Eugénie (épouse Latil) Henry, 1832 - Quasimodo Esmeralda saving the hands of his executioners - fine art print

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Quasimodo Esmeralda saving the hands of his executioners by Eugénie (épouse Latil) Henry as your own art replica

The modern art piece of art named Quasimodo Esmeralda saving the hands of his executioners was painted by the artist Eugénie (épouse Latil) Henry. The 180 year old piece of art measures the size of Height: 81 cm, Width: 65 cm and was manufactured on the medium Oil painting. The artwork has the following inscription: "Signature - Bottom gauce, on the first step: "Miss Henry 1832"". Today, the work of art is part of the Maison de Victor Hugo - Hauteville House's collection, which is located in Paris, France. The modern art masterpiece, which is part of the public domain is provided with courtesy of Maison de Victor Hugo - Hauteville House.: . On top of that, alignment is portrait and has an aspect ratio of 1 : 1.2, which implies that the length is 20% shorter than the width.

Product materials you can choose from

In the dropdown selection next to the product you can choose your prefered material and size. The following options are available for individualization:

  • Glossy acrylic glass print: The acrylic glass print, often denoted as a UV print on plexiglass, makes your chosen artwork into home décor. Furthermore, the acrylic glass print offers a viable alternative option to dibond and canvas fine art replicas. Our acrylic glass protects your chosen art replica against sunlight and heat for many years to come.
  • Poster print (canvas material): A poster print is a UV printed flat canvas with a slight finish on the surface. Please note, that depending on the size of the poster we add a white margin 2-6cm round about the painting, which facilitates the framing.
  • The canvas print: The canvas print is a printed cotton canvas mounted on a wooden stretcher. How do I hang a canvas print on my wall? Canvas Prints have the advantage of being low in weight. This means, it is easy and straightforward to hang your Canvas print without the help of any wall-mounts. That is why, canvas prints are suitable for any type of wall.
  • Aluminium dibond print (metal): Aluminium Dibond prints are prints on metal with a true depth effect. Its non-reflective surface structure make a modern impression.

Important legal note: We try everything to depict our art products with as many details as possible and to demonstrate them visually on the different product detail pages. Although, the tone of the printing material, as well as the print result might diverge somehwat from the image on the screen. Depending on your settings of your screen and the condition of the surface, colors can unfortunately not be printed as realistically as the digital version on this website. In view of the fact that all the art reproductions are printed and processed manually, there may as well be minor differences in the motif's size and exact position.

Structured item details

Print product type: fine art reproduction
Method of reproduction: digital reproduction
Manufacturing process: UV direct printing (digital print)
Manufacturing: German-made
Stock type: production on demand
Product usage: wall art, wall picture
Image alignment: portrait format
Image aspect ratio: 1 : 1.2 - (length : width)
Side ratio implication: the length is 20% shorter than the width
Material variants: canvas print, poster print (canvas paper), metal print (aluminium dibond), acrylic glass print (with real glass coating)
Canvas print (canvas on stretcher frame) size variants: 50x60cm - 20x24", 100x120cm - 39x47", 150x180cm - 59x71"
Acrylic glass print (with real glass coating) size variants: 50x60cm - 20x24", 100x120cm - 39x47"
Poster print (canvas paper): 50x60cm - 20x24", 100x120cm - 39x47"
Aluminium dibond print (aluminium material) sizes: 50x60cm - 20x24", 100x120cm - 39x47"
Picture frame: not available

Background data about the unique artpiece

Painting name: "Quasimodo Esmeralda saving the hands of his executioners"
Classification: painting
General category: modern art
Artwork century: 19th century
Created in: 1832
Approximate age of artwork: more than 180 years
Medium of original artwork: Oil painting
Dimensions of the original work of art: Height: 81 cm, Width: 65 cm
Original artwork inscription: Signature - Bottom gauce, on the first step: "Miss Henry 1832"
Exhibited in: Maison de Victor Hugo - Hauteville House
Museum location: Paris, France
Museum's webpage: Maison de Victor Hugo - Hauteville House
License of artwork: public domain
Courtesy of: Maison de Victor Hugo - Hauteville House

About the artist

Artist name: Eugénie (épouse Latil) Henry
Classification: modern artist
Born in the year: 1808
City of birth: Moscow
City of death: Saint-Girons

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What does the curator team of the Maison de Victor Hugo - Hauteville House state about the 19th century artwork painted by Eugénie (épouse Latil) Henry? (© - Maison de Victor Hugo - Hauteville House - Maison de Victor Hugo - Hauteville House)

Painting inspired by Victor Hugo's novel "Notre Dame de Paris", Book VIII, Chapter VI "Three hearts of man made differently" and corresponds to the following passage: "Suddenly, when the servants of the master works is preparing to execute the order of Charmolue phlegmatic, he stepped over the railing of the gallery, seized the rope with feet, knees and hands, and then was seen running down the front, like a drop of rain that slides along a window, run to the two executioners with the speed of a cat fell off a roof, floor under the two enormous fists, remove the Egyptian one hand, like a child's doll, and a single bound bounce into the church, lifting the young girl above his head and crying in a formidable voice: - Asylum / this was done so quickly that if it had been the night might have been see everything in the light of a single flash / -.! asylum seekers repeated the crowd, and ten thousand clapping did sparkle with joy e Does pride the single eye of Quasimodo. / The shock made her return to the convicted. She raised her eyelids, looked at Quasimodo, then closed suddenly terrified as his savior. / Charmolue was amazed, and the executioners, and all the escort. Indeed, within the walls of Notre Dame, the condemned was inviolable. The cathedral was a place of refuge. Every human justice expired on the threshold. "

The 1833 Fair catalog states: "Henry (Miss), 9, Spur Street. / 1233 - Quasimodo saving Esmeralda hands of his executioners. / (Episode of Our Lady of Paris) "This show is the first following the publication of Victor Hugo's novel in 1831, the 1832 Fair will not take place because of the cholera epidemic. Six shipments will attest to the effect of "Notre Dame de Paris" on the artists also Miss Henry, Louis Boulanger presents a series of watercolors (see Inv # 317 in 323.) And Auguste Couder his "Scenes from Our -Dame of Paris "(see inv. No. 767), while Jehan Duseigneur shows a relief, Ms. Meynier paint as Perlet. Apart from the frontispiece of Célestin Nanteuil to Renduel edition of 1832, the novel has not known illustrated edition; first published in 1836.

Esmeralda (literary character); Quasimodo (literary character)

Notre Dame de Paris (V.Hugo)

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