Friedrich von Amerling, 1846 - Luise Pfeiffer-Nathusius - fine art print
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Additional artwork information from the museum's website (© - Belvedere - Belvedere)
Claiming Louise Pfeiffer-Nathusius (1811-1891) was a writer who shows up this image in almost all captions, is wrong. Perhaps it is, this is a confusion with the sister of the sitter, Marie von Nathusius, who worked as a writer. A native of Magdeburg Louise (Lulu) Philippine Nathusius was married to the banker Carl Georg Ludwig (Louis) Pfeiffer since 1833 and lived with this in Kassel. Three children come from this community, however, did not last long, because already on 24 April 1841, the couple divorced. From October 1843 to June 1850 living Louise Pfeiffer-Nathusius in Rome. There she met Amerling end of 1845 / beginning of 1846th The woman seems to have become a soul friend the painter, by the death of his wife Antonie and was taught by his failed marriage to Catherine Heissler, also of his sad situation as the father of two minor children, who were visiting in Vienna and Prague with relatives and friends , According diary entry the portrait was created on 21 March 1846. On the evening of the same day led the painter with Pfeiffer-Nathusius an "intimate conversation" in which he invited to join him "as a partner", arguing: "We the same fate carry. " On April 8, he noted the woman in the diary the decision with a terse: ". From" Four years later, on April 28, 1850 married Louise Pfeiffer-Nathusius in Rome the Prussian embassy preacher Carl Pabst (1811 to 1869). A little later, the couple returned to Germany to live from now on in Berlin. [Sabine Grabner 8/2009]
About the painting titled "Luise Pfeiffer-Nathusius"
The modern art painting named Luise Pfeiffer-Nathusius was made by Friedrich von Amerling in 1846. The 170 years old original version of the artpiece measures the size of 50,5 x 38,5 cm - frame dimensions: 71 x 60 x 6 cm and was manufactured on the medium oil on canvas. It is in the the Belvedere's collection, which is one of Europe's most famous museums with three locations that blends the experience of architecture and art in a unique way. The modern art public domain piece of art is supplied with courtesy of © Belvedere, Vienna, inventory number: 1630. The creditline of the artpiece is: purchase from auction house C.J. Wawra, Vienna 1914. Further, the alignment of the digital reproduction is in portrait format with a ratio of 3 : 4, meaning that the length is 25% shorter than the width. The painter Friedrich von Amerling was a European artist, whose style can be attributed primarily to Biedermeier. The Biedermeier painter lived for 84 years, born in the year 1803 in Vienna, Vienna state, Austria and deceased in the year 1887.
Available product materials
In the dropdown selection right next to the product offering you can pick your prefered size and material. The following options are available for individualization:
- The poster print (canvas material): The Artprinta poster print is a UV printed cotton canvas with a granular structure on the surface. Please bear in mind, that depending on the absolute size of the canvas poster print we add a white margin 2-6cm around the painting, which facilitates the framing with your custom frame.
- Acrylic glass print (with real glass coating on top): An acrylic glass print, which is often referred to as a UV print on plexiglass, changes your favorite original artwork into gorgeous décor and forms a viable alternative option to dibond or canvas fine art replicas. Our acrylic glass protects your chosen fine art print against sunlight and external influences for several decades.
- Aluminium dibond print: Aluminium Dibond prints are metal prints with an impressive depth, which makes a fashionable impression with a non-reflective surface. For your Aluminium Dibond option, we print your chosen artpiece right onto the surface of the white-primed aluminum material. Colors are bright and vivid in the highest definition, details are clear and crisp. This UV print on aluminium is the most popular entry-level product and is an extremely modern way to showcase art reproductions, because it draws attention on the artwork.
- The canvas print: A printed canvas, which should not be mistaken with a painting on a canvas, is a digital image printed from a UV direct printing machine. It makes a plastic impression of three-dimensionality. In addition to that, a printed canvas produces a attractive and pleasing effect. The great advantage of canvas prints is that they are relatively low in weight, meaning that it is quite simple to hang up the Canvas print without additional wall-mounts. Because of thatcanvas prints are suitable for any kind of wall.
Artist overview table
|Name of the artist:||Friedrich von Amerling|
|Other names:||F. v. Amerling, Amerling Friedrich, friedrich amerling, amerling, friedr. amerling, franz v. amerling, amerling friedrich v., fr. amerling, Friedrich von Amerling, f. amerling, amerling friedrich von, friedrich v. amerling, Amerling Friedrich von, fr. v. amerling, Friedr. v. Amerling, fritz von amerling, amerling friedr.|
|Professions of the artist:||painter|
|Country of origin:||Austria|
|Artist classification:||modern artist|
|Age at death:||84 years|
|Hometown:||Vienna, Vienna state, Austria|
|Died in (place):||Vienna, Vienna state, Austria|
Piece of art specs
|Piece of art title:||"Luise Pfeiffer-Nathusius"|
|Broad category:||modern art|
|Artwork century:||19th century|
|Age of artwork:||around 170 years|
|Painted on:||oil on canvas|
|Original artwork size:||50,5 x 38,5 cm - frame dimensions: 71 x 60 x 6 cm|
|Museum / collection:||Belvedere|
|Location of the museum:||Vienna, Austria|
|Artwork license:||public domain|
|Courtesy of:||© Belvedere, Vienna, inventory number: 1630|
|Creditline of artwork:||purchase from auction house C.J. Wawra, Vienna 1914|
About this article
|Article categorization:||wall art|
|Reproduction:||reproduction in digital format|
|Production method:||UV direct printing|
|Product Origin:||made in Germany|
|Type of stock:||on demand production|
|Product use:||home décor, wall art|
|Artwork orientation:||portrait format|
|Image aspect ratio:||(length : width) 3 : 4|
|Meaning of side aspect ratio:||the length is 25% shorter than the width|
|Available reproduction materials:||metal print (aluminium dibond), poster print (canvas paper), acrylic glass print (with real glass coating), canvas print|
|Canvas on stretcher frame (canvas print) size options:||30x40cm - 12x16", 60x80cm - 24x31", 90x120cm - 35x47", 120x160cm - 47x63"|
|Acrylic glass print (with real glass coating) options:||30x40cm - 12x16", 60x80cm - 24x31", 90x120cm - 35x47", 120x160cm - 47x63"|
|Poster print (canvas paper) sizes:||30x40cm - 12x16", 60x80cm - 24x31", 90x120cm - 35x47"|
|Aluminium dibond print (aluminium material) size variants:||30x40cm - 12x16", 60x80cm - 24x31", 90x120cm - 35x47"|
Important information: We try all that we can to depict the products as accurately as we can and to exhibit them visually on the respective product detail pages. Although, the colors of the printed materials and the print result may differ marginally from the image on the device's screen. Depending on the settings of your screen and the quality of the surface, colors might not be printed as exactly as the digital version shown here. In view of the fact that all our fine art prints are processed and printed manually, there might as well be slight discrepancies in the motif's exact position and the size.
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