Léopold Robert, 1825 - The Church of San Paolo fuori le mura the day after the fire of 1823 - fine art print

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  • Canvas print: A canvas print, not to be mistaken with a canvas painting, is a digital image printed from an industrial printer. Hanging your canvas print: The advantage of canvas prints is that they are relatively low in weight, meaning that it is easy to hang up your Canvas print without extra wall-mounts. Canvas prints are suited for all types of walls.
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  • Print on glossy acrylic glass (with real glass coating): An acrylic glass print, which is often described as a UV print on plexiglass, changes an artwork into wall décor and makes a good alternative option to aluminium or canvas art prints. Your own version of the work of art will be made with the help of state-of-the-art UV printing technology. The great advantage of an acrylic glass fine art copy is that contrasts and image details become more visible with the help of the granular gradation. Our real glass coating protects your selected fine art print against light and heat for decades.

Legal note: We try our utmost to depict our products as accurately as possible and to display them visually. Although, the pigments of the print products, as well as the imprint may differ slightly from the presentation on the screen. Depending on your screen settings and the nature of the surface, not all colors are printed as exactly as the digital version shown here. Since our are processed and printed by hand, there may also be slight discrepancies in the size and exact position of the motif.

Additional specifications by the museum (© - Thorvaldsens Museum - Thorvaldsens Museum)

The fire in S. Paolo fuori le Mura on the night of 16 July 1823 was particularly fierce and shocked the entire population of Rome, as the church was believed to have been built over the grave of the Apostle Paul himself. Like so many others, Léopold visited the site of the fire and the impressions from this resulted in a painting portraying the smoking interior of the ruined church. Perhaps in order to illustrate people’s sense at time that the fire was a sign of God’s impotence – or anger – Robert has used a viewpoint that has displaced the centrally positioned altar and not least the medallion of Christ away from the centre of the picture. The vanishing point is in the northern aisle on the left of the painting, as a result of which there is an emphasis on the monks and their hazardous attempts to save something from the fire in the foreground. Thorvaldsen, who had commissioned a painting from Léopold Robert, saw in the painter’s studio a picture of the interior of the basilica with the fallen roof and immediately commissioned a replica, which, however, was made by Léopold’s younger brother, Aurèle. He arrived in Rome in 1822 and there trained as a painter partly by copying his elder brother’s paintings. The copy was done under Léopold’s supervision and was also finally approved by him, and so it must be considered a work by Léopold Robert, who in fact has personally signed the painting. Léopold Robert trained in Paris under neo-classical artists including the most important of them, J.-L. David, and he moved to Rome in 1818, living there until 1832. He died by his own hand only three years later as the result of an unhappy love affair.

The artpiece was made by the painter Léopold Robert in 1825. The more than 190 years old original version has the size: 102,0 x 82,4 cm and was painted with the medium oil on canvas. Besides, the piece of art is in the the Thorvaldsens Museum's collection, which is located in Copenhagen, Denmark. With courtesy of: Léopold Robert, The Church of San Paolo fuori le mura the day after the fire of 1823, 1825, Thorvaldsens Museum, www.thorvaldsensmuseum.dk (licensed - public domain).Creditline of the artwork: . What is more, the alignment of the digital reproduction is portrait and has a side ratio of 1 : 1.2, which means that the length is 20% shorter than the width. Léopold Robert was a painter, whose style can be classified as Neoclassicism. The European artist was born in 1794 and deceased at the age of 41 in 1835.

Details about the unique artpiece

Painting name: "The Church of San Paolo fuori le mura the day after the fire of 1823"
Classification of the artpiece: painting
Broad category: modern art
Artwork century: 19th century
Created in the year: 1825
Artwork age: around 190 years
Medium of original artwork: oil on canvas
Original artwork size: 102,0 x 82,4 cm
Museum / collection: Thorvaldsens Museum
Museum location: Copenhagen, Denmark
Web URL: Thorvaldsens Museum
Artwork license type: public domain
Courtesy of: Léopold Robert, The Church of San Paolo fuori le mura the day after the fire of 1823, 1825, Thorvaldsens Museum, www.thorvaldsensmuseum.dk

The product

Print product type: art print
Reproduction method: digital reproduction
Manufacturing method: UV direct printing
Origin of the product: made in Germany
Type of stock: production on demand
Proposed product use: wall decoration, home design
Orientation: portrait format
Image ratio: 1 : 1.2 - length : width
Interpretation: the length is 20% shorter than the width
Materials available: canvas print, acrylic glass print (with real glass coating), poster print (canvas paper), metal print (aluminium dibond)
Canvas print (canvas on stretcher frame) size options: 50x60cm - 20x24", 100x120cm - 39x47", 150x180cm - 59x71"
Acrylic glass print (with real glass coating): 50x60cm - 20x24", 100x120cm - 39x47"
Poster print (canvas paper) variants: 50x60cm - 20x24", 100x120cm - 39x47"
Aluminium print size variants: 50x60cm - 20x24", 100x120cm - 39x47"
Art print framing: no frame

Structured artist metadata

Artist: Léopold Robert
Artist nationality: French
Professions of the artist: painter
Country of origin: France
Artist classification: modern artist
Styles: Neoclassicism
Lifetime: 41 years
Year of birth: 1794
Year of death: 1835

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