Realism
Realism is the section of painting that focuses on depicting a visually accurate image. Realist painters attempted to capture exactly what they saw in real life, rather than creating an idealized version like the classical artists of the Renaissance did.
Most early realistic paintings were portraits and landscapes (used for recording the appearance of nature) but later was expanded into the other areas of painting such as representation of homes, work and natural settings. To convey a sense of realism in their paintings, Realist painters often used color blending, perspective harmony and tone gradation to create the illusion that a viewer is actually looking at real life objects that are three-dimensional (3D). The correct depiction of volume was of high important and used techniques like shading to create the illusion of volume. Realist painters also often used chiaroscuro (contrast between light and dark) in their paintings to create focus on certain objects and isolate them from others.
Realism first appeared during the mid-19th Century as artists attempted to depict what they saw in the world around them. This was in contrast to the highly idealized images of the Renaissance and Baroque period and can be considered a part of Romanticism. During Realism, there was also an emphasis on individual experience rather than concepts like those based on religion or mythology, which Medieval and Early Renaissance artworks had used (this is referred to as a secularization of art). Realist painters are also called Naturalists, but Realism is more specific than that term. Realism became the dominant form of Western painting during the mid-to-late 19th century and was characterized by themes of everyday life. This contrasted with other movements at that time which were either formalist or romanticist. The realistic painters of the 19th century wanted to capture scenes as faithfully as possible, so that they could be used by other people to make a mental picture of common life in Europe and America. They especially focused on rural (countryside) and working class life which was generally ignored by Romantic artist. Many realist painter slike Gustave Courbet and Jean-François Millet painted scenes of farmers in the countryside, while Thomas Eakins and Édouard Manet depicted scenes of life in big cities. Realism can be seen as part of a desire towards naturalism that occurred during the Industrial Revolution. The industrial revolution turned rural living into an urban environment. This forced many peasants and small-town people into the cities, while also giving city workers more time to leisurely contemplate life.
Realist painters wished to be as accurate as possible in their portrayal of different scenes in life and used detailed observation of nature to achieve this. Realist artists of the mid-19th Century commented on what they saw and experienced in everyday life. They were known as "The Eye" painters because they wanted to show people things that they had never noticed before. Their efforts resulted in new ideas regarding composition, form and technique that have become the foundation of modern art.
Winslow Homer, 1905 - Shooting the Rapids, Saguenay River - fine art print
Johann Nepomuk Ender, 1842 - Two girls in a landscape - fine art print
Narcisse Virgile Diaz de la Peña, 1853 - Idyll - fine art print
Ferdinand Georg Waldmüller, 1848 - Tree study - fine art print
Friedrich Alois Schönn - Hard flagging - fine art print
Jean-Baptiste Camille Corot, 1845 - Mrs. Legois - fine art print
Jean-Léon Gérôme, 1848 - The Republic - fine art print
Camille Corot, 1869 - A Woman Reading - fine art print
Rosa Bonheur, 1880 - The Farm at the Entrance of the Wood - fine art print
Camille Corot, 1870 - A Lane through the Trees - fine art print
Johann Peter Krafft, 1801 - Portrait of a young man - fine art print
Henri Fantin-Latour, 1858 - Self-Portrait - fine art print
Eugène Carrière, 1891 - Portrait of Paul Gauguin - fine art print
Charles-François Daubigny, 1868 - Riverbank with Fowl - fine art print
Johann Peter Krafft, 1809 - Helmet and buckler - fine art print
Theodor von Hörmann, 1892 - Znojmo in snow II - fine art print
Johan Hendrik Weissenbruch, 1875 - Autumn Landscape - fine art print
Édouard Manet, 1873 - Masked Ball at the Opera - fine art print
Eduard Kurzbauer, 1870 - The overtook refugees - fine art print
Karl Geyling, 1842 - The recluse - fine art print
Dominik Schufried - Landscape Gutenstein - fine art print
Charles-François Daubigny, 1865 - Landscape - fine art print
Ernest Lawson, 1910 - River Scene–Boats and Houses - fine art print
Joseph Hasslwander - Madonnenkopf - fine art print
Thomas Eakins, 1898 - General E. Burd Grubb (1841-1914) - fine art print
Gustave Courbet, 1875 - Boats on a Beach, Etretat - fine art print
Édouard Manet, 1878 - The Rue Mosnier with Flags - fine art print
Remigius Adrianus van Haanen, 1875 - Eichenwald - fine art print
Henri Fantin-Latour, 1882 - Madame Lerolle - fine art print
Josef Lauer, 1839 - Blumenstillleben - fine art print
Theodor von Hörmann, 1895 - Hills with crescent moon - fine art print
Friedrich Alois Schönn, 1868 - Turkish Bazar - fine art print
Leopold Carl Müller, 1871 - The last day effort - fine art print
Robert Henri, 1916 - Betalo Rubino, Dramatic Dancer - fine art print
Gustave Courbet, 1850 - Firemen current fire - fine art print
Ferdinand Georg Waldmüller, 1841 - Traub garlands - fine art print
Thomas Eakins, 1872 - The Biglin Brothers Racing - fine art print
Camille Corot, 1864 - The Evening Star - fine art print
Winslow Homer, 1888 - A Voice from the Cliffs - fine art print
Theodor von Hörmann, 1884 - On the Ligethi Puszta - fine art print
Johann Peter Krafft, 1834 - Marie Krafft at the desk - fine art print
