Art 17th century
The 17th century was a period of great artistic achievement in Europe, with Baroque style at its peak. The 17th century is often referred to as an age of religious art, with painting styles dominated by a prevailing mood of somberness and grandeur. This was in many ways a reflection of the political and religious turmoil of the time, with works focusing on themes such as death, judgment, faith, salvation and the Apocalypse. Yet at the same time one of the most important artistic developments was the secularization of art. With increasing wealth and cultural sophistication among all classes, artists turned to themes that would appeal to a wider public. While many paintings continued to emphasize religious ceremonies, figures or events, there was a growing trend for artists to show secular subjects, such as scenes from history and mythology. This was influenced by the changing political climate of the time—the end of the Thirty Years War in 1648 allowed painters and sculptors to make their art more realistic, while there was also a newfound interest in Classical antiquity. An important feature of Baroque art of the 17th century was its use of rich and contrasting colors, with the Baroque artists favoring a bold palette. Much of this colorfulness came from the addition of bright pigments made possible by new painting techniques and methods that allowed greater precision in the application of paint to canvas. Other new techniques in this period included the development of life-size nudes and a greater focus on realism, with artists paying close attention to details such as texture—this was known as "fine painting" or the "finer arts". There was a great deal of interest in depicting the natural world as accurately as possible. This included showing plants, animals and other objects such as fruit and flowers in a realistic manner. With this new sense of realism came a greater emphasis on the depiction of everyday life and the lives of ordinary people—the word "genre" was used to describe paintings that depicted everyday subjects. Renaissance styles were also a major influence in this period, particularly in Italy. High Renaissance artists such as Michelangelo and Raphael were still active, while new generations of artists developed styles similar to their work. The Baroque style was the dominant artistic movement in Italy throughout this period, although there were other influences from Mannerism and even some examples of naturalistic painting that emerged during the mid-17th century. The church had a dominant role in the production of art throughout the 17th century and many painters were also employed by church institutions, such as monasteries or convents. In addition, artists often received financial backing from benefactors—patrons who promised to provide support for an artist during their career in return for the right to buy a painting at the end of their life.
Carlo Dolci, 1670 - Adoration of the Shepherds - fine art print
Andrea di Leone, 1650 - The Peddlers - fine art print
Andrea Sacchi, 1650 - The Baptism of Christ - fine art print
Anton Domenico Gabbiani, 1662 - Study of a foot - fine art print
Guercino, 1622 - Pope Gregory XV - fine art print
Orazio Borgianni, 1610 - Head of an Old Woman - fine art print
Bernardo Strozzi, 1636 - Allegorical Figure - fine art print
Giulio Carpioni, 1660 - The Kingdom of Hypnos - fine art print
Lodovico Carracci, 1607 - The Vision of Saint Francis - fine art print
Guido Reni, 1642 - Virgin and Child with Saint John the Baptist - fine art print
Mattia Preti, 1664 - Saint Paul the Hermit - fine art print
Bernardo Strozzi, 1625 - The Healing of Tobit - fine art print
Guercino, 1619 - Study of a sleeping child - fine art print
Orazio Borgianni, 1609 - Christ among the Doctors - fine art print
Carlo Ceresa, 1646 - Bernardo Gritti, Proprefect of Bergamo - fine art print
Francesco Cozza, 1665 - Hagar and Ishmael in the Wilderness - fine art print
Bartolomeo Cavarozzi, 1625 - The Supper at Emmaus - fine art print
Bernardino Mei, 1655 - Christ Cleansing the Temple - fine art print
Luca Giordano, 1680 - The Abduction of the Sabine Women - fine art print
Imitator of Titian, 1605 - Allegory of Venus and Cupid - fine art print
Felice Ficherelli, 1670 - Judith with the Head of Holofernes - fine art print
Salvator Rosa, 1665 - Polycrates and the Fisherman - fine art print
Domenichino, 1610 - Landscape with Moses and the Burning Bush - fine art print
Salvator Rosa, 1655 - Bandits on a Rocky Coast - fine art print
Giuseppe Recco, 1660 - A Cat Stealing Fish - fine art print
Domenichino, 1603 - The Lamentation - fine art print
Massimo Stanzione, 1640 - Judith with the Head of Holofernes - fine art print
Francesco Solimena, 1690 - The Birth of the Virgin - fine art print
Guercino, 1650 - The Vocation of Saint Aloysius (Luigi) Gonzaga - fine art print
Mattia Preti, 1650 - Saint John the Baptist Preaching - fine art print
Domenico Fetti, 1622 - Savior of the world - fine art print
Ludovico Carracci, 1607 - Madonna and Child with Saints - fine art print
