [Kerstin Krenn, in: Agnes Husslein, Severin Dünser, Luisa Ziaja (ed.), Flirting with Strangers. Encounters with works from the collection, Vienna 2015, p 106.]

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