Michelangelo, 1559 - Design for an equestrian statue of Henry II of - fine art print

28,99 €

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The art product offering

This 16th century work of art Design for an equestrian statue of Henry II of was painted by Michelangelo in 1559. Nowadays, the work of art can be viewed in in the digital collection of Rijksmuseum, which is located in Amsterdam, Netherlands. With courtesy of - Rijksmuseum (license: public domain).: . On top of that, alignment is in square format and has an image ratio of 1 : 1, meaning that the length is equal to the width. Michelangelo was a painter, whose style was mainly High Renaissance.

Background data about the unique artwork

Title of the artpiece: "Design for an equestrian statue of Henry II of"
Classification of the artpiece: painting
General term: classic art
Period: 16th century
Created in the year: 1559
Approximate age of artwork: 460 years
Museum / collection: Rijksmuseum
Museum location: Amsterdam, Netherlands
Available under: Rijksmuseum
License: public domain
Courtesy of: Rijksmuseum

Short overview of the artist

Name of the artist: Michelangelo
Artist gender: male
Artist nationality: Italian
Professions: painter
Home country: Italy
Classification: old master
Art styles: High Renaissance

Your product material options

We offer a range of different materials and sizes for every product. Thus, we allow you to choose among the following options:

  • Aluminium dibond print (metal): Aluminium Dibond prints are metal prints with an impressive effect of depth. The Aluminium Dibond Print is the best start to fine replicas produced with aluminum. The white & bright sections of the work of art shine with a silky gloss, however without glow.
  • The canvas print: The printed canvas, which shall not be confused with an artwork painted on a canvas, is a digital image printed on a canvas fabric. A canvas has a special effect of three dimensionality. Canvas prints are relatively low in weight, meaning that it is easy to hang the Canvas print without extra wall-mounts. Canvas prints are suitable for all kinds of walls.
  • Acrylic glass print: A glossy acrylic glass print, which is sometimes described as a print on plexiglass, will turn your favorite original artwork into wonderful wall décor and makes a great alternative to canvas or aluminium dibond art prints. The great benefit of a plexiglass fine art copy is that sharp contrasts and painting details will be more exposed thanks to the subtle tonal gradation in the print.
  • Poster print (canvas material): A poster print is a UV printed canvas with a nice finish on the surface. It is best appropriate for framing your fine art print in a special frame. Please keep in mind, that depending on the absolute size of the poster print we add a white margin 2-6 cm round about the print in order to facilitate the framing.

Structured article information

Article categorization: fine art reproduction
Reproduction: reproduction in digital format
Production technique: UV direct printing (digital print)
Production: German production
Type of stock: on demand
Product use: art print gallery, wall décor
Alignment of the image: square format
Side ratio: 1 : 1
Side ratio implication: the length is equal to the width
Available product fabrics: poster print (canvas paper), canvas print, acrylic glass print (with real glass coating), metal print (aluminium dibond)
Canvas print (canvas on stretcher frame) size options: 20x20cm - 8x8", 30x30cm - 12x12", 50x50cm - 20x20", 70x70cm - 28x28", 100x100cm - 39x39", 150x150cm - 59x59"
Acrylic glass print (with real glass coating) sizes: 20x20cm - 8x8", 30x30cm - 12x12", 50x50cm - 20x20", 70x70cm - 28x28", 100x100cm - 39x39", 150x150cm - 59x59"
Poster print (canvas paper) options: 30x30cm - 12x12", 50x50cm - 20x20", 70x70cm - 28x28", 100x100cm - 39x39"
Aluminium dibond print variants: 20x20cm - 8x8", 30x30cm - 12x12", 50x50cm - 20x20", 70x70cm - 28x28", 100x100cm - 39x39"
Frame: not available

Important information: We try what we can to describe our products in as much detail as it is possible and to exhibit them visually. However, the pigments of the print materials, as well as the imprint can diverge slightly from the representation on your device's screen. Depending on the screen settings and the condition of the surface, colors might not be printed one hundret percent realistically. In view of the fact that all the art reproductions are printed and processed manually, there may as well be slight deviations in the motif's exact position and the size.

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