Angelika Kauffmann, 1773 - John Simpson, the father of Maria Susanna Lady Ravensworth - fine art print

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Original information about the artwork by the museum's website (© Copyright - Belvedere - Belvedere)

Angelika Kauffmann has developed during their long stay in London from 1766 to 1781 a portrait style, which follows in many fields of view by Joshua Reynolds, but is very independent. Typical of the painter is their empathetic portrayal people whose effect is sometimes complacent, but consistently imbued with the intention to give the model a touch of grace. The influence of English portraiture is reflected in the emphasis on the individual and in the absence of status symbols. So John Simpson presented (1738-before 1789) in a casual attitude, just as it would not be aware that he is painted. This as a "Grand Tour Pose '(Wassyng Roworth) designated posture, the longingly looking into the distance views, as well as antique props like urn and kanellierter pillars, leave no doubt that John Simpson felt very connected to the city of Rome and this in a portrait wanted to demonstrate. This includes the presentation of the man who precious suit that reminds both in style and in the material and in the colors of the portraits of Anthony van Dyck and in this form was the costume Grand-tourists. While here, the sum of all the details refer to a reminder of days gone by in Italy, stunned the combination of antiques and contemporary furnishings, as appropriate for the ruined landscape would be a stone pedestal and not one related with velvet chair as a seat for the sitter. The Portrait of John Simpson is one of the best works, painted the Angelika Kauffmann in London. A variant thereof, it is a representation of full-length with different details, is in the National Portrait Gallery in London. The original naming of what is represented as "Lord" John Simpson is based on an incorrect tradition from the 19th century. Literature: Wassyng Roworth, Wendy: Angelica Kauffman. A Continental Artist in Georgian England, London, 1992; Grabner, Sabine: Romanticism, Classicism, Biedermeier. In the Austrian Gallery Belvedere, the second verb. Ed. Vienna 1997, p 24-25. [Sabine Grabner, in: enlightened bourgeois. Portraits of Gainsborough to Waldmüller 1750-1840, ed. v. Sabine Grabner u. Michael Krapf, exh. Cat. Osterreichische Galerie Belvedere, Vienna 25.10.2006-18.2.2007, Munich 2006, pp 138-139]

Details about the unique artwork

Name of the artwork: "John Simpson, the father of Maria Susanna Lady Ravensworth"
Classification: painting
Art classification: classic art
Time: 18th century
Created in: 1773
Artwork age: around 240 years old
Medium of original artwork: oil on canvas
Artwork original dimensions: 127 x 101,5 cm - frame size: 147 x 122 x 8 cm
Signature: signed and dated on the right side: Angelica Kauffman / pinx 1773
Exhibited in: Belvedere
Museum location: Vienna, Austria
Museum's web page: Belvedere
License of artwork: public domain
Courtesy of: © Belvedere, Vienna, inventory number: 8504
Creditline: purchase from the art market, London in 1993

Artist table

Name of the artist: Angelika Kauffmann
Jobs of the artist: painter
Artist category: old master
Art styles: Classicism
Died at the age of: 66 years
Birth year: 1741
Hometown: Chur, Graubünden
Year of death: 1807
Place of death: Rome

About the item

Product categorization: fine art reproduction
Reproduction method: digital reproduction
Manufaturing technique: UV direct printing (digital print)
Production: made in Germany
Type of stock: on demand
Intended usage: gallery wall, wall décor
Image orientation: portrait alignment
Aspect ratio: 1 : 1.2 - (length : width)
Image ratio meaning: the length is 20% shorter than the width
Available product fabrics: metal print (aluminium dibond), acrylic glass print (with real glass coating), poster print (canvas paper), canvas print
Canvas print (canvas on stretcher frame) options: 50x60cm - 20x24", 100x120cm - 39x47", 150x180cm - 59x71"
Acrylic glass print (with real glass coating): 50x60cm - 20x24", 100x120cm - 39x47"
Poster print (canvas paper) options: 50x60cm - 20x24", 100x120cm - 39x47"
Aluminium print (aluminium dibond material): 50x60cm - 20x24", 100x120cm - 39x47"
Framing of the artprint: not included

Select the item material you will hang up on your walls

The product dropdown menu provides you with the chance to pick the size and materialaccording to your personal preferences. Thus, we allow you to choose among the following options:

  • Canvas print: The canvas direct print is a printed cotton canvas stretched on a wood frame. It produces the particular effect of three dimensionality. The canvas print generates a lively and enjoyable atmosphere. A canvas print of this masterpiece will allow you to transform your very own art print into a large artwork as you know from galleries. Hanging your canvas print: Canvas Prints have the advantage of being relatively low in weight, meaning that it is quite simple to hang the Canvas print without additional wall-mounts. Hence, canvas prints are suitable for all kinds of walls.
  • Print on acrylic glass (with real glass coating): The print on acrylic glass, which is often denoted as a print on plexiglass, will turn the original artwork into décor. The work of art will be made with modern UV direct printing machines. It creates intense and sharp color tones. The real glass coating protects your selected fine art print against sunlight and external influences for several decades.
  • Aluminium dibond print: An Aluminium Dibond print is a print with an impressive effect of depth. The Aluminium Dibond Print is the best introduction to art prints with aluminum. Colors are luminous, the fine details of the print appear very clear.
  • Poster (canvas material): The poster print is a printed sheet of canvas paper with a slightly rough surface structure. Please bear in mind, that depending on the absolute size of the canvas poster print we add a white margin of approximately 2 - 6cm round about the artwork, which facilitates the framing with your custom frame.

Article summarization

This 18th century painting John Simpson, the father of Maria Susanna Lady Ravensworth was painted by the artist Angelika Kauffmann. The more than 240 year old original had the size: 127 x 101,5 cm - frame size: 147 x 122 x 8 cm and was crafted with the technique oil on canvas. "Signed and dated on the right side: Angelica Kauffman / pinx 1773" is the painting's original inscription. This work of art can be viewed in in the digital collection of Belvedere, which is one of Europe's most famous museums with three locations that blends the experience of architecture and art in a unique way. This public domain artwork is included with courtesy of © Belvedere, Vienna, inventory number: 8504. Also, the artwork has the following creditline: purchase from the art market, London in 1993. The alignment of the digital reproduction is portrait and has a ratio of 1 : 1.2, which means that the length is 20% shorter than the width. Angelika Kauffmann was a painter, whose style can primarily be attributed to Classicism. The painter lived for 66 years, born in 1741 in Chur, Graubünden and died in the year 1807 in Rome.

Important note: We try the best we can to describe our art products as clearly as possible and to illustrate them visually in our shop. Still, the tone of the printing material, as well as the print result can vary to a certain extent from the presentation on your device's monitor. Depending on your screen settings and the nature of the surface, not all colors will be printed 100% realistically. Given that our fine art prints are processed and printed manually, there might as well be minor differences in the exact position and the size of the motif.

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