Friedrich von Amerling, 1846 - The industrialist Maximilian Todesco - fine art print

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Original artwork information from the museum (© - Belvedere -

Maximilian Todesco (1813-1890) was the son of a textile manufacturer Hermann Todesco (1792-1844). The name "Todesco" was taken over by his father Aaron Hirschl, who was always referred to his numerous trips to Italy there as "inglese" (German). From Pressburg (Bratislava) to arise, Hermann had settled in Vienna in 1789 and operated weaving mill in nearby Mariental bei Himberg a large-scale cotton mill. He also appears with numerous benefits, so he was co-founder and Teilfinancier the temple in Vienna Seitenstettengasse (1825-1826), also he bought for his home town Pressburg a building that he had set up an orphanage (1844), in Baden near Vienna, he promoted the establishment of an Israelite hospital, and the Israelite Gewerbeverein was awarded with his help scholarships to young master. He also supported the financing of the Vienna-Gloggnitzer Railway (completed in 1842), after which he was raised as the first director of this company to the peerage. Edward (who died in 1887, since 1869, Baron.) And Moritz (1816 to 1873) Todesco, the two brothers of the sitter and sons of the above, have a reputation as bankers a name; Edward continued the philanthropic work of the Father, by supporting poor officers and Jewish students. 1861-1864 were Eduard and Moritz to the plans of Ludwig Förster and Theophil Hansen at the Carinthian road (opposite the k. K. Court Opera, which at that time was still under construction) you build Palais (Palais Todesco). About Maximilian Todesco little is known in comparison. The records of the Jewish community can be seen that he lived as a wholesale partner in Vienna # 642 (the hair market) and his wife Henriette Gumpel from Hamburg, with whom he had three children had (Friedrich, born in 1841;. Ludwig, born . Sophia Franziska, born, was divorced in court Ischl) 1847 1844th In 1890 he died at the age of 77 years of heart enlargement and was buried in Oberdöbling. In the death register of the Israelite community he is out with the title "secret Meklenburg'scher commerzienrath". Sources: Death register of the Jewish Cultusgemeinde. Literature: Wurzbach, 45, 1862, pp 224-227; Encyclopedia Judaica, Jerusalem o. J., Sp. 1187 et seq .; Czeike, Felix (Ed.): Historical Dictionary Vienna, Vol 5, Vienna 1997, p 460. [Sabine Grabner in. Friedrich von Amerling. 1803-1887, ed. v. Sabine Grabner, exh. Cat. Osterreichische Galerie Belvedere Vienna, Leipzig 2003, pp 186-187]

Structured artwork details

Piece of art title: "The industrialist Maximilian Todesco"
Artwork categorization: painting
Broad category: modern art
Period: 19th century
Created in the year: 1846
Approximate age of artwork: around 170 years old
Painted on: oil on canvas
Original artwork size: 134 x 102 cm - frame: 177 x 145 x 17 cm
Museum / collection: Belvedere
Location of museum: Vienna, Austria
Museum's web page: Belvedere
License of artwork: public domain
Courtesy of: © Belvedere, Vienna, inventory number: 3674
Creditline of artwork: transfer from the Reich Governor in 1939

General background information on the artist

Name: Friedrich von Amerling
Additional names: Friedrich von Amerling, fr. v. amerling, amerling friedrich v., friedr. amerling, friedrich amerling, franz v. amerling, F. v. Amerling, fritz von amerling, f. amerling, fr. amerling, amerling friedr., amerling friedrich von, Amerling Friedrich, Amerling Friedrich von, friedrich v. amerling, amerling, Friedr. v. Amerling
Gender of the artist: male
Nationality: Austrian
Jobs: painter
Country of the artist: Austria
Classification: modern artist
Art styles: Biedermeier
Lifespan: 84 years
Born in the year: 1803
Born in (place): Vienna, Vienna state, Austria
Year died: 1887
Deceased in (place): Vienna, Vienna state, Austria

