Realism
Realism is the section of painting that focuses on depicting a visually accurate image. Realist painters attempted to capture exactly what they saw in real life, rather than creating an idealized version like the classical artists of the Renaissance did.
Most early realistic paintings were portraits and landscapes (used for recording the appearance of nature) but later was expanded into the other areas of painting such as representation of homes, work and natural settings. To convey a sense of realism in their paintings, Realist painters often used color blending, perspective harmony and tone gradation to create the illusion that a viewer is actually looking at real life objects that are three-dimensional (3D). The correct depiction of volume was of high important and used techniques like shading to create the illusion of volume. Realist painters also often used chiaroscuro (contrast between light and dark) in their paintings to create focus on certain objects and isolate them from others.
Realism first appeared during the mid-19th Century as artists attempted to depict what they saw in the world around them. This was in contrast to the highly idealized images of the Renaissance and Baroque period and can be considered a part of Romanticism. During Realism, there was also an emphasis on individual experience rather than concepts like those based on religion or mythology, which Medieval and Early Renaissance artworks had used (this is referred to as a secularization of art). Realist painters are also called Naturalists, but Realism is more specific than that term. Realism became the dominant form of Western painting during the mid-to-late 19th century and was characterized by themes of everyday life. This contrasted with other movements at that time which were either formalist or romanticist. The realistic painters of the 19th century wanted to capture scenes as faithfully as possible, so that they could be used by other people to make a mental picture of common life in Europe and America. They especially focused on rural (countryside) and working class life which was generally ignored by Romantic artist. Many realist painter slike Gustave Courbet and Jean-François Millet painted scenes of farmers in the countryside, while Thomas Eakins and Édouard Manet depicted scenes of life in big cities. Realism can be seen as part of a desire towards naturalism that occurred during the Industrial Revolution. The industrial revolution turned rural living into an urban environment. This forced many peasants and small-town people into the cities, while also giving city workers more time to leisurely contemplate life.
Realist painters wished to be as accurate as possible in their portrayal of different scenes in life and used detailed observation of nature to achieve this. Realist artists of the mid-19th Century commented on what they saw and experienced in everyday life. They were known as "The Eye" painters because they wanted to show people things that they had never noticed before. Their efforts resulted in new ideas regarding composition, form and technique that have become the foundation of modern art.
William Michael Harnett, 1888 - For Sunday's Dinner - fine art print
Édouard Manet, 1883 - The Man with the Dog - fine art print
William James Glackens, 1903 - The Ermine Muff - fine art print
Jean-François Millet, 1869 - The Knitting Lesson - fine art print
Jakob Alt, 1850 - St. Stephen's Cathedral in Vienna - fine art print
Christian Griepenkerl, 1876 - The painter Josef von Führich - fine art print
Leopold Carl Müller - Portrait of an Egyptian - fine art print
Jean-Louis Forain, 1898 - self-portrait - fine art print
Henri-Joseph Harpignies, 1902 - Landscape at Dusk - fine art print
Josef Feid, 1830 - Way to the Mariahilfberg Gutenstein - fine art print
Emil Ludwig Löhr, 1843 - Wildbad Gastein - fine art print
Franz Eybl, 1846 - Lady in an armchair - fine art print
George Benjamin Luks, 1920 - Peter - fine art print
Martin Johnson Heade, 1877 - York Harbor, Coast of Maine - fine art print
Emil Jakob Schindler, 1874 - Motif from the Prater - Krieau - fine art print
Joseph Hasslwander - The wife of the watchmaker Hasslwander - fine art print
Joseph Hasslwander - Santander death warrior - fine art print
Johann Nepomuk Höchle - Rudolf von Habsburg and the priest - fine art print
Franz Rumpler, 1877 - Female nude - fine art print
Johann Peter Krafft, 1822 - Heinrich Friedrich Müller - fine art print
Johann Matthias Ranftl, 1832 - Russian peasant couple - fine art print
Thomas Eakins, 1876 - Baby at Play - fine art print
Jean-François Millet, 1855 - The diggers - fine art print
Pieter Gerardus van Os, 1786 - Lying sheep, from the front - fine art print
Thomas Eakins, 1885 - The Veteran (Portrait of George Reynolds) - fine art print
Joseph Hasslwander - The artist's father - fine art print
Robert Russ, ahre - Porta San Michele Riva - fine art print
Gustave Courbet, 1874 - The Rock of Hautepierre - fine art print
Jean-François Millet, 1856 - Shepherdess Seated on a Rock - fine art print
Gustave Courbet, 1873 - The Hidden Brook - fine art print
Josef Bayer, 1829 - Knabenbildnis - fine art print
Josef Hölzl, 1841 - Herrenbildnis - fine art print
Costantino Rosa, 1838 - Bandits in Romagna - fine art print
Johann Caspar Rahn, 1804 - Around the ruins of Habsburg - fine art print
Jasper Francis Cropsey, 1850 - Blasted Tree - fine art print
Gilbert von Canal, 1910 - Dordrecht - fine art print
Johann Baptist Höchle, 1820 - Old farmer, his pipe stuffing - fine art print
Michael Neder, 1829 - Young lady - fine art print
Károly Markó d. Ä., 1837 - Ideal Landscape (Italian landscape) - fine art print
