Realism
Realism is the section of painting that focuses on depicting a visually accurate image. Realist painters attempted to capture exactly what they saw in real life, rather than creating an idealized version like the classical artists of the Renaissance did.
Most early realistic paintings were portraits and landscapes (used for recording the appearance of nature) but later was expanded into the other areas of painting such as representation of homes, work and natural settings. To convey a sense of realism in their paintings, Realist painters often used color blending, perspective harmony and tone gradation to create the illusion that a viewer is actually looking at real life objects that are three-dimensional (3D). The correct depiction of volume was of high important and used techniques like shading to create the illusion of volume. Realist painters also often used chiaroscuro (contrast between light and dark) in their paintings to create focus on certain objects and isolate them from others.
Realism first appeared during the mid-19th Century as artists attempted to depict what they saw in the world around them. This was in contrast to the highly idealized images of the Renaissance and Baroque period and can be considered a part of Romanticism. During Realism, there was also an emphasis on individual experience rather than concepts like those based on religion or mythology, which Medieval and Early Renaissance artworks had used (this is referred to as a secularization of art). Realist painters are also called Naturalists, but Realism is more specific than that term. Realism became the dominant form of Western painting during the mid-to-late 19th century and was characterized by themes of everyday life. This contrasted with other movements at that time which were either formalist or romanticist. The realistic painters of the 19th century wanted to capture scenes as faithfully as possible, so that they could be used by other people to make a mental picture of common life in Europe and America. They especially focused on rural (countryside) and working class life which was generally ignored by Romantic artist. Many realist painter slike Gustave Courbet and Jean-François Millet painted scenes of farmers in the countryside, while Thomas Eakins and Édouard Manet depicted scenes of life in big cities. Realism can be seen as part of a desire towards naturalism that occurred during the Industrial Revolution. The industrial revolution turned rural living into an urban environment. This forced many peasants and small-town people into the cities, while also giving city workers more time to leisurely contemplate life.
Realist painters wished to be as accurate as possible in their portrayal of different scenes in life and used detailed observation of nature to achieve this. Realist artists of the mid-19th Century commented on what they saw and experienced in everyday life. They were known as "The Eye" painters because they wanted to show people things that they had never noticed before. Their efforts resulted in new ideas regarding composition, form and technique that have become the foundation of modern art.
Theodor von Hörmann, 1893 - Esparsettenfeld bei Znaim II - fine art print
Carl Rudolf Huber, 1872 - Herd of cows on water - fine art print
Friedrich Loos, 1854 - Monte Albano beautiful Cable - fine art print
Marcus Pernhardt, 1850 - Farm on winter lake - fine art print
Josef Altenkopf, 1850 - Waldpartie in Mödling - fine art print
Carl Schuch, 1877 - The artist's studio in Venice - fine art print
Henri Fantin-Latour, 1864 - Tannhäuser on the Venusberg - fine art print
Honoré Daumier, 1830 - Christ and his Disciples - fine art print
Jean-Baptiste Camille Corot - Souvenir Ariccia - fine art print
Wilhelm Trübner, 1874 - Brüsslerin with blue tie - fine art print
Jakob Alt, 1834 - View of San Giorgio Maggiore in Venice - fine art print
Piotr von Michalowski - Horse market - fine art print
August Schaeffer von Wienwald, 1905 - Nature and culture - fine art print
August Schaeffer von Wienwald, 1870 - Hungarian landscape - fine art print
Natale Schiavone - Girl with Flowers - fine art print
Tranquillo Orsi, 1814 - The courtyard of the Doge's Palace - fine art print
Jean-Charles Cazin, 1881 - Day Memorial in Paris - fine art print
Giuseppe Castiglione, 1723 - One Hundred Horses - fine art print
Wilhelm Leibl - Veterinarian reindl in the arbor - fine art print
Natale Schiavone - Bearded man in an old German dress - fine art print
Alois von Saar, 1831 - Southern port city - fine art print
Josef Holzer - The silent Waldwinkel - fine art print
Carlo Brioschi, 1857 - Mountain landscape with lake - fine art print
Christian Griepenkerl, 1885 - Anton Hye of Glunek - fine art print
Adolf Gustav Ditscheiner, 1897 - Schloss Persenbeug - fine art print
Constant Troyon, 1855 - Unfinished Study of Sheep - fine art print
Édouard Manet, 1865 - Jesus Mocked by the Soldiers - fine art print
Mihály Munkácsy, 1875 - The Wrestler's Challenge - fine art print
Camille Corot, 1865 - The Ferryman - fine art print
Arnold Böcklin, 1850 - Roman Landscape - fine art print
Camille Corot, 1860 - The Environs of Paris - fine art print
Frederik Vermehren, 1855 - A Jutland Sheperd on the Moors - fine art print
Théodore Rousseau, 1833 - Pheasantry in the Forest of Compiègne - fine art print
Carlo Brioschi, 1853 - Rocky coast and sailboats - fine art print
Joseph Lavos, 1826 - Knabenbildnis - fine art print
Clementine von Wagner, 1898 - Portrait of an old man - fine art print
Thomas Ender, 1846 - Castle Cles in Nonntal in South Tyrol - fine art print
Henri Harpignies, 1869 - The estate of Saulce (Dept. Gonne) - fine art print
Martin Johnson Heade, 1858 - Rhode Island Shore - fine art print
Pieter Gerardus van Os, 1786 - Lying cow, right - fine art print
Jasper Francis Cropsey, 1868 - Niagara Falls in Winter - fine art print
Camille Corot, 1872 - The Gypsies - fine art print
