Childe Hassam, 1895 - The Little Pond, Appledore - fine art print

63,99 €

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Art product info

This 19th century piece of art with the title The Little Pond, Appledore was made by Childe Hassam in 1895. The work of art measures the size of 40,6 × 55,8 cm (16 × 22 in) and was made with the technique of oil on canvas. The original painting has the following text as inscrption: signed, lower right: "Childe Hassam 1890". Today, the work of art can be viewed in in the Art Institute Chicago's digital art collection, which is one of the world’s great art museums, housing a collection that spans centuries and the globe. With courtesy of: Art Institute Chicago (public domain). : Through prior acquisition of the Friends of American Art and the Walter H. Schulze Memorial collections. Further, the alignment is in landscape format and has a side ratio of 1.4 : 1, which implies that the length is 40% longer than the width. The painter Childe Hassam was a North American artist from United States, whose art style can be attributed primarily to Impressionism. The American artist lived for 76 years and was born in the year 1859 in Dorchester, Boston, Suffolk county, Massachusetts, United States, neighborhood and deceased in the year 1935.

Item materials that you can select:

The product dropdown menu gives you the opportunity to choose your favorite size and material. You can choose among the following product customization options:

  • Canvas print: A printed canvas material mounted on a wood frame. The advantage of canvas prints is that they are relatively low in weight, which means that it is quite simple to hang up the Canvas print without extra wall-mounts. That is why, a canvas print is suited for all kinds of walls.
  • Printed acrylic glass (with real glass coating): A glossy print on acrylic glass, often described as a print on plexiglass, will turn the original work of art into wonderful décor. The work of art will be manufactured with the help of modern UV direct printing machines. With an acrylic glass fine art print contrasts and smaller details become more identifiable because of the subtle tonal gradation of the picture.
  • Metal (aluminium dibond print): Aluminium Dibond prints are metal prints with a true effect of depth. A non-reflective surface make a modern impression. For your Aluminium Dibond print, we print the chosen work of art right on the surface of the white-primed aluminum composite. Colors are luminous and vivid in the highest definition, the fine details appear very clear, and there’s a matte appearance that you can literally feel.
  • The poster print (canvas material): The poster print is a printed flat canvas with a slight structure on the surface. A poster is perfectly used for framing the art print with a custom frame. Please note, that depending on the size of the canvas poster print we add a white margin between 2-6cm around the painting, which facilitates the framing with your custom frame.

Important information: We try in order to describe the art products as precisely as possible and to exhibit them visually. At the same time, some colors of the print materials, as well as the print result might differ slightly from the representation on the monitor. Depending on the screen settings and the quality of the surface, color pigments may not be printed 100% realistically. Since all our art reproductions are printed and processed manually, there may also be minor discrepancies in the exact position and the size of the motif.

Structured item details

Product classification: art reproduction
Reproduction: digital reproduction
Manufacturing method: UV direct print
Product Origin: produced in Germany
Stock type: on demand
Intended product use: gallery wall, wall gallery
Image orientation: landscape alignment
Image aspect ratio: length : width - 1.4 : 1
Implication: the length is 40% longer than the width
Materials you can select: metal print (aluminium dibond), poster print (canvas paper), acrylic glass print (with real glass coating), canvas print
Canvas print (canvas on stretcher frame) size variants: 70x50cm - 28x20", 140x100cm - 55x39"
Acrylic glass print (with real glass coating) variants: 70x50cm - 28x20", 140x100cm - 55x39"
Poster print (canvas paper) size options: 70x50cm - 28x20"
Dibond print (alumnium material) variants: 70x50cm - 28x20", 140x100cm - 55x39"
Framing of the art reproduction: unframed art print

Background data about the original artwork

Name of the piece of art: "The Little Pond, Appledore"
Artwork classification: painting
Category: modern art
Period: 19th century
Year of creation: 1895
Approximate age of artwork: around 120 years
Painted on: oil on canvas
Artwork original size: 40,6 × 55,8 cm (16 × 22 in)
Signed (artwork): signed, lower right: "Childe Hassam 1890"
Exhibited in: Art Institute Chicago
Location of museum: Chicago, Illinois, United States of America
Museum's webpage: www.artic.edu
License of artwork: public domain
Courtesy of: Art Institute Chicago
Creditline of artwork: Through prior acquisition of the Friends of American Art and the Walter H. Schulze Memorial collections

Artist summary table

Artist: Childe Hassam
Aliases: הסאם צ'יילד, Childe Hassam, hassam childe, Hassam Frederick Childe, Hassam Frederick Childs, Hassam, Hassam Childe
Artist gender: male
Nationality: American
Jobs: painter
Country of the artist: United States
Classification of the artist: modern artist
Styles of the artist: Impressionism
Life span: 76 years
Year born: 1859
Born in (place): Dorchester, Boston, Suffolk county, Massachusetts, United States, neighborhood
Year of death: 1935
Town of death: East Hampton, Suffolk county, New York state, United States

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Supplemental information by Art Institute Chicago (© Copyright - Art Institute Chicago - Art Institute Chicago)

One of the Isles of Shoals located off the coast of Maine and New Hampshire, Appledore Island was the home of the poet Celia Thaxter and attracted numerous artists and writers to its rocky shores during the late 19th century. The Little Pond, Appledore dates from Childe Hassam’s first summer sojourn there, after three years spent working in Europe, and reflects his burgeoning interest in the bright palette, broken brushwork, and dramatic light effects of Impressionist painting.

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