Louis-Edouard Rioult, 1834 - Claude Gueux related to his family stole bread - fine art print
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- Poster (canvas material): Our poster is a printed sheet of flat canvas paper with a slightly roughened surface finish. It is perfectly qualified for putting your art replica in a custom frame. Please keep in mind, that depending on the absolute size of the canvas poster print we add a white margin of approximately 2-6 cm around the work of art to facilitate the framing with a custom frame.
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- Metal print (aluminium dibond): This is a metal print manufactured on alu dibond material with an outstanding depth effect, which makes a modern look throuch a surface , which is not reflective. The white and bright sections of the original artpiece shimmer with a silky gloss but without glare. Colors are vivid and luminous, the details of the print are crisp and clear, and you can notice the matte appearance of the art print surface. The UV print on aluminium is the most popular entry-level product and is a truly modern way to showcase art, as it draws focus on the replica of the artwork.
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Legal note: We try the best we can in order to describe the products as clearly as possible and to illustrate them visually. Still, the pigments of the printed materials, as well as the imprint might diverge slightly from the image on your device's screen. Depending on the screen settings and the nature of the surface, not all color pigments will be printed as realistically as the digital version on this website. Considering that the are printed and processed by hand, there might as well be slight variations in the size and exact position of the motif.
Artwork specifications by Maison de Victor Hugo - Hauteville House (© Copyright - Maison de Victor Hugo - Hauteville House - www.maisonsvictorhugo.paris.fr)
illustration possible of the Victor Hugo novel "Claude Gueux" corresponding to the text of the first paragraph: "There are seven or eight years, a man named Claude Gueux, poor laborer, lived in Paris He had with him a girl who was his mistress. and a child of that girl. I say things as they are, leaving the pick moralities as player that made the sow on their way. the worker was capable, clever, intelligent, strong abused by education, very well treated by nature, can not read and knowing thinking. One winter, the book failed. no fire, no bread in the attic. the man, the girl and the child were cold and hungry. the man robbed. I do not know what he stole, I do not know where he stole. what I know is that this flight there resulted three days of bread and fire for the woman and child, and five years in prison for man. "
The Museum keeps the receipt for the sum of 400 francs paid by Paul Meurice May 5, 1903 "for a guaranteed Rioult table, Claude Gueux" .Although the receipt explicitly mention the novel by Victor Hugo, Paul Meurice and his successors mention not this painting in the iconographic note of the edition called the national Printing Office (library Ollendorff) 1910, nor among the works of furniture, or from that of the Victor Hugo House, which is surprising. Paul Meurice he ended up doubting that this painting actually depicts the story of Victor Hugo? Indeed at the Salon of 1834, Rioult exposes as No. 1649, "Misery" whose description in the booklet partially corresponds to our table: "Without work, a whole destitution, in winter, a family man, in despair, stole a loaf; he gives his wife .... In the background, the Commissioner led by the baker. "Now this last detail is missing in the painting of the museum. So we must ask whether the work of the museum is the one that was exhibited at the Salon. This in any case, can not be an illustration of "Claude Gueux" since the show opening on March 1, 1834, the painting is prior to the publication of "Claude Gueux" July 6 in "The Paris Review" and volume in September, or even a part of his writing in two phase (September 1832 to June 1834). Given the difference between the fabric of the museum and the description of the book, one can, however, ask whether the publication of Victor Hugo's story would have suggested to the painter to make an echo alternative to it, this free version Commissioner baker or longer according to the first paragraph of the book. The taste Rioult for subjects taken from literary works makes this plausible hypothesis. We can not, however, speculate that Rioult has for its source where Victor Hugo himself had discovered the affair as No. 2059 of 19 and 20 March 1832 "La Gazette des courts" do reports that the murder supervisor of Clairvaux, not the initial flight of the bread. Simple allegory of poverty through a genre scene or truly inspired work of Victor Hugo's story, this painting, made the same year "Claude Gueux" do this no less a singular resonance with the book that would testify so the immediate influence of Hugo's work on the iconography of the romantic school. Louis Edward Rioult is also related to the environment of the Place Royale, where live Victor Hugo, as his workshop, that Theophile Gautier attended, was located rue Saint-Antoine.
Claude Gueux (V.Hugo)
In 1834 Louis-Edouard Rioult created the artwork. The original has the size: Height: 40,8 cm, Width: 33 cm. Oil, Canvas (material) was used by the painter as the technique for the masterpiece. "Signature - In bottom right "L. E. Rioult 1834"" was the masterpiece's original inscription. Moveover, the work of art is part of the Maison de Victor Hugo - Hauteville House's art collection. We are pleased to reference that this work of art, which belongs to the public domain is included with courtesy of Maison de Victor Hugo - Hauteville House.The creditline of the artpiece is the following: . What is more, the alignment of the digital reproduction is in portrait format and has an image ratio of 1 : 1.2, meaning that the length is 20% shorter than the width.
Background information about the piece of art
|Title of the painting:||"Claude Gueux related to his family stole bread"|
|General term:||modern art|
|Artwork age:||around 180 years|
|Artwork original medium:||Oil, Canvas (material)|
|Size of the original artpiece:||Height: 40,8 cm, Width: 33 cm|
|Original artwork inscription:||Signature - In bottom right "L. E. Rioult 1834"|
|Museum / collection:||Maison de Victor Hugo - Hauteville House|
|Museum location:||Paris, France|
|Museum's website:||Maison de Victor Hugo - Hauteville House|
|Artwork license type:||public domain|
|Courtesy of:||Maison de Victor Hugo - Hauteville House|
The product specifications
|Article categorization:||fine art print|
|Manufacturing process:||UV direct print|
|Stock type:||on demand|
|Proposed product use:||wall décor, home décor|
|Aspect ratio:||1 : 1.2|
|Image aspect ratio meaning:||the length is 20% shorter than the width|
|Product material variants:||canvas print, metal print (aluminium dibond), acrylic glass print (with real glass coating), poster print (canvas paper)|
|Canvas print (canvas on stretcher frame):||50x60cm - 20x24", 100x120cm - 39x47", 150x180cm - 59x71"|
|Acrylic glass print (with real glass coating) size options:||50x60cm - 20x24", 100x120cm - 39x47", 150x180cm - 59x71"|
|Poster print (canvas paper) variants:||50x60cm - 20x24", 100x120cm - 39x47"|
|Aluminium dibond print size variants:||50x60cm - 20x24", 100x120cm - 39x47"|
|Art print framing:||not included|
Brief overview of the artist
|Name of the artist:||Louis-Edouard Rioult|
|Professions of the artist:||painter|
|Classification of the artist:||modern artist|
|Died aged:||65 years|
|Born in the year:||1790|
|Place of birth:||Montdidier|
|Year of death:||1855|
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