Charles Marie Bouton, 1810 - The room of sculptures from the fourteenth century to the Museum of French Monuments. - fine art print

The art product

In the year 1810 Charles Marie Bouton created the 19th century piece of art titled The room of sculptures from the fourteenth century to the Museum of French Monuments.. The beyond 210 year old original has the size: Height: 71 cm, Width: 86 cm, Depth: 6 cm. It belongs to the collection of Musée Carnavalet Paris, which is a museum dedicated to the history of the city Paris. With courtesy of Musée Carnavalet Paris (license: public domain).In addition to that, the artwork has the creditline: . Further, the alignment is in landscape format and has a ratio of 1.2 : 1, which implies that the length is 20% longer than the width.

What does the original artwork description of the Musée Carnavalet Paris write about the artwork created by Charles Marie Bouton? (© - Musée Carnavalet Paris - Musée Carnavalet Paris)

In the center, Alexandre Lenoir taking notes. To the right, the monument erected by Lenoir to house the effigies of Charles V (from Saint-Denis) and Jeanne de Bourbon (from Celestine). At left, standing on the wall, from effigies of Saint-Denis or Parisian churches. Basically, statues of apostles, back, from the Sainte-Chapelle; these statues are turned towards the cloister.

Housed in the former convent of the Petits-Augustins, the Museum of French Monuments, organized by Alexandre Lenoir, opened in 1795. It brought together a multitude of sculptures and archaeological remnants, survivors of revolutionary destruction, presented picturesquely and chronological summary . Designed to "put the lovers of the arts to even know the national wealth of Fine Arts" he allowed for the first time to a large audience to get to know the "average age" formula that then began to replace the derogatory term of "Gothic. "The amenities Lenoir fell more theatrical staging that the scientific study and he never hesitated in search of" the effect "to alter, mutilate, or arbitrarily assemble complete the works which he had the guard. While some scholars were indignant at these falsifications and those anachronisms, the general public, and many artists in particular, were very sensitive to the enchanting atmosphere that emanated from lieux.Le Museum of Brou in Bourg en Bresse, retains the same artist is another view of the room of the fourteenth century, the same composition, but with introduction of historical figures (Charles VI and Valentine of Milan); the work is dated 1817.

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