Pedro Orrente, 1625 - The Crucifixion - fine art print
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Art product background information
This masterpiece was created by Pedro Orrente in 1625. The beyond 390 year old original measures the size: 48 3/4 × 40 1/2 in (123,8 × 102,9 cm) and was produced with the medium oil on canvas. This artpiece can be viewed in in the The Metropolitan Museum of Art's collection, which is one of the world's largest and finest art museums, which includes more than two million works of art spanning five thousand years of world culture, from prehistory to the present and from every part of the globe.. With courtesy of The Metropolitan Museum of Art, New York, Purchase, Charles and Jessie Price and Fern and George Wachter Gifts, 2014 (licensed: public domain). The creditline of the artwork is: Purchase, Charles and Jessie Price and Fern and George Wachter Gifts, 2014. What is more, the alignment is in portrait format and has an aspect ratio of 1 : 1.2, which implies that the length is 20% shorter than the width. The painter Pedro Orrente was an artist, whose art style was primarily Baroque. The Spanish artist lived for 65 years - born in 1580 and deceased in the year 1645.
Choose a product material option
The product dropdown menu provides you with the chance to select your individual material and size. The following sizes and materials are the options we offer you for individualization:
- Metal print (aluminium dibond): These are metal prints on aluminium dibond material with a true depth. The non-reflective surface creates a fashionable look. The colors of the print are luminous, the fine details appear very clear.
- The canvas print: The printed canvas material stretched on a wood stretcher frame. A canvas print generates a soft and warm effect. Canvas Prints have the advantage of being low in weight, meaning that it is easy to hang up your Canvas print without the help of any wall-mounts. That is why, canvas prints are suitable for all kinds of walls.
- Printed poster (canvas material): The poster print is a printed cotton canvas with a slightly rough finish on the surface. Please note, that depending on the absolute size of the canvas poster print we add a white margin 2-6cm round about the print motif, which facilitates the framing with a custom frame.
- Acrylic glass print: An acrylic glass print, which is sometimes referred to as a print on plexiglass, will turn an artwork into beautiful wall decoration. The artwork is printed with modern UV print technology. This has the impression of sharp and vivid colors.
Important note: We make every effort to depict the art products with as many details as possible and to display them visually in our shop. Please keep in mind that the tone of the print products, as well as the printing might vary to a certain extent from the image on your screen. Depending on your screen settings and the quality of the surface, not all colors can be printed as realisitcally as the digital version on this website. Considering that all the fine art prints are printed and processed manually, there may as well be minor discrepancies in the motif's exact position and the size.
The product
| Product categorization: | art reproduction |
| Method of reproduction: | digital reproduction |
| Production method: | digital printing |
| Manufacturing: | manufactured in Germany |
| Type of stock: | production on demand |
| Intended usage: | home décor, art collection (reproductions) |
| Orientation: | portrait format |
| Image ratio: | 1 : 1.2 length to width |
| Image ratio meaning: | the length is 20% shorter than the width |
| Fabric options: | poster print (canvas paper), metal print (aluminium dibond), canvas print, acrylic glass print (with real glass coating) |
| Canvas print (canvas on stretcher frame) sizes: | 50x60cm - 20x24", 100x120cm - 39x47", 150x180cm - 59x71" |
| Acrylic glass print (with real glass coating): | 50x60cm - 20x24", 100x120cm - 39x47", 150x180cm - 59x71" |
| Poster print (canvas paper) variants: | 50x60cm - 20x24", 100x120cm - 39x47" |
| Aluminium print size variants: | 50x60cm - 20x24", 100x120cm - 39x47" |
| Frame: | unframed product |
Artwork background information
| Piece of art title: | "The Crucifixion" |
| Classification of the artwork: | painting |
| Generic term: | classic art |
| Period: | 17th century |
| Created in the year: | 1625 |
| Age of artwork: | 390 years |
| Medium of original artwork: | oil on canvas |
| Artwork original size: | 48 3/4 × 40 1/2 in (123,8 × 102,9 cm) |
| Museum: | The Metropolitan Museum of Art |
| Museum location: | New York City, New York, United States of America |
| Website of the museum: | www.metmuseum.org |
| License type: | public domain |
| Courtesy of: | The Metropolitan Museum of Art, New York, Purchase, Charles and Jessie Price and Fern and George Wachter Gifts, 2014 |
| Artwork creditline: | Purchase, Charles and Jessie Price and Fern and George Wachter Gifts, 2014 |
Artist metadata table
| Artist name: | Pedro Orrente |
| Also known as: | Pedro Orrente, pedro rrente, Pedro renti, mro Pedro orr^Tte^R, Orrente, orriente, Pedro orantte, Pedro dorrente, orrentte, Pedro Orente, Orrente Pedro, P.o orrente, Orrenti, P^To^R Rente, Pedro Orentes, Orrente Pedro de, Bassano Español El, Pedro orentte, Jumilla Pedro de Orrente, pedro Lorente, orente, Orrente y Jumilla Pedro de, orentte, Pedro Orrentte, Rente Pedro, Pedro Rente, p^To^R renti, Pedro renz |
| Gender of the artist: | male |
| Nationality: | Spanish |
| Jobs of the artist: | painter |
| Country of the artist: | Spain |
| Artist category: | old master |
| Styles of the artist: | Baroque |
| Life span: | 65 years |
| Born: | 1580 |
| Died in the year: | 1645 |
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What does the The Metropolitan Museum of Art say about the 17th century work of art from the painter Pedro Orrente? (© Copyright - The Metropolitan Museum of Art - The Metropolitan Museum of Art)
As recounted in the Gospel of Matthew 27:45-49, Christ has called out from the cross to God, and a bystander has “fetched a sponge, which he soaked in sour wine, and held it to his lips on the end of a cane.” Saint John stands below the cross as the Virgin Mary and two companions arrive, mourning, while three soldiers at left gamble for Christ's tunic. The figure on the ladder is a particularly brilliant narrative interpolation.Pedro Orrente spent time in Venice and Rome. Upon his return to Spain he worked in Toledo, where he knew El Greco, whose work must suddenly have looked old fashioned compared to the new naturalism of Caravaggesque painting. This is the finest of a much-repeated composition.