Article specs

Print categorization: art copy
Method of reproduction: digital reproduction
Production process: UV direct print
Origin of the product: Germany
Type of stock: on demand production
Product use: wall décor, wall gallery
Image orientation: portrait alignment
Image ratio: length to width 3 : 4
Side ratio interpretation: the length is 25% shorter than the width
Materials you can choose from: acrylic glass print (with real glass coating), canvas print, poster print (canvas paper), metal print (aluminium dibond)
Canvas print (canvas on stretcher frame) size options: 30x40cm - 12x16", 60x80cm - 24x31", 90x120cm - 35x47", 120x160cm - 47x63"
Acrylic glass print (with real glass coating) size variants: 30x40cm - 12x16", 60x80cm - 24x31", 90x120cm - 35x47"
Poster print (canvas paper) variants: 30x40cm - 12x16", 60x80cm - 24x31", 90x120cm - 35x47"
Aluminium dibond print (aluminium material) variants: 30x40cm - 12x16", 60x80cm - 24x31", 90x120cm - 35x47"
Picture frame: not included

Order your preferred item material

We offer a range of various sizes and materials for every product. We allow yout to choose among the following variants:

  • Poster on canvas material: The poster is a UV printed canvas with a slightly roughened surface finish. Please note, that depending on the size of the poster we add a white margin 2-6cm round about the artwork, which facilitates the framing with your custom frame.
  • Canvas: The canvas direct print is a printed cotton canvas mounted on a wooden stretcher. What is more, canvas makes a cosy and pleasing feeling. Canvas prints are relatively low in weight, which implies that it is easy and straightforward to hang up the Canvas print without any wall-mounts. Therefore, canvas prints are suited for any type of wall.
  • Acrylic glass print (with real glass coating): A glossy acrylic glass print, often denoted as a plexiglass print, will transform the artwork into lovely décor. The work of art is being custom-made with modern UV direct print technology. It makes vibrant, sharp color hues. Our acrylic glass protects your selected fine art print against light and heat for decades.
  • Aluminium dibond print: Aluminium Dibond prints are prints on metal with an impressive depth, which creates a contemporary impression by having a surface , which is non-reflective. The Direct Print on Aluminum Dibond is the excellent introduction to art reproductions on aluminum. For our Aluminium Dibond option, we print your work of art onto the aluminium white-primed surface. The bright & white parts of the original work of art shimmer with a silk gloss, however without any glow. The direct print on Aluminum Dibond is one of the most demanded entry-level products and is a truly contemporary way to display fine art reproductions, as it puts all of the viewer’s focus on the image.

This painting called The industrialist Maximilian Todesco was painted by Friedrich von Amerling. The work of art had the following size: 134 x 102 cm - frame: 177 x 145 x 17 cm. Oil on canvas was used by the Austrian painter as the technique for the work of art. What is more, the artwork can be viewed in in the Belvedere's collection in Vienna, Austria. This artwork, which is part of the public domain is provided with courtesy of © Belvedere, Vienna, inventory number: 3674. Besides, the artwork has the following creditline: transfer from the Reich Governor in 1939. Further, the alignment is portrait with a ratio of 3 : 4, which means that the length is 25% shorter than the width. The painter Friedrich von Amerling was an artist from Austria, whose artistic style was mainly Biedermeier. The Biedermeier artist lived for a total of 84 years - born in 1803 in Vienna, Vienna state, Austria and died in the year 1887 in Vienna, Vienna state, Austria.

Legal disclaimer: We try what we can in order to describe the products as closely as possible and to exhibit them visually on the respective product detail pages. Nonetheless, the colors of the print materials and the printing can differ somehwat from the presentation on the monitor. Depending on your settings of your screen and the quality of the surface, colors may not be printed as realistically as the digital version on this website. Because all the art reproductions are processed and printed manually, there might as well be slight differences in the motif's size and exact position.

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