Realism
Realism is the section of painting that focuses on depicting a visually accurate image. Realist painters attempted to capture exactly what they saw in real life, rather than creating an idealized version like the classical artists of the Renaissance did.
Most early realistic paintings were portraits and landscapes (used for recording the appearance of nature) but later was expanded into the other areas of painting such as representation of homes, work and natural settings. To convey a sense of realism in their paintings, Realist painters often used color blending, perspective harmony and tone gradation to create the illusion that a viewer is actually looking at real life objects that are three-dimensional (3D). The correct depiction of volume was of high important and used techniques like shading to create the illusion of volume. Realist painters also often used chiaroscuro (contrast between light and dark) in their paintings to create focus on certain objects and isolate them from others.
Realism first appeared during the mid-19th Century as artists attempted to depict what they saw in the world around them. This was in contrast to the highly idealized images of the Renaissance and Baroque period and can be considered a part of Romanticism. During Realism, there was also an emphasis on individual experience rather than concepts like those based on religion or mythology, which Medieval and Early Renaissance artworks had used (this is referred to as a secularization of art). Realist painters are also called Naturalists, but Realism is more specific than that term. Realism became the dominant form of Western painting during the mid-to-late 19th century and was characterized by themes of everyday life. This contrasted with other movements at that time which were either formalist or romanticist. The realistic painters of the 19th century wanted to capture scenes as faithfully as possible, so that they could be used by other people to make a mental picture of common life in Europe and America. They especially focused on rural (countryside) and working class life which was generally ignored by Romantic artist. Many realist painter slike Gustave Courbet and Jean-François Millet painted scenes of farmers in the countryside, while Thomas Eakins and Édouard Manet depicted scenes of life in big cities. Realism can be seen as part of a desire towards naturalism that occurred during the Industrial Revolution. The industrial revolution turned rural living into an urban environment. This forced many peasants and small-town people into the cities, while also giving city workers more time to leisurely contemplate life.
Realist painters wished to be as accurate as possible in their portrayal of different scenes in life and used detailed observation of nature to achieve this. Realist artists of the mid-19th Century commented on what they saw and experienced in everyday life. They were known as "The Eye" painters because they wanted to show people things that they had never noticed before. Their efforts resulted in new ideas regarding composition, form and technique that have become the foundation of modern art.
Honoré Daumier, 1864 - Don Quixote and the Dead Mule - fine art print
Jean-Léon Gérôme, 1868 - Study of Palm Trees - fine art print
George Catlin, 1827 - Portrait of a Gentleman - fine art print
William Michael Harnett, 1888 - Still Life - fine art print
Charles Bargue, 1871 - A Footman Sleeping - fine art print
Thomas Eakins, 1900 - Mrs. Mary Arthur - fine art print
Édouard Manet, 1864 - The Dead Christ with Angels - fine art print
Thomas Eakins, 1895 - James MacAlister (Sketch) - fine art print
Thomas Eakins, 1884 - The Artist's Wife and His Setter Dog - fine art print
Édouard Manet, 1863 - Young Man in the Costume of a Majo - fine art print
Henri-Joseph Harpignies, 1885 - Moonrise - fine art print
Édouard Manet, 1866 - A Matador - fine art print
Gustave Courbet, 1873 - River and Rocks - fine art print
Winslow Homer, 1866 - Prisoners from the Front - fine art print
Charles Bargue, 1875 - A Bashi-Bazouk - fine art print
Gustave Courbet, 1866 - Woman with a Parrot - fine art print
Carolus-Duran, 1861 - Henri Fantin-Latour (1836–1904) - fine art print
Jean-François Millet, 1856 - Woman with a Rake - fine art print
Wilhelm Leibl, 1885 - Peasant Girl with a White Headcloth - fine art print
Théodore Rousseau - A River Landscape - fine art print
Édouard Manet, 1859 - Copy after Delacroix'sBark of Dante - fine art print
Gustave Courbet, 1862 - The Source - fine art print
Martin Johnson Heade, 1859 - Approaching Thunder Storm - fine art print
Théodore Rousseau, 1855 - The Pond (Sea) - fine art print
Henri Fantin-Latour, 1880 - Summer Flowers - fine art print
Rosa Bonheur, 1856 - A Sleuth Hound Lighter - fine art print
Édouard Manet, 1864 - Peonies - fine art print
Camille Corot, 1871 - A Woman Gathering Faggots at Ville-dAvray - fine art print
Gustave Courbet - Portrait of a Woman, Called Héloïse Abélard - fine art print
Édouard Manet, 1870 - The Brioche - fine art print
Gustave Courbet, 1865 - The Deer - fine art print
Jules Breton, 1870 - A Peasant Girl Knitting - fine art print
Martin Johnson Heade, 1876 - Newburyport Meadows - fine art print
Charles-François Daubigny, 1864 - A River Landscape with Storks - fine art print
Édouard Manet, 1860 - The Spanish Singer - fine art print
Gustave Courbet, 1855 - Spring Flowers - fine art print
Camille Corot, 1835 - Hagar in the Wilderness - fine art print
Gustave Courbet, 1862 - Portrait of a Man - fine art print
Henri Fantin-Latour, 1885 - Portrait of a Woman - fine art print
Henri Fantin-Latour, 1902 - The Palace of Aurora - fine art print
Jean-François Millet, 1854 - Garden Scene - fine art print
