Art 17th century
The 17th century was a period of great artistic achievement in Europe, with Baroque style at its peak. The 17th century is often referred to as an age of religious art, with painting styles dominated by a prevailing mood of somberness and grandeur. This was in many ways a reflection of the political and religious turmoil of the time, with works focusing on themes such as death, judgment, faith, salvation and the Apocalypse. Yet at the same time one of the most important artistic developments was the secularization of art. With increasing wealth and cultural sophistication among all classes, artists turned to themes that would appeal to a wider public. While many paintings continued to emphasize religious ceremonies, figures or events, there was a growing trend for artists to show secular subjects, such as scenes from history and mythology. This was influenced by the changing political climate of the time—the end of the Thirty Years War in 1648 allowed painters and sculptors to make their art more realistic, while there was also a newfound interest in Classical antiquity. An important feature of Baroque art of the 17th century was its use of rich and contrasting colors, with the Baroque artists favoring a bold palette. Much of this colorfulness came from the addition of bright pigments made possible by new painting techniques and methods that allowed greater precision in the application of paint to canvas. Other new techniques in this period included the development of life-size nudes and a greater focus on realism, with artists paying close attention to details such as texture—this was known as "fine painting" or the "finer arts". There was a great deal of interest in depicting the natural world as accurately as possible. This included showing plants, animals and other objects such as fruit and flowers in a realistic manner. With this new sense of realism came a greater emphasis on the depiction of everyday life and the lives of ordinary people—the word "genre" was used to describe paintings that depicted everyday subjects. Renaissance styles were also a major influence in this period, particularly in Italy. High Renaissance artists such as Michelangelo and Raphael were still active, while new generations of artists developed styles similar to their work. The Baroque style was the dominant artistic movement in Italy throughout this period, although there were other influences from Mannerism and even some examples of naturalistic painting that emerged during the mid-17th century. The church had a dominant role in the production of art throughout the 17th century and many painters were also employed by church institutions, such as monasteries or convents. In addition, artists often received financial backing from benefactors—patrons who promised to provide support for an artist during their career in return for the right to buy a painting at the end of their life.
Pietro della Vecchia, 1630 - St. Dominic and the Devil - fine art print
Michelangelo Merisi da Caravaggio, 1607 - St Jerome - fine art print
Michelangelo Merisi, 17th century - The Taking of Christ - fine art print
Domenico Fetti, 1618 - The Good Samaritan - fine art print
Guido Reni, 1627 - The Immaculate Conception - fine art print
Salvator Rosa, 1659 - Allegory of Fortune - fine art print
Giacomo Cavedone, 1640 - Ascension of Christ - fine art print
Antonio Zanchi, 1665 - Sisyphus - fine art print
Guido Reni, 1630 - Joseph and Potiphar's Wife - fine art print
Bartolomeo Manfredi, 1613 - Cupid Chastised - fine art print
Artemisia Gentileschi, 1612 - Danaë - fine art print
Guido Cagnacci, 1645 - The Death of Cleopatra - fine art print
Giuseppe Maria Crespi, 1691 - The Wedding at Cana - fine art print
Federico Barocci, 1600 - Portrait of a Young Lady - fine art print
Domenico Fetti, 1621 - A Poet from Antiquity - fine art print
Guido Reni, 1620 - Risen Christ - fine art print
Francesco Buoneri, 1620 - The Resurrection - fine art print
Salvator Rosa, 1665 - PolycratesCrucifixion - fine art print
Bernardino Mei, 1656 - Allegory of Justice (Iustitia) - fine art print
Carlo Dolci, 1645 - Saint Philip Neri (1515-1595) - fine art print
Caravaggio, 1607 - The Crucifixion of Saint Andrew - fine art print
Salvator Rosa, 1651 - Democritus Meditation - fine art print
Andrea di Lione, 1640 - Tobit Burying the Dead - fine art print
Giovanni Baglione, 1601 - The Ecstasy of Saint Francis - fine art print
Domenico Fetti, 1619 - The Parable of the Mote and the Beam - fine art print
Mattia Preti, 1663 - Pilate Washing His Hands - fine art print
Salvator Rosa, 1640 - Ruins in a Rocky Landscape - fine art print
Luca Giordano, 1670 - Allegory of Magnanimity - fine art print
Salvator Rosa, 1660 - The Dream of Aeneas - fine art print
Paolo Antonio Barbieri, 1645 - Kitchen Still Life - fine art print
Giovanni Baglione, 1601 - The Ecstasy of Saint Francis - fine art print
Luca Giordano, 1672 - The Annunciation - fine art print
Rutilio di Lorenzo Manetti, 1630 - Dido and Aeneas - fine art print
Bernardo Strozzi, 1615 - Saint Catherine of Alexandria - fine art print
Salvator Rosa, 1655 - Odysseus and Nausicaa - fine art print
Filippo Tarchiani, 1607 - Saint Dominic in Penitence - fine art print
Raffaello Vanni, 1650 - The Holy Family and St Anne - fine art print
Mattia Preti, 1658 - St George on Horseback - fine art print
Federico Barocci, 1600 - Saint Francis - fine art print
Niccolò Cassana, 1680 - Portrait of a Man - fine art print
Giovanni Battista Gaulli, 1670 - Portrait of a Woman - fine art print